Charles Ritt

Ritt, Charly
Ritt, Chuck

American, active late 20th century

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  • The image shows an arrangement of overlapping lines and curves on a textured surface. The lines intersect in a chaotic yet orderly manner, creating a sense of depth and complexity. The composition is abstract, resembling tangled threads or cables. The interplay of embossed lines against the plain background conveys a sense of interconnected paths or networks. The artwork's complexity may bring to mind a dense urban aerial map or the intricate framework of a leaf.

    Alphabet

    Jasper Johns, Charles Ritt, Gemini G.E.L.

    1969

    Embossing on arches wove paper  Accession ID  1991.74.75

    Not on view
  • The image displays an abstract rectangular shape with overlapping colors transitioning from bright yellow at the top to deep blue at the bottom. Varying shades of green fill the space between. The colors form soft lines and shapes within the composition. The vibrant tones and blending suggest natural elements and a sense of movement and depth in the design.

    Figure 4 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [trial proof]  Accession ID  2005.153.26

    Not on view
  • The image shows bold, sweeping black lines and zigzag patterns on a cream-colored background, creating an abstract form that may remind viewers of natural elements. The lines with occasional jagged edges could resemble a stylized letter "E" or the outline of a shell.

    Figure 6 [trial proof]

    Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.37

    Not on view
  • The image depicts a bold, black, angular line that creates an abstract shape resembling a minimalist face or head. The shape is set against a softly shaded, speckled area on a cream-colored background. The composition evokes geometric angles and curves, akin to a stylized drinking glass or chalice, emphasizing the abstract nature of the artwork.

    Figure 4 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2005.153.25

    Not on view
  • The image shows swirling and broad brushstrokes primarily in white on a vibrant background. The colors transition from orange on the left, to yellow in the center, and to green on the right.

    Figure 5 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L.

    1969

    Color lithograph with gouache on laid paper [working proof]  Accession ID  2005.153.28

    Not on view
  • The image features irregular shapes and smudged lines with a dark silhouette resembling a person in profile. The composition includes diagonal lines and a mix of dark and light areas, creating an abstract visual of a shadowy landscape or nighttime scene. Text elements like "LIFTOFF" and "HORIZON" are scattered throughout the image.

    Rack

    Robert Rauschenberg, Charles Ritt, Gemini G.E.L.

    1969

    Lithograph in dark brown on rives bfk wove paper  Accession ID  2017.54.89

    Not on view
  • The image displays a large number "4" outlined in white against a bold, abstract background. The background transitions from yellow at the top, to green in the middle, and then to blue at the bottom in a gradient effect. The composition evokes a vivid summer sky changing into grassy fields or ocean waves, with the number "4" as the focal point. The use of primary colors and simple geometric shapes creates an energetic and modern appearance.

    Figure 4

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper  Accession ID  1991.74.85

    Not on view
  • The image shows a black handprint with distinct finger silhouettes on a cream-colored background.

    Figure 7 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.17

    Not on view
  • ""

    Earth Tie

    Robert Rauschenberg, Charles Ritt, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph on arches cover wove paper  Accession ID  1991.74.233

    Not on view
  • The image shows an angular shape resembling an inverted number "4" outlined in white brushing across the canvas. The background transitions from yellow to green to blue.

    Figure 4 [working proof]

    Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L.

    1969

    Color lithograph with pen and black ink, brush and black ink, and gouache on newsprint [working proof]  Accession ID  2005.153.23

    Not on view
  • ""

    Horn

    Robert Rauschenberg, Charles Ritt, Timothy Isham, Gemini G.E.L.

    1969

    Lithograph on special rives wove paper  Accession ID  1991.74.239

    Not on view
  • The image shows bold, sweeping curves and jagged lines in an abstract design. A partial depiction of the Mona Lisa's face is at the center, framed by abstract shapes. The surrounding lines and forms resemble arches and spikes, merging organically, while varied textures add depth and energy. The interplay between abstract elements and the recognizable face creates a dynamic visual experience.

    Figure 7 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.16

    Not on view