Charles Ritt

Ritt, Charly
Ritt, Chuck

American, active late 20th century

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  • The image shows a number "5" formed by thick lines in a rectangular frame. The artwork has a gradient of warm colors transitioning from deep red at the top, through bright yellow in the middle, to rich green at the bottom.

    Figure 5 [artist's proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [artist's proof]  Accession ID  1976.56.83

    Not on view
  • The image shows swirling lines and curves forming an abstract design. The dominant arc-like shapes are in orange and yellow transitioning into red. The background features crosshatched lines, adding texture. The curves and colors evoke a sense of warmth and growth.

    Figure 6 [working proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Color lithograph with gouache on arjomariwove paper [working proof]  Accession ID  2005.153.35

    Not on view
  • The image consists of bold, overlapping, and intersecting dark shapes and lines. These elements create a dense and textured composition. The lighter areas interspersed with the darker patches suggest an interplay of light and shadow. The use of shading and texture adds depth to the artwork.

    Figure 4 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.24

    Not on view
  • This image displays an array of abstract shapes and lines in red, purple, and orange hues. A hand with fingers spread can be seen in the lower left section. The face of Mona Lisa also subtly emerges within the composition.

    Figure 7

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1981.5.35

    Not on view
  • The image shows a dense patchwork of intersecting lines creating a rectangular shape. The interior is filled with dark lines intersecting in various directions. The abstract composition resembles a tangled forest or woven fabric, with irregular line thickness and direction adding texture and complexity. Small patches of lighter tones are scattered within the web. Thin, sweeping lines extend beyond the dark rectangle, reaching towards the edges of the canvas.

    Figure 6 [proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black and tan with paint and pen and blue ink on arjomari wove paper [proof]  Accession ID  2005.153.15.b

    Not on view
  • The image shows an arrangement of overlapping lines and curves on a textured surface. The lines intersect in a chaotic yet orderly manner, creating a sense of depth and complexity. The composition is abstract, resembling tangled threads or cables. The interplay of embossed lines against the plain background conveys a sense of interconnected paths or networks. The artwork's complexity may bring to mind a dense urban aerial map or the intricate framework of a leaf.

    Alphabet

    Jasper Johns, Charles Ritt, Gemini G.E.L.

    1969

    Embossing on arches wove paper  Accession ID  1991.74.75

    Not on view
  • The image displays an abstract rectangular shape with overlapping colors transitioning from bright yellow at the top to deep blue at the bottom. Varying shades of green fill the space between. The colors form soft lines and shapes within the composition. The vibrant tones and blending suggest natural elements and a sense of movement and depth in the design.

    Figure 4 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [trial proof]  Accession ID  2005.153.26

    Not on view
  • The image contains intersecting shapes and lines in various colors. The composition transitions from green to purple. It features wavy lines and zigzag patterns. Some lines resemble organic growth or movement. Central to the piece are curved lines that could represent a crescent moon or smile. The overall effect is vibrant and textured.

    Figure 3

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1991.74.84

    Not on view
  • The image depicts a bold, black, angular line that creates an abstract shape resembling a minimalist face or head. The shape is set against a softly shaded, speckled area on a cream-colored background. The composition evokes geometric angles and curves, akin to a stylized drinking glass or chalice, emphasizing the abstract nature of the artwork.

    Figure 4 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.25

    Not on view
  • The image shows a bold, thick-lined shape resembling the number "5" in black on a white background. The design has rough, expressive edges and uneven application of the black ink, giving it a dynamic and spontaneous appearance. The form evokes a numeral found in typography but is transformed into abstract art due to its oversized and painterly execution.

    Figure 5 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.33

    Not on view
  • The image displays a large number "4" outlined in white against a bold, abstract background. The background transitions from yellow at the top, to green in the middle, and then to blue at the bottom in a gradient effect. The composition evokes a vivid summer sky changing into grassy fields or ocean waves, with the number "4" as the focal point. The use of primary colors and simple geometric shapes creates an energetic and modern appearance.

    Figure 4

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1991.74.85

    Not on view
  • ""

    Earth Tie

    Robert Rauschenberg, Charles Ritt, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph on arches cover wove paper  Accession ID  1991.74.233

    Not on view