Crown Point Press

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    Carrying Words

    Katsura Funakoshi, Daria Sywulak, Crown Point Press

    1993

    Aquatint, openbite, and drypoint in black on somerset satin white paper  Accession ID  1998.40.171

    Not on view
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    Night Farm

    Wayne Thiebaud, Crown Point Press

    1993

    Aquatint with softground etching, drypoint, and spitbite etching on somerset textured white paper  Accession ID  1996.93.110

    Not on view
  • The image displays a bold, jagged vertical line dividing two contrasting sections. On the left, there is an abstract landscape of winding lines on a deep black background. To the right, there are intricate, maze-like patterns filled with abstract shapes suggesting fish or leaves. The composition creates a juxtaposition of flowing lines and densely packed textures, hinting at natural and aquatic themes.

    Dark Thoughts

    Per Kirkeby, Renée Bott, Crown Point Press

    1993

    Color open bite etching with hardground etching, printed partially in relief on somerset soft white paper  Accession ID  1998.40.291

    Not on view
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    Radish

    Pat Steir, Crown Point Press, Daria Sywulak, Lothar Osterburg, Renée Bott

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.133

    Not on view
  • The image depicts elongated lines and shadowy forms resembling figures walking across a striped pattern of light and dark. The figures suggest people in a city street, wearing hats and dark clothing that cast distinct shadows. The arrangement of shapes gives the impression of a view from above, with overlapping lines and forms conveying a bustling crowd. The hats are round shapes on top of the elongated forms, hinting at classic urban attire.

    1929

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Color softground etching, spitbite aquatint, and aquatint on lana royal white paper  Accession ID  1998.40.60

    Not on view
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    Plate 2

    Richard Tuttle, Crown Point Press

    1993

    One from a portfolio of 7 prints: woodcut with acrylic paint border on xuan zhi paper  Accession ID  1997.8.215

    Not on view
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    The Guest of Winter

    Katsura Funakoshi, Daria Sywulak, Crown Point Press

    1993

    Color aquatint with openbite, drypoint, spitbite aquatint, and softground etching on somerset satin white paper  Accession ID  1998.40.173

    Not on view
  • The image displays elongated vertical lines and abstract shapes against a dark background. The forms resemble draped or flowing structures. Three rectangular blocks contain linear patterns resembling leaves or feathers. Toward the bottom, white and red undulating forms suggest scattered papers or notes.

    Night Thoughts

    Per Kirkeby, Crown Point Press

    1993

    Color soapground aquatint and drypoint on somerset soft white paper  Accession ID  1998.40.292

    Not on view
  • The image displays geometric shapes and lines, including a large blue area. It features triangles and rectangles with green, red, yellow, and white colors intersecting in the top and left sections.

    High Green Version I [working proof 12]

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1992

    Color aquatint with spitbite, softground, hardground, and soapground etching and sugarlift aquatint with scraping and burnishing on somerset soft white paper [working proof]  Accession ID  1996.94.16

    Not on view
  • The image depicts bold, vertical shapes and textured lines on the left side of the composition, contrasting with a lighter background. The forms resemble a towering rock formation or a stacked structure, with additional shapes suggesting smaller figures or sculptures nearby. There are subtle scratches and marks throughout the image, contributing to its texture and depth, providing an almost weathered appearance reminiscent of timeworn stone or ancient ruins.

    Memnon 1

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.201

    Not on view
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    Nella Popilla [left panel]

    Judy Pfaff, Crown Point Press

    1992

    Spitbite and sugarlift aquatint, drypoint, and etching in black on gampi paper  Accession ID  1998.40.371

    Not on view
  • The image shows a landscape depicted in an abstract, sketch-like style. The perspective is slightly elevated, capturing rocky cliffs and a horizon with sparse, brown brushstrokes on a pale background. The composition is monochromatic with a minimalist approach focusing on form and line.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.5

    Not on view