Crown Point Press

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  • The image features thick, dark, elongated shapes moving horizontally across the canvas, intersected by thin, vertical and diagonal lines. This abstract composition suggests movement and depth. The interplay of bold, solid forms with fine, erratic scribbles creates a dynamic, energetic scene.

    Plate 2

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.104

    Not on view
  • The image shows a series of elongated, vertical forms composed of dense, interwoven lines. The abstract arrangement of lines and shapes gives the impression of a forest of trees or columns. The central forms stand upright as if rooted to the ground, with surrounding linear patterns weaving around them. The sweeping lines at the bottom resemble an uneven ground or flowing water.

    Plate 6

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and hardground etching with scraping on somerset textured white paper  Accession ID  1997.8.108

    Not on view
  • ""

    Evening

    Pat Steir, Daria Sywulak, Lothar Osterburg, Crown Point Press

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.116

    Not on view
  • ""

    Blue and White Waterfall

    Pat Steir, Crown Point Press

    1993

    Color soapground and spitbite aquatint on somerset soft white paper  Accession ID  1998.40.458

    Not on view
  • The image includes swirling, organic lines forming an intricate pattern. Two abstract shapes resemble torn pieces of paper, with simplistic sketches inside hinting at landscapes. Smaller, rectangular, illuminated shapes are present to the right. The composition combines nature imagery with a sense of mystery and discovery.

    Olive Thoughts

    Per Kirkeby, Renée Bott, Crown Point Press

    1993

    Color soapground aquatint with hardground etching, drypoint, and aquatint on somerset soft white paper  Accession ID  1998.40.293

    Not on view
  • ""

    Radish

    Pat Steir, Crown Point Press, Daria Sywulak, Lothar Osterburg, Renée Bott

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.133

    Not on view
  • The image depicts elongated lines and shadowy forms resembling figures walking across a striped pattern of light and dark. The figures suggest people in a city street, wearing hats and dark clothing that cast distinct shadows. The arrangement of shapes gives the impression of a view from above, with overlapping lines and forms conveying a bustling crowd. The hats are round shapes on top of the elongated forms, hinting at classic urban attire.

    1929

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Color softground etching, spitbite aquatint, and aquatint on lana royal white paper  Accession ID  1998.40.60

    Not on view
  • The image displays thin, erratic lines crisscrossing and overlapping alongside dark, flowing shapes. The elements combine to suggest forms resembling clouds or islands. The darker shapes float amidst a lighter background, similar to scattered stones or driftwood on a river. The abstract forms encourage viewers to make connections with familiar objects.

    Plate 12

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.114

    Not on view
  • This is a drawing of a textual composition featuring hand-written text that reads: "PER KIRKEBY INVENTORY San Francisco 1993" at the center, with "Crown Point Press" at the bottom. The text is on a textured background with horizontal lines and shading. A simple geometric shape is included below the main text. The overall impression is one of a title page or cover for a publication or catalog.

    Title Page

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.102

    Not on view
  • The image shows a series of dense black lines and shapes that overlap to form an intricate and abstract composition. The interplay of light and shadow within the forms creates an effect of intertwining figures or silhouettes. The contrast between the dark shapes and lighter areas emphasizes the complexity of the composition.

    Plate 15

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint, aquatint, and crayon-resist flatbite etching with scraping on somerset textured white paper  Accession ID  1997.8.117

    Not on view
  • ""

    To Keep Watching the Town

    Katsura Funakoshi, Daria Sywulak, Crown Point Press

    1993

    Aquatint, openbite, and drypoint in black on somerset satin white paper  Accession ID  1998.40.180

    Not on view
  • ""

    Valley Farm

    Wayne Thiebaud, Crown Point Press

    1993

    Color softground etching, spitbite etching, and aquatint with drypoint on somerset textured white paper  Accession ID  1996.93.108

    Not on view