Crown Point Press

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    The Old Mirror

    Katsura Funakoshi, Daria Sywulak, Crown Point Press

    1993

    Aquatint, openbite, and drypoint in black on somerset textures soft white paper  Accession ID  1998.40.176

    Not on view
  • The image shows intersecting vertical and horizontal lines on a dark, textured canvas, forming rectangular and triangular shapes.

    Plate 18

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.120

    Not on view
  • The image displays swirling lines and amorphous shapes blending together in a chaotic arrangement to form an abstract composition. Thick black strokes and intersecting lines create tangled patterns, while lighter, finer lines in the background suggest a crumpled texture. The overall effect is a dynamic and intricate design that can be interpreted as a wild landscape or a busy cityscape from an aerial perspective.

    Plate 8

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.110

    Not on view
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    Night Farm

    Wayne Thiebaud, Crown Point Press

    1993

    Aquatint with softground etching, drypoint, and spitbite etching on somerset textured white paper  Accession ID  1996.93.110

    Not on view
  • The image shows a series of dense black lines and shapes that overlap to form an intricate and abstract composition. The interplay of light and shadow within the forms creates an effect of intertwining figures or silhouettes. The contrast between the dark shapes and lighter areas emphasizes the complexity of the composition.

    Plate 15

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint, aquatint, and crayon-resist flatbite etching with scraping on somerset textured white paper  Accession ID  1997.8.117

    Not on view
  • The image features thick, dark, elongated shapes moving horizontally across the canvas, intersected by thin, vertical and diagonal lines. This abstract composition suggests movement and depth. The interplay of bold, solid forms with fine, erratic scribbles creates a dynamic, energetic scene.

    Plate 2

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.104

    Not on view
  • The image displays thin, erratic lines crisscrossing and overlapping alongside dark, flowing shapes. The elements combine to suggest forms resembling clouds or islands. The darker shapes float amidst a lighter background, similar to scattered stones or driftwood on a river. The abstract forms encourage viewers to make connections with familiar objects.

    Plate 12

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.114

    Not on view
  • The image shows a series of elongated, vertical forms composed of dense, interwoven lines. The abstract arrangement of lines and shapes gives the impression of a forest of trees or columns. The central forms stand upright as if rooted to the ground, with surrounding linear patterns weaving around them. The sweeping lines at the bottom resemble an uneven ground or flowing water.

    Plate 6

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and hardground etching with scraping on somerset textured white paper  Accession ID  1997.8.108

    Not on view
  • The image shows bold black shapes with textured and curved lines that create balance. The shapes and lines overlap and converge in a manner that evokes fluid movements. The top portion features a horizontal band, while the bottom has curved lines and a darker area with dots. In the center, angular lines suggest a fan or bird feathers.

    Plate 10

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.112

    Not on view
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    Valley Farm

    Wayne Thiebaud, Crown Point Press

    1993

    Color softground etching, spitbite etching, and aquatint with drypoint on somerset textured white paper  Accession ID  1996.93.108

    Not on view
  • The image displays elongated vertical lines and abstract shapes against a dark background. The forms resemble draped or flowing structures. Three rectangular blocks contain linear patterns resembling leaves or feathers. Toward the bottom, white and red undulating forms suggest scattered papers or notes.

    Night Thoughts

    Per Kirkeby, Crown Point Press

    1993

    Color soapground aquatint and drypoint on somerset soft white paper  Accession ID  1998.40.292

    Not on view
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    Blue and White Waterfall

    Pat Steir, Crown Point Press

    1993

    Color soapground and spitbite aquatint on somerset soft white paper  Accession ID  1998.40.458

    Not on view