Crown Point Press

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  • The image displays a large pitcher with a curved handle as the primary object. It is accompanied by a bowl, a small bottle, a cup, a salt or pepper shaker, and a rounded container with a small stopper or lid. The items are arranged in a grayscale color palette, creating a monochromatic effect. The pitcher is on the left, the small bottle is in front of it, the bowl is to the right of the pitcher, the cup and rounded container are positioned in front of and next to the bowl, and the salt or pepper shaker is placed between the pitcher and the bowl.

    La Notte

    William Bailey, Crown Point Press, Dena Schuckit, Renée Bott, Daria Sywulak, Mari Andrews

    1996

    Hardground etching with aquatint in black on somerset satin white paper  Accession ID  2001.142.7

    Not on view
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    Montepulciano

    William Bailey, Crown Point Press, Dena Schuckit, Daria Sywulak, Mari Andrews, Renée Bott

    1996

    Aquatint with etching in black on somerset satin white paper  Accession ID  2001.142.9

    Not on view
  • The image depicts a profile of a human head made up of fine, sketchy lines that converge to create facial features and hair texture. The background is a muted brown wash.

    Cat Man

    Nathan Oliveira, Crown Point Press, Daria Sywulak, Mari Andrews, Lawrence J. Hamlin

    1994

    Color drypoint with soapground aquatint, spitbite aquatint and aquatint on wove somerset paper  Accession ID  2011.119.87

    Not on view
  • The image shows elongated and blurred forms vertically aligned in rows, creating an abstract pattern. The forms resemble silhouettes of people standing or walking, some holding objects in front of them. The overall tones are green and dark, giving the scene a reflective quality.

    Multiple from the set Five Studies from an Endless Film

    Christopher Brown, Crown Point Press, Renée Bott

    1994

    Color softground etching and spitbite aquatint with scraping and burnishing on lana royal white paper  Accession ID  1998.40.56

    Not on view
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    The Farmer's Almanac

    Christopher Brown, Renée Bott, Crown Point Press

    1994

    Color spitbite and soapground aquatint, aquatint, and softground etching on somerset soft white paper  Accession ID  1998.40.44

    Not on view
  • This is a painting featuring a vehicle with a flag on it and a hand pointing upward. The scene shows an automobile with visible headlights, front badge, and an American flag attached to its front. The background consists of green and yellow hues blending into each other, creating a vintage ambiance. There is a partial view of another person in uniform, their details blurred or obscured, contrasting with the clear design of the car. The painting is in the style of Gerhard Richter.

    Flag from the set Five Studies from an Endless Film

    Christopher Brown, Crown Point Press, Renée Bott

    1994

    Color softground etching and spitbite aquatint with scraping and burnishing on lana royal white paper  Accession ID  1998.40.55

    On View: East Building Concourse, Galleries
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    May [upper panel]

    Robert Kushner, Crown Point Press

    1994

    Lower panel of two parts: color sugarlift and spitbite aquatint with aquatint on somerset soft white paper  Accession ID  1998.40.325

    Not on view
  • The image includes intersecting thin lines and curved shapes on a textured background, forming an abstract composition.

    Dog Man

    Nathan Oliveira, Crown Point Press, Mari Andrews, Daria Sywulak, Lawrence J. Hamlin

    1994

    Color drypoint with soapground and spitbite aquatint and scraping and burnishing on somerset soft white textured paper  Accession ID  2001.142.89

    Not on view
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    Divining Rod

    Christopher Brown, Renée Bott, Crown Point Press

    1994

    Color spitbite and sugarlift aquatint, soapground aquatint reversal, and softground etching on somerset soft white paper  Accession ID  1998.40.42

    Not on view
  • The image shows two individuals from the waist up, both facing away from the viewer. The person on the left wears a long-sleeved shirt with a red and gray diamond pattern and seems to have short, dark hair. The individual on the right appears to be topless, with one arm around the person on the left. They have short dark hair as well. The background is an abstract, softly blurred setting with muted tones of blue and beige, with an area of brighter blue on the far right. There are no visible facial features due to their positioning.

    Diamond from the set Five Studies from an Endless Film

    Christopher Brown, Crown Point Press, Renée Bott

    1994

    Color softground etching with scraping and burnishing on lana royal white paper  Accession ID  1998.40.54

    Not on view
  • The image shows intersecting lines forming geometric shapes such as rectangles, triangles, and circles that overlap each other. A partially visible cube, an extended triangle, and overlapping circles create depth. The outlines suggest a structured and floating form. The black lines on a white background highlight the abstract nature of the design.

    For A.

    Al Held, Renée Bott, Crown Point Press

    1995

    Hardground etching with foulbiting on wove paper  Accession ID  1996.93.87

    Not on view
  • Large abstract floral shapes with curving petals dominate the composition. The color palette consists mainly of soft pinks with hints of dark gray and black for outlines and details, set against a deep blue and dark green background. In the center of the image, petals layer towards the middle, with some lines and spots suggesting the stamens of a flower. The pink petals extend outwards, curling and folding, reaching towards the edges of the frame, interacting with the contrasting colors of the background directly surrounding them.

    Camellia Pink

    Robert Kushner, Crown Point Press

    1994

    Color sugarlift, spitbite, soapground aquatint, and aquatint on somerset white textured paper  Accession ID  1998.40.316

    Not on view