James Webb

American, active late 20th century

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  • This is a drawing of an owl perched on a branch. The artwork depicts the owl with a focus on intricate line work and shading to highlight the texture of its feathers and its closed eyes. The composition is minimalist, with the owl occupying most of the central space on the page against a plain background. The detailed lines bring out the softness of the owl's plumage and the structure of the branch it sits upon, which is rendered in a similar style but with less density. The color palette is muted, focusing on earthy tones.

    Tawny Owl (State I)

    William Crutchfield, Octavio Pereira, Bruce Lowney, James Webb, Gemini G.E.L.

    1968

    Lithograph in yellow and black with watercolor on barcham green wove paper  Accession ID  1991.74.17

    Not on view
  • The image displays a numeral "1" centered inside a rectangular frame. The surrounding area has abstract textured patterns with a mix of lighter and darker shades, creating depth and dimension. The number appears weathered and uneven. The composition consists of loose swirling lines and speckled surfaces.

    Figure 1

    Jasper Johns, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1981.5.32

    Not on view
  • The image comprises swirling lines, organic brown and green shapes, scattered dots, black amoeba-like outlines with dark brown spots, handwritten words "TAR PITS" in red, and a red sketch resembling tangled coils or a cloudy mass labeled "Moving Serpentine." Additionally, there is a yellow sale sticker indicating a price.

    Untitled (Tar Pits)

    Claes Oldenburg, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    One from a portfolio of 12 lithographs on rives bfk wove paper  Accession ID  1981.5.121.12

    Not on view
  • The image contains abstract lines and shapes. In the center are curly blue lines resembling intertwined lace. Above are black-ink drawings, including a crumpled shape and a cluster of rocks. To the right is a minimalist figure. In the upper right corner is a grid with abstract words and wave-like strokes. Each component offers a unique design for interpretation.

    Untitled (Sneaker Lace)

    Claes Oldenburg, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    One from a portfolio of 12 lithographs on rives bfk wove paper  Accession ID  1981.5.121.8

    Not on view
  • The image shows parallel lines forming an abstract pattern. On the left side, the lines are burnt orange, transitioning into teal blue on the right. The shapes resemble arrowheads or chevrons pointing in opposite directions, creating an abstract composition.

    ITATA

    Frank Stella, James Webb, George Page, Gemini G.E.L.

    1968

    Lithograph in orange and blue on lowell wove paper  Accession ID  1991.74.227

    Not on view
  • The image shows a large "9" shape outlined in a light color against a solid, dark rectangular background. Thick, bold lines form the number, with elegant curls at its base. The dark rectangle contrasts with the lighter negative space surrounding it. Handwritten notes and markings are visible at the bottom.

    Figure 9 [working proof]

    Jasper Johns, James Webb, Richard Wilke, Paul Drake, Gemini G.E.L.

    1968

    Lithograph in black and gray with ink and crayon on copperplate deluxe wove paper [working proof]  Accession ID  2004.167.89

    Not on view
  • The image features bold, sweeping lines in the shape of a "5" within a rectangular frame. The lines vary in thickness and cast shadows, creating an abstract composition that plays with depth and flatness. The bottom curve resembles a snail shell, and the upper section suggests a vintage telephone handset. The overall impression is a mix of structure and fluidity, capturing a moment of motion.

    Figure 5 [trial proof 3]

    Jasper Johns, James Webb, Richard Wilke, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.82

    Not on view
  • The image features a large oval shape outlined within a rectangular frame, filled with a multitude of textured lines and smudges. The oval is dark-toned, while the surrounding background is lighter.

    Figure 0 [trial proof]

    Jasper Johns, Charles Ritt, Dan Gualdoni, James Webb, Gemini G.E.L.

    1968

    Lithograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.65

    Not on view
  • The image displays a collection of bold, dark shapes and lines forming an abstract composition. A diagonal line cuts through the darker regions. The composition may evoke the image of a window or portal, with angular forms resembling panes and frames. The lack of distinct objects allows for interpretation and imagination within the structured chaos.

    Figure 4 [trial proof]

    Jasper Johns, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    Lithograph in black on copperplate deluxe wove paper [trial proof]  Accession ID  2004.167.80

    Not on view
  • The image displays an abstract composition featuring a large dark rectangular shape at the center. Within this shape are layered and overlapping dark lines and patches. The elements are captured in various shades of black and gray, creating a textured surface. The overall impression is a play of light and shadow that evokes a sense of depth and complexity within the geometric arrangement.

    Figure 4

    Jasper Johns, James Webb, Dan Gualdoni, Gemini G.E.L.

    1968

    Lithograph in black and gray on copperplate deluxe wove paper  Accession ID  1991.74.79

    Not on view
  • The image displays various shapes and lines in an abstract composition. There is a large black form with two ovals on top, a green shape with circular elements and flat edges, two small sketches labeled "falling down" on the left, and a monochrome photograph of a palm tree landscape with an angular structure at the bottom. A blue scribbled area on graph paper includes the handwritten text "aflat, face down."

    Untitled (Geometric Mouse)

    Claes Oldenburg, James Webb, Richard Wilke, Gemini G.E.L.

    1968

    Color lithograph on rives bfk wove paper  Accession ID  1976.56.122

    Not on view
  • The image features a canyon with cliffs and ravines in a landscape seen from above. The horizon is high, showing a distant perspective. The style uses thin lines to outline the geography and man-made structures. The color scheme is soft with pastel hues, such as light blues, yellows, and greens against primarily beige and brown rocks. A small steamship with bright orange flames is seen navigating the waters.

    At the Falls from Vista Series

    William Crutchfield, Octavio Pereira, James Webb, Gemini G.E.L.

    1967

    Lithograph in black and blue with watercolor on arches wove paper  Accession ID  1981.5.157

    Not on view