Crown Point Press

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    Rincon Falls - Black Leaf

    Chris Ofili, Catherine Brooks, Emily York, Ianne Kjorlie, Crown Point Press

    2008

    Color spitbite and sugarlift aquatints with drypoint on somerset wove paper  Accession ID  2011.119.81

    Not on view
  • The image depicts an urban corner with an incline leading upwards to the right. A classic car is partially visible behind an orange building. Utility poles with power lines extend upwards. The brushstrokes are smooth and detailed, portraying building and street textures. The color palette includes soft oranges, muted blues, and deep browns. Shadows create depth and emphasize architectural geometry. Green-framed windows and distant buildings and trees are also visible.

    Mississippi Street Intersection

    Robert Bechtle, Crown Point Press, Emily York

    2007

    Color softground etching with aquatint on wove somerset paper  Accession ID  2011.119.13

    Not on view
  • Overlapping lines and shapes create a complex composition with bold red curves and straight black lines intersecting on a vivid pink background. The abstract image suggests a tangled web or a chaotic city grid from above. The fluid curves can resemble winding roads or arches similar to a suspension bridge. The interplay of colors and lines invites exploration of the familiar within the unfamiliar.

    N & V

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie

    2007

    Color softground etching with soapground aquatint and spitbite aquatint on wover somerset paper  Accession ID  2011.119.117

    Not on view
  • ""

    Figure I

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint on somerset wove paper  Accession ID  2011.119.88

    Not on view
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    Figure II

    Nathan Oliveira, Ianne Kjorlie, Catherine Brooks, Asa Muir-Harmony, Crown Point Press

    2007

    Color sugarlift aquatint with drypoint on gampi paper chine collé on somerset wove paper  Accession ID  2011.119.89

    Not on view
  • The image shows bold black lines and shapes intersecting and overlapping on a plain white background, creating an abstract composition. The thick strokes form a combination of angular and curved shapes. The arrangement of shapes and lines creates areas of dense black contrasting with expanses of white. Scattered dots to the right of the main shapes might resemble splatters of paint or suggest motion.

    O & N

    Amy Sillman, Crown Point Press

    2007

    Brush and black ink on wove paper  Accession ID  2013.127.3

    Not on view
  • The image contains swirling lines and shapes in red, green, and black. The lines resemble flowing ribbons or streams of paint, intertwining in a swirling motion. Textures and patterns reminiscent of natural elements are present, such as flower petals or fabric folds. A rose is featured within the design, adding organic familiarity. The balance of bold colors and delicate lines creates a visually striking composition.

    Falc

    Pia Fries, Crown Point Press, Emily York, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color soapground aquatint and spitbite aquatint with photogravure and roulette on wove somerset paper  Accession ID  2011.119.25

    Not on view
  • ""

    Sulk

    Pia Fries, Crown Point Press, Emily York, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color soapground aquatint and spitbite aquatint with photogravure, softground etching and roulette on wove somerset paper  Accession ID  2011.119.28

    Not on view
  • The artwork features overlapping shapes and lines with a mix of angular and curved elements. In this abstract composition, there are shapes resembling elongated limbs and subtle silhouettes that might hint at human figures. The colors used are green and red. The elements create a sense of movement, with lines crisscrossing in a manner reminiscent of a figure draped over an angular surface.

    S & E (working proof 12)

    Amy Sillman, Crown Point Press

    2007

    Color sugarlift and spitbite aquatints with softground etching, overdrawn with colored crayon, on wove somerset paper  Accession ID  2014.116.48

    Not on view
  • The image shows intersecting green lines creating rectangular and angular shapes, set against a background of purple and yellow. Wisps of lighter colors in the background add depth and complexity to the composition, resembling a layered scene seen through translucent glass.

    O & N (working proof)

    Amy Sillman, Crown Point Press

    2007

    Color sugarlift aquatint and spitbite aquatint with gouache additions on wove paper  Accession ID  2014.116.50

    Not on view
  • The image displays bold, angular lines that intersect and overlap on the canvas. A large, irregular shape in deep purple dominates the composition, surrounded by lighter purple shapes and thin lines. The design suggests movement and depth, resembling a fragmented landscape or urban silhouette. The geometric elements evoke the idea of a modern sculpture or architectural blueprint.

    O / N (working proof)

    Amy Sillman, Crown Point Press, Catherine Brooks, Ianne Kjorlie, Asa Muir-Harmony

    2007

    Color sugarlift aquatint with graphite additions on wove paper  Accession ID  2013.127.4

    Not on view
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    20th Street VW

    Robert Bechtle, Emily York, Crown Point Press

    2007

    Color direct gravure with spitbite aquatint on wove somerset paper  Accession ID  2011.119.10

    Not on view