Crown Point Press

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  • The image depicts bold, vertical shapes and textured lines on the left side of the composition, contrasting with a lighter background. The forms resemble a towering rock formation or a stacked structure, with additional shapes suggesting smaller figures or sculptures nearby. There are subtle scratches and marks throughout the image, contributing to its texture and depth, providing an almost weathered appearance reminiscent of timeworn stone or ancient ruins.

    Memnon 1

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.201

    Not on view
  • The image shows a landscape with a distant horizon towards the upper third. The scene includes a series of sketch-like lines forming a row of trees or vegetation along the horizon. In the distance on the right side, there is a larger mass, possibly a hill or cluster of trees. The brushstrokes and line work are minimalistic and delicate, with faintly applied strokes creating an impressionistic feel. The color palette is muted and earthy, with shades of beige, soft grays, brown, and subtle marks. The surface texture adds to the depth and provides a natural, organic quality to the piece.

    Without Horizon 26

    John Cage, Pamela Paulson, Crown Point Press

    1992

    Drypoint, softground, hardground, spitbite and sugarlift aquatints on smoked betty friedman handmade tinted natural acaba paper  Accession ID  1998.41.1

    Not on view
  • The image features geometric shapes and lines in shades of blue, green, and yellow arranged abstractly. There is a large blue area with intersecting lines and angles. At the top, a triangular green shape extends downward with a sliver of yellow at its edge. Along the left edge, there are vertical strips of color, including red and beige. The colors and shapes create a mosaic-like effect.

    High Green Version I [working proof 10]

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1992

    Color aquatint with spitbite, softground, hardground, and soapground etching and sugarlift aquatint with scraping and burnishing on somerset soft white paper [working proof]  Accession ID  1996.94.18

    Not on view
  • The image displays vertical rectangular shapes with a mix of solid and wavy black lines against a soft background. In the center, there is a rectangle with a simple, elongated organic form flanked by two dark textured panels. The central figure resembles a tree or plant with extending branches or leaves, and at the bottom, there is a smaller, lighter rectangle for contrast.

    Between Air and Water No. 11

    Shoichi Ida, Crown Point Press

    1992

    One from a series of twelve prints: color softground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white textured paper  Accession ID  1998.40.222

    Not on view
  • The image shows swirling lines and shapes interweaving in an abstract composition. Central forms resemble figures or organic shapes outlined in dark, bold strokes. The color palette includes earthy browns, muted greens, and subtle hints of yellow, blurring the boundaries and adding depth and texture. The overall effect is dynamic, resembling a topographical map.

    Sedona Precipice

    Bryan Hunt, Crown Point Press

    1992

    Color softground etching with soapground, sugarlift, and spitbite aquatint and drypoint on somerset soft white textured paper  Accession ID  1998.40.206

    Not on view
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    Between Air and Water No. 5

    Shoichi Ida, Crown Point Press

    1992

    Color softground etching, spitbite aquatint, and drypoint on gampi chine collé mounted on somerset textured white paper  Accession ID  1997.8.77

    Not on view
  • The image contains three vertical panels with distinct lines and colors. The first panel shows vertical yellow streaks on a dark background. The second panel displays a pink line on a deep brown canvas. The third panel features a bold, curved blue shape sweeping from the top left to the bottom right on a dark background.

    4 Rivers

    Pat Steir, Crown Point Press, Daria Sywulak, Lothar Osterburg

    1992

    Color soapground aquatint with drypoint on wove somerset paper  Accession ID  2006.122.145

    Not on view
  • The image features circular and angular shapes interlaced with thick lines, creating an abstract composition. The shapes resemble wheels, cogs, architectural structures, and machinery parts. The artwork has a chaotic, industrial feel.

    The Barbarian

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1992

    Ink-transfer aquatint and drypoint with scraping and burnishing on rives heavyweight buff paper  Accession ID  1996.77.96

    Not on view
  • The image shows a large black circle inside a square composed of abstract lines and shapes. The square is filled with intricate patterns, resembling a map or network of interconnected branches. The composition is in warm colors - predominately reds and oranges, suggesting an earthy vibe. Rectangular papers are placed around the main square in a random arrangement, enhancing the abstract and experimental nature of the artwork.

    Between Air and Water No. 6

    Shoichi Ida, Crown Point Press

    1992

    One from a series of twelve prints: color soft and hardground etching, spitbite aquatint, and drypoint on gampi chine collé on somerset white textured paper  Accession ID  1998.40.224

    Not on view
  • The image depicts ancient temple ruins, composed of stacked stone blocks of varying sizes and shapes. The horizon is not visible, and the sky forms a pale backdrop. The style is black and white, with detailed lines capturing the stone texture. The color palette is monochromatic, highlighting shadows and illuminated surfaces.

    Title page from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.2

    Not on view
  • The image shows a stone structure resembling an ancient ruin with rectangular blocks forming a doorway. The focus is on the architecture, and the horizon is not visible. The photograph features clean lines, sharp contrast, and black and white tones, emphasizing the texture of the stone.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.9

    Not on view
  • The image shows a book cover with the title "TEMPLE RUINS" in bold black text and an abstract design. The cover also features the name "BRYAN HUNT" in smaller black letters, with a textured beige background. The abstract sketch combines organic and geometric forms reminiscent of ancient ruins or carvings.

    Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.1-12

    Not on view