Crown Point Press

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    Telemone #2

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1997.8.45

    Not on view
  • The image is a drawing showing a person from the shoulders up, positioned facing slightly towards the left with their right arm extended to the side. The person's facial features are depicted with bold lines emphasizing the eyes, nose, and mouth. They have short hair. The attire is not detailed but suggests a collared shirt. The person appears to be holding a pen or a similar object in their hand. Around them is a large circular design resembling a serpent or snake biting its tail (an ouroboros). The background is plain, and the image is centered on the page with a wide margin around it.

    Self-Portrait #4 (Snake)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.79

    Not on view
  • The image features a natural setting with rocks as the focal point. The horizon is not visible. The style includes intricate lines and varied strokes for texture, with a monochrome color palette of black and off-white. Sparse branch lines are visible at the top, and detailed rocky formations are closer. Sparse, dense lines suggest distant vegetation.

    Landscape #1

    Francesco Clemente, Crown Point Press, Peter Pettengill, Hidekatsu Takada

    1981

    Drypoint in black on somerset paper  Accession ID  2001.142.26

    Not on view
  • The image depicts an arrangement of straight and intersecting lines on a plain background, forming geometric shapes such as triangles and quadrilaterals. Some angles and segments suggest a fragmented structure resembling a minimalist architectural sketch. The lines' varied directions may evoke the framework or scaffolding of a partially constructed building.

    Oakland Image

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Hardground etching with drypoint in black on arches satine paper  Accession ID  1996.77.46

    Not on view
  • This image features intricate and intertwined lines and shapes creating an abstract composition. The shapes resemble human body parts, such as faces and limbs, giving the impression of several people entangled. On the right, a detailed face with a prominent eye and partial nose is depicted. On the left, elements resembling facial features and abstract organic forms are interwoven, suggesting textures like hair or leaves. The composition has an abstract quality evoking human figures and natural textures, open to interpretation.

    Self-Portrait #1 (India)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.76

    Not on view
  • This is a drawing of a surreal and abstract composition. The drawing features various objects and elements such as funnels and an aquatic creature. The drawing is composed of multiple sections depicting different scenes. In the upper left section, there is a red square with a detailed drawing of a funnel standing upright. Next to it, in the background of swirling patterns, more funnels appear to be floating weightlessly. In the central part of the image, the bottom half of a tree stump is present, topped with another funnel. To the right, there is a detailed side profile of a face with long hair and a beard. Beneath these elements, the lower part of the image showcases a large, detailed drawing of an aquatic creature, possibly a whale, with its body half-submerged in water. The entire drawing is created with fine lines and cross-hatching, bringing texture and depth to the various elements depicted.

    Visiting with John Muir

    Italo Scanga, Nancy Anello, Crown Point Press

    1981

    Color etching and spitbite aquatint on arches cover buff paper  Accession ID  1998.40.409

    Not on view
  • The image consists of sweeping, curved lines that converge and diverge across the canvas. The lines are abstract and may resemble the flow of reeds or strands of hair. In the lower right corner, there is a bold outline resembling a large leaf or a stylized profile of a face. In the upper left, a smaller square contains faint sketches that could resemble leaves or feathers. The overall abstract composition invites viewers to connect the shapes to organic forms in nature.

    Responsibility (Vertical)

    Joel Fisher, Lilah Toland, Crown Point Press

    1981

    Sugarlift aquatint and hardground etching on chine collé of arches lightweight satine on rives bfk roll paper  Accession ID  1997.8.52

    Not on view
  • The image is composed of various lines and textures. The horizon, at the top, shows dark, heavily-textured strokes resembling a tree line. In the forefront, two circular shapes are outlined, possibly lily pads. Linear marks create a web-like pattern. The color scheme is monochromatic, using black, gray, and white.

    Landscape #2

    Francesco Clemente, Crown Point Press, Peter Pettengill, Hidekatsu Takada

    1981

    Drypoint in black on somerset paper  Accession ID  2001.142.27

    Not on view
  • The image features bold, curving lines resembling spade playing card symbols. A blue spade-like figure is at the center, flanked by smaller black and pink counterparts on a textured green background. The image evokes a stylized representation of playing cards, with overlapping shapes and varied colors creating a sense of depth and dimension.

    Combination [working proof 12]

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Color spitbite etching, aquatint and drypoint on wove paper [working proof]  Accession ID  1991.235.3

    Not on view
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    Telemone #1

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1997.8.44

    Not on view
  • The image shows a large spade-like shape outlined with intersecting and overlapping lines. Inside the spade are three teardrop shapes in blue, yellow, and red forming a clover-like design. A smaller black circle is on the left side within the spade's outline. The black background contrasts with the colors and shapes, while the sketchy lines add dynamism.

    Tri-Color II

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Color aquatint, spitbite aquatint, and softground etching on arches satine paper  Accession ID  1997.9.26

    Not on view
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    Raven

    Italo Scanga, Nancy Anello, Crown Point Press

    1981

    Drypoint in black and red on arches cover buff paper  Accession ID  1998.40.406

    Not on view