Crown Point Press

The image shows wavy, undulating black lines on a white background within a rectangular frame. The lines may resemble zebra stripes or flowing water. The pattern is consistent throughout, creating movement and rhythm. The black shapes and white spaces interact harmoniously, evoking natural patterns in an abstract way.

Curvy Brushstrokes I (working proof)

Sol LeWitt, Crown Point Press

1997

Sugarlift aquatint in black on wove paper Accession ID 2014.116.23

Not on view

The image shows a scene of a steep incline leading to a cluster of high-rise buildings in the distance. The horizon is not visible, and the buildings are at the top of the rise. The artwork features fine lines and cross-hatching, possibly done in an etching or drypoint technique, detailing the structures and the jagged slope. The color scheme is black and grey on an off-white background. Slanting lines lead the eye to the skyline and the towering spires, creating a dynamic composition.

Marina Ridge

Wayne Thiebaud, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson

1997

Drypoint in black on gampi chine collé on somerset textured white Accession ID 2001.142.101

Not on view

Curvy Brushstrokes II

Sol LeWitt, Crown Point Press, Daria Sywulak, Case Hudson, Dena Schuckit, Mari Andrews

1997

Color sugarlift aquatint on somerset satin white paper Accession ID 2001.142.57

Not on view

Black Curvy Brushstrokes

Sol LeWitt, Daria Sywulak, Dena Schuckit, Mari Andrews, Case Hudson, Crown Point Press

1997

Sugarlift aquatint on somerset paper Accession ID 2006.122.45

Not on view

Pontchartrain [panel A]

Robert Colescott, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson

1997

Color sugarlift aquatint and spitbite aquatint with etching and drypoint on wove arches paper Accession ID 2011.119.24.a

Not on view

The image shows a long, slender vertical line that gently curves along its length on a soft, beige background. The texture of the line suggests something organic. The composition balances the muted backdrop with the dark central figure, creating an abstract representation of nature-inspired elements.

Drawing a Line as Far as I Can Reach (Second Version)

Tom Marioni, Dena Schuckit, Crown Point Press

1996

Hardground etching and aquatint in brown and black on somerset wove paper Accession ID 2001.142.73

Not on view

96-C-5

Yutaka Yoshinaga, Crown Point Press, Dena Schuckit, Paul Mullowney, Daria Sywulak

1996

Color hardground etching with spitbite aquatint and drypoint on somerset white textured paper Accession ID 2001.142.124

Not on view

Sunlight on Water I

Pat Steir, Crown Point Press, Dena Schuckit, Daria Sywulak, Renée Bott

1996

Color aquatint reversal with drypoint and soapground aquatint on wove somerset paper Accession ID 2006.122.141

Not on view

96-C-4

Yutaka Yoshinaga, Crown Point Press, Daria Sywulak, Paul Mullowney, Dena Schuckit

1996

Color aquatint and softgroung etching with drypoint on somerset textured white paper Accession ID 2001.142.123

Not on view

The image shows a variety of abstract shapes and lines. Some shapes resemble people, an hourglass shape is in the middle with swirling lines, a globe-like form is on the right encircled by a red ring. Further right, there is a rectangular bar with a circular area enclosing a face drawn in blue.

Cripples (after Breughel) Discuss Cosmic Downsizing or Digital Reality and Time

William T. Wiley, Crown Point Press, Daria Sywulak, Dena Schuckit

1996

Hardground etching with drypoint and aquatint in black on hosho paper Accession ID 2001.142.118

Not on view

96-C-2

Yutaka Yoshinaga, Crown Point Press, Paul Mullowney, Dena Schuckit, Daria Sywulak

1996

Color aquatint with drypoint and spitbite aquatint on somerset textured white paper Accession ID 2001.142.121

Not on view

The image shows an abstract composition with splatters and drips of various colors against a dark background. Lines of red trickle down the upper section, while splashes of white and dots of yellow are scattered around.

Starry Night: July

Pat Steir, Crown Point Press, Dena Schuckit, Daria Sywulak, Renée Bott

1996

Color soapground aquatint with aquatint on wove somerset paper Accession ID 2006.122.136

Not on view

Crown Point Press

Curvy Brushstrokes I (working proof)

Curvy Brushstrokes I (working proof)

Marina Ridge

Marina Ridge

Curvy Brushstrokes II

Curvy Brushstrokes II

Black Curvy Brushstrokes

Black Curvy Brushstrokes

Pontchartrain [panel A]

Pontchartrain [panel A]

Drawing a Line as Far as I Can Reach (Second Version)

Drawing a Line as Far as I Can Reach (Second Version)

96-C-5

96-C-5

Sunlight on Water I

Sunlight on Water I

96-C-4

96-C-4

Cripples (after Breughel) Discuss Cosmic Downsizing or Digital Reality and Time

Cripples (after Breughel) Discuss Cosmic Downsizing or Digital Reality and Time

96-C-2

96-C-2

Starry Night: July

Starry Night: July

West Building

East Building

Sculpture Garden

Crown Point Press

Results

West Building

East Building

Sculpture Garden

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