Crown Point Press

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  • The image depicts an arrangement of straight and intersecting lines on a plain background, forming geometric shapes such as triangles and quadrilaterals. Some angles and segments suggest a fragmented structure resembling a minimalist architectural sketch. The lines' varied directions may evoke the framework or scaffolding of a partially constructed building.

    Oakland Image

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Hardground etching with drypoint in black on arches satine paper  Accession ID  1996.77.46

    Not on view
  • The image depicts a series of bold, curved lines and organic shapes within a square format. The dominant shapes resemble spade symbols, with one in black and another in a warm beige hue. The composition includes a vertical line bisecting the spade-like figures, adding symmetry. The colors and forms stand out against a light background, reminiscent of playing card motifs in an abstract way.

    Combination [working proof 5]

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Aquatint and drypoint in black with graphite and collage on wove paper [working proof]  Accession ID  1991.235.2

    Not on view
  • This image features intricate and intertwined lines and shapes creating an abstract composition. The shapes resemble human body parts, such as faces and limbs, giving the impression of several people entangled. On the right, a detailed face with a prominent eye and partial nose is depicted. On the left, elements resembling facial features and abstract organic forms are interwoven, suggesting textures like hair or leaves. The composition has an abstract quality evoking human figures and natural textures, open to interpretation.

    Self-Portrait #1 (India)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.76

    Not on view
  • The image consists of sweeping, curved lines that converge and diverge across the canvas. The lines are abstract and may resemble the flow of reeds or strands of hair. In the lower right corner, there is a bold outline resembling a large leaf or a stylized profile of a face. In the upper left, a smaller square contains faint sketches that could resemble leaves or feathers. The overall abstract composition invites viewers to connect the shapes to organic forms in nature.

    Responsibility (Vertical)

    Joel Fisher, Lilah Toland, Crown Point Press

    1981

    Sugarlift aquatint and hardground etching on chine collé of arches lightweight satine on rives bfk roll paper  Accession ID  1997.8.52

    Not on view
  • ""

    Not St. Girolamo

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, softground on chine collé on handmade don farnsworth and arches 88 roll paper  Accession ID  1997.8.43

    Not on view
  • The image shows black lines creating abstract shapes on a textured white background. One central large diamond shape is surrounded by flowing curves resembling river paths or elongated balloons. The composition is minimalistic with a sense of movement from the lines.

    Card Game

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1996.77.47

    Not on view
  • The image displays bold, curving black shapes and lines on a lighter background. One part resembles a large abstract club shape, while a form in the top right corner suggests an abstract spade shape. The composition plays with familiar card symbols in an abstract manner, challenging the viewer to reconsider their recognizable forms. The lines and shapes interact within a roughly square boundary, creating an unusual and abstract exploration of these icons.

    Combination [working proof 1]

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Aquatint in black with chalk additions on wove paper [working proof]  Accession ID  1991.235.1

    Not on view
  • The image displays a minimalist line drawing of a person's face. The head is depicted with a frontal view and centered alignment, featuring basic facial features outlined in simple lines, including eyebrows, eyes, a nose, and lips. The hair is short and closely cropped. The drawing lacks intricate details, focusing solely on the face against a blank backdrop. There are no accessories or objects present in the image.

    Self-Portrait #5 (Scowl)

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Softground etching in black on arches satine paper  Accession ID  1998.40.80

    Not on view
  • The image shows bold, curving lines and triangular shapes forming a configuration resembling a spade from a deck of cards on a textured backdrop. The abstract composition combines elements related to the shape of a playing card spade, with an oversized blue form in the center and a smaller, black and white variation above it. The background is a muted, reddish-brown expanse.

    Combination

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    published 1981

    Color spitbite etching, aquatint, and drypoint on arches satine paper  Accession ID  1991.207.1

    Not on view
  • The image features bold, curving lines resembling spade playing card symbols. A blue spade-like figure is at the center, flanked by smaller black and pink counterparts on a textured green background. The image evokes a stylized representation of playing cards, with overlapping shapes and varied colors creating a sense of depth and dimension.

    Combination [working proof 12]

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Color spitbite etching, aquatint and drypoint on wove paper [working proof]  Accession ID  1991.235.3

    Not on view
  • ""

    Telemone #1

    Francesco Clemente, Hidekatsu Takada, Crown Point Press

    1981

    Etching, aquatint, drypoint, and softground etching on don farnsworth handmade chine collé mounted on arches 88 paper  Accession ID  1997.8.44

    Not on view
  • The image shows a large spade-like shape outlined with intersecting and overlapping lines. Inside the spade are three teardrop shapes in blue, yellow, and red forming a clover-like design. A smaller black circle is on the left side within the spade's outline. The black background contrasts with the colors and shapes, while the sketchy lines add dynamism.

    Tri-Color II

    Richard Diebenkorn, Nancy Anello, Crown Point Press

    1981

    Color aquatint, spitbite aquatint, and softground etching on arches satine paper  Accession ID  1997.9.26

    Not on view