Crown Point Press

Displaying 685 - 696 of 1740

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    Lily

    Pat Steir, Crown Point Press

    1992

    Etching and drypoint in black on somerset soft textured white paper  Accession ID  1998.40.460

    Not on view
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    Nella Popilla [right panel]

    Judy Pfaff, Crown Point Press

    1992

    Spitbite aquatint, drypoint, sugarlift aquatint, and hardground etching in black on gampi paper  Accession ID  1998.40.372

    Not on view

  • Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.4

    Not on view
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    Tree at Night

    Tom Marioni, Crown Point Press

    1992

    Photogravure with engraving and mezzotint in black on somerset white textured paper  Accession ID  1998.40.368

    Not on view
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    Between Air and Water No. 1

    Shoichi Ida, Crown Point Press

    1992

    Color softground and hardground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white paper  Accession ID  1997.8.73

    Not on view

  • Between Air and Water No. 12

    Shoichi Ida, Crown Point Press

    1992

    One from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white textured paper  Accession ID  1998.40.223

    Not on view
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    The Space between the Two

    Al Held, Crown Point Press

    1992

    Color spitbite aquatint on somerset white textured paper  Accession ID  1996.93.84

    Not on view
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    Between Air and Water No. 4

    Shoichi Ida, Crown Point Press

    1992

    Color softground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white textured paper  Accession ID  1997.8.76

    Not on view

  • High Green Version I [working proof 8]

    Richard Diebenkorn, Crown Point Press

    1992

    Aquatint with spitbite, softground, hardground, and soapground etching and sugarlift aquatint with scraping and burnishing in black on somerset soft white paper [working proof]  Accession ID  1996.94.20

    Not on view

  • Sedona Precipice

    Bryan Hunt, Crown Point Press

    1992

    Color softground etching with soapground, sugarlift, and spitbite aquatint and drypoint on somerset soft white textured paper  Accession ID  1998.40.206

    Not on view

  • Variations III

    John Cage, Crown Point Press

    1992

    Monotype on smoked fabriano roma tiziano paper  Accession ID  1996.94.28

    Not on view

  • Untitiled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.10

    Not on view