Crown Point Press

Displaying 637 - 648 of 1745

Results

  • The image shows a series of dense black lines and shapes that overlap to form an intricate and abstract composition. The interplay of light and shadow within the forms creates an effect of intertwining figures or silhouettes. The contrast between the dark shapes and lighter areas emphasizes the complexity of the composition.

    Plate 15

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint, aquatint, and crayon-resist flatbite etching with scraping on somerset textured white paper  Accession ID  1997.8.117

    Not on view
  • The image features abstract lines and shapes with dynamic qualities. The lines are primarily vertical and slanted, with occasional horizontal intersections. There are three distinct cluster forms with rugged structures, bound by linear patterns resembling nets. The composition suggests chaos and order, evoking natural elements or an abstract landscape.

    Plate 4

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.106

    Not on view
  • ""

    Valley Farm

    Wayne Thiebaud, Crown Point Press

    1993

    Color softground etching, spitbite etching, and aquatint with drypoint on somerset textured white paper  Accession ID  1996.93.108

    Not on view
  • The image features thick, dark, elongated shapes moving horizontally across the canvas, intersected by thin, vertical and diagonal lines. This abstract composition suggests movement and depth. The interplay of bold, solid forms with fine, erratic scribbles creates a dynamic, energetic scene.

    Plate 2

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.104

    Not on view
  • The image displays swirling lines and amorphous shapes blending together in a chaotic arrangement to form an abstract composition. Thick black strokes and intersecting lines create tangled patterns, while lighter, finer lines in the background suggest a crumpled texture. The overall effect is a dynamic and intricate design that can be interpreted as a wild landscape or a busy cityscape from an aerial perspective.

    Plate 8

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.110

    Not on view
  • The image shows a series of elongated, vertical forms composed of dense, interwoven lines. The abstract arrangement of lines and shapes gives the impression of a forest of trees or columns. The central forms stand upright as if rooted to the ground, with surrounding linear patterns weaving around them. The sweeping lines at the bottom resemble an uneven ground or flowing water.

    Plate 6

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and hardground etching with scraping on somerset textured white paper  Accession ID  1997.8.108

    Not on view
  • ""

    The Old Mirror

    Katsura Funakoshi, Daria Sywulak, Crown Point Press

    1993

    Aquatint, openbite, and drypoint in black on somerset textures soft white paper  Accession ID  1998.40.176

    Not on view
  • ""

    Blue and White Waterfall

    Pat Steir, Crown Point Press

    1993

    Color soapground and spitbite aquatint on somerset soft white paper  Accession ID  1998.40.458

    Not on view
  • ""

    Plate 2

    Richard Tuttle, Crown Point Press

    1993

    One from a portfolio of 7 prints: woodcut with acrylic paint border on xuan zhi paper  Accession ID  1997.8.215

    Not on view
  • ""

    Evening

    Pat Steir, Daria Sywulak, Lothar Osterburg, Crown Point Press

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.116

    Not on view
  • The image displays bold, thick vertical and horizontal smudges intersected by spindly lines, creating a textured composition. The abstract artwork incorporates large, dark shapes and lighter, finer lines. The mix of dense black forms and delicate etchings introduces an interesting juxtaposition.

    Plate 13

    Per Kirkeby, Crown Point Press

    1993

    One from a portfolio of 18 prints with title page: drypoint and etching with scraping on somerset textured white paper  Accession ID  1997.8.115

    Not on view
  • The image displays blurred and elongated shapes and lines resembling human forms against a softly painted background. Dark silhouettes with rounded tops suggest figures wearing hats and coats, reminiscent of pedestrians seen from above. Light and dark contrasts create a city street scene effect with shadows, appearing like people moving across a sunlit pavement.

    Malaga

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Color softground etching, spitbite aquatint, and aquatint on somerset soft white textured paper  Accession ID  1998.40.48

    Not on view