James Webb

American, active late 20th century

Displaying 229 - 240 of 321

Results

  • The image shows a bold, curving line forming the shape of the number nine within a rectangular frame. The presentation emphasizes thick, sweeping strokes similar to calligraphic or sign fonts. The number resembles a large, curled fern unfurling or an old-style telephone receiver. The image is depicted in stark black and white.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.25

    Not on view
  • The image shows an oblong oval shape outlined by curved lines, set against a multi-colored gradient background. The colors transition from light red at the top, to yellow in the center, and to deep blue at the bottom. The central oval appears like a giant, colorful portal or an oversized oval mirror. Scribbled textures and vibrant gradient enhance the abstract quality of the artwork.

    Figure 0 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with chalk on arjomari wove paper [working proof]  Accession ID  2005.153.1

    Not on view
  • The image displays bold, sweeping black lines on a pale background. There is a large, curved shape intersected by a straight, vertical line to the right, along with smaller, angular strokes. The texture includes splatters and uneven edges, giving it a dynamic appearance.

    Figure 2 [trial proof]

    Jasper Johns, James Webb, John Dill, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arrjomari wove paper [trial proof]  Accession ID  2005.153.17

    Not on view
  • The image displays a large number "1" at the center, created using a gradient of abstract colors shifting from purple at the top to red and then to yellow at the bottom. Behind the number, there are faint outlines of text resembling pages from a newspaper, adding a textured layer to the artwork.

    Figure 1

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1981.5.34

    Not on view
  • The image shows a pattern of black lines forming a rectangular shape with an irregular border. The artwork appears to be a dense composition of interwoven lines.

    Figure 6 [trial proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.36

    Not on view
  • The image shows swirling and broad brushstrokes primarily in white on a vibrant background. The colors transition from orange on the left, to yellow in the center, and to green on the right.

    Figure 5 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with gouache on laid paper [working proof]  Accession ID  2005.153.28

    Not on view
  • The image shows bold, black brushstrokes forming large, curved, and angular shapes that overlap and blend within a rectangular frame, creating an abstract composition.

    Figure 5 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.32

    Not on view
  • The image consists of bold, swirling lines and shapes that intertwine to create an abstract pattern. The central feature resembles an over-sized figure eight or infinity symbol, crafted with thick, expressive strokes. Around these shapes, jagged, scribble-like lines fill the space, reminiscent of dynamic, energetic movements. The composition may evoke thoughts of tire tracks or trails left by a skater on ice, showcasing the fluid yet chaotic nature of the piece.

    Figure 8 [trial proof]

    Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.23

    Not on view
  • The image shows sharp, horizontal and vertical lines creating a large abstract shape similar to the letter "T." Inside this shape, clusters of text give the impression of a newspaper page, with some sections appearing torn to create a fragmented look resembling a collage.

    Figure 1 [trial proof]

    Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.12

    Not on view
  • The image shows a bold, thick-lined shape resembling the number "5" in black on a white background. The design has rough, expressive edges and uneven application of the black ink, giving it a dynamic and spontaneous appearance. The form evokes a numeral found in typography but is transformed into abstract art due to its oversized and painterly execution.

    Figure 5 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.33

    Not on view
  • The image shows an abstract composition with a large oval shape in the center and overlapping lines around it. Bands of vibrant colors transition from red, orange, yellow, and green to blue at the bottom.

    Figure 0 [experimental proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [experimental proof]  Accession ID  2005.153.10

    Not on view
  • The image shows bold, sweeping black lines and zigzag patterns on a cream-colored background, creating an abstract form that may remind viewers of natural elements. The lines with occasional jagged edges could resemble a stylized letter "E" or the outline of a shell.

    Figure 6 [trial proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.37

    Not on view