Crown Point Press

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  • The image features a view through an ancient stone doorway with engraved carvings and hieroglyphs. The perspective is from a shaded interior space looking into an illuminated area beyond, casting a long shadow across the ground. The horizon is not visible, and the composition is enclosed within tall vertical lines. The image is captured in black and white, emphasizing contrasts in the texture of the walls. Light and shadow are used effectively to highlight the carvings, creating a sense of antiquity and mystery.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.8

    Not on view
  • The image shows a large blue triangular shape with intersecting angled lines and smaller shapes. In the upper left, there is an abstract arrangement of rectangles and triangles in green, yellow, red, and beige. The composition resembles a fragmented landscape, possibly fields and water bodies, or a stylized city map. The geometric shapes, linear forms, and color blocking give the composition an abstract quality.

    High Green Version II

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1992

    Color aquatint with spitbite, softground, hardground, and soapground etching and sugarlift aquatint with scraping and burnishing, and with a pasted-down collage element on somerset soft white paper  Accession ID  1996.77.97

    Not on view
  • ""

    Between Air and Water No. 2

    Shoichi Ida, Crown Point Press

    1992

    Color softground and hardground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white paper  Accession ID  1997.8.74

    Not on view
  • The image showcases vertical and rectangular shapes with organic lines and splotches within. The central vertical panel displays thin, elongated lines against a soft bluish-gray background. Flanking this are two vertical orange-brown panels with an abstract pattern. Below these elements is a square section featuring an inkblot-like shape.

    Between Air and Water No. 9

    Shoichi Ida, Crown Point Press

    1992

    One from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white textured paper  Accession ID  1998.40.225

    Not on view
  • This is a drawing of abstract forms resembling tall structures or pillars. The drawing features vertical lines and abstract shapes that suggest columns or pillars, each topped with shapes hinting at capitals, possibly inspired by classical architecture. The lines are drawn in a loose, sketchy manner, lending the work a dynamic, unfinished quality. The background is minimal. The drawing is monochromatic, with a single color on a light background.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.4

    Not on view

  • HV2 (14C)

    John Cage, Pamela Paulson, Paul Mullowney, Crown Point Press

    1992

    Color aquatint with foul biting on abaca handmade paper  Accession ID  2019.109.14

    Not on view
  • The image shows a series of shapes and lines converging to form a composition. The tones consist of gray and brown, creating an abstract appearance. The forms may resemble a landscape or parchment with textures of clouds or earth. The overall effect is one of abstraction where elements fade into a canvas.

    Variations III

    John Cage, Pamela Paulson, Crown Point Press

    1992

    Monotype on smoked fabriano roma tiziano paper  Accession ID  1996.94.28

    Not on view
  • This image displays a view through a gap between two stone walls. The walls are made of rectangular blocks, some irregularly shaped. The top of the walls forms the horizon, where an obelisk stands in the background against a pale sky. The stone walls are dark and detailed, contrasting with the lighter obelisk in the distance. The color palette is monochromatic, with shades of gray highlighting the textures and outlines of the elements in the scene.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.11

    Not on view
  • The image shows a landscape depicted in an abstract, sketch-like style. The perspective is slightly elevated, capturing rocky cliffs and a horizon with sparse, brown brushstrokes on a pale background. The composition is monochromatic with a minimalist approach focusing on form and line.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.5

    Not on view
  • ""

    Liv

    Al Held, Crown Point Press

    1992

    Color hardground etching with aquatint on somerset white paper  Accession ID  1996.93.85

    Not on view
  • The image shows swirling lines and shapes interweaving in an abstract composition. Central forms resemble figures or organic shapes outlined in dark, bold strokes. The color palette includes earthy browns, muted greens, and subtle hints of yellow, blurring the boundaries and adding depth and texture. The overall effect is dynamic, resembling a topographical map.

    Sedona Precipice

    Bryan Hunt, Crown Point Press

    1992

    Color softground etching with soapground, sugarlift, and spitbite aquatint and drypoint on somerset soft white textured paper  Accession ID  1998.40.206

    Not on view
  • ""

    Nella Popilla [right panel]

    Judy Pfaff, Crown Point Press

    1992

    Spitbite aquatint, drypoint, sugarlift aquatint, and hardground etching in black on gampi paper  Accession ID  1998.40.372

    Not on view