Crown Point Press

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  • The image shows sharp, straight lines and angular forms creating an abstract shape resembling a directional sign or an arrow pointing to both sides. The intersecting lines and narrow central triangle evoke the image of road signs used for navigation, adding a sense of directionality. The light gray and off-white tones combined with minimal texture provide a simple appearance capturing familiar road side elements interpreted abstractly.

    City Space

    Ed Ruscha, Dena Schuckit, Crown Point Press

    2006

    Color aquatint with sugarlift flatbite and hardground etching on somerset wove paper  Accession ID  2011.119.105

    Not on view
  • The image is an ink drawing on paper depicting two partially visible individuals. One sits and leans towards the other, who is seated with legs drawn up. The person on the right has short, voluminous hair, distinctive facial features, and a neutral expression. The person on the left wears glasses and has shoulder-length hair. Both figures are draped in loose, minimalist clothing. The drawing is created with varying ink shades on a plain white background, incorporating the paper's texture into the artwork.

    Ohad + Nomi

    Amy Sillman, Crown Point Press

    2006

    Brush and black ink on wove paper  Accession ID  2013.127.1

    Not on view
  • The image showcases geometric shapes and fluid lines. Two beige rectangles are placed in the top left and bottom right corners, overlapping a central swirling shape. The design is set against a vibrant teal-colored background.

    Undertow

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite aquatint on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.35

    Not on view
  • This is a drawing of a vintage sign structure. The image showcases a large, metal-framed sign with bold, capital letters spelling out "PUBLIC MARKET." The structure is composed of vertical and horizontal beams with additional cross bracing. The letters are depicted with a three-dimensional effect, appearing slightly raised from the scaffolding. The background is a plain, neutral tone. The clean, minimalist aesthetic suggests careful attention to line and form. The style captures the essence of modernist influences in structure and typography.

    Public Market

    Ed Ruscha, Dena Schuckit, Crown Point Press

    2006

    Sugarlift flatbite with hardground etching on gampi chine collé on somerset satin wove paper  Accession ID  2011.119.107

    Not on view
  • The image displays several rows of baked goods including cupcakes, pastries with swirled designs, and donuts. The color palette consists mainly of shades of brown, black, and beige. The cupcakes with swirled icing are on the left side, followed by pastries with a spiral pattern, and rows of donuts on the far right. The objects are positioned against a uniform background.

    Dark Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks

    2006

    Color direct gravure on gampi paper chine collé  Accession ID  2011.119.130

    Not on view
  • This is a drawing of a countryside scene. It features a rural landscape with a barn, silo, wire fence, horses in dynamic positions, two cartridge cases, a shotgun, and a floating head wearing a hat. The drawing uses sketched lines on a plain background.

    Rex & Bill

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Softground etching in black on on gampi paper chine collé  Accession ID  2011.119.150

    Not on view
  • The image presents a beach scene with a shoreline curving around the composition from bottom left to top right. The horizon is not visible, focusing instead on the sandy beach stretching into the distance. The style of brushstrokes is fluid and sketch-like, depicting waves and figures walking along the sand. The color palette is limited to shades of indigo and cream, contrasting the sea and the beach. Figures are shown in motion, some carrying surfboards, while others are looking at something on the sand. More figures are seen along the beach.

    Tide Figures

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color drypoint on gampi paper chine collé  Accession ID  2011.119.132

    Not on view
  • The image shows rows of pastries, including cupcakes with swirled frosting and donuts, arranged on a surface. The color palette is mostly monochromatic, featuring shades of black, white, and hints of mint green. Positioned toward the bottom of the image, the cupcakes and donuts are displayed in rows extending diagonally from the bottom left to the top right. The largest objects are the donuts, which are on the right side, while the rows of cupcakes with various frosting types are on the left and center.

    Cupcakes and Donuts

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Color direct gravure on wove somerset paper  Accession ID  2011.119.128

    Not on view
  • The image shows intersecting lines creating a grid pattern on a soft green background. Above the grid, there is an abstract gray shape resembling a dripping or melting form.

    Passage

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint, sugarlift aquatint, and drypoint on wove somerset paper  Accession ID  2011.119.33

    Not on view
  • The image shows a pair of detailed, sketchy boots in black and white. The boots are positioned at an angle on overlapping rectangular surfaces, suggesting a floor or stack of papers. The intricate lines and shading depict the texture and form of the boots realistically.

    Home [working proof 1]

    Kiki Smith, Crown Point Press

    2006

    Etching in black on wove paper  Accession ID  2014.116.35

    Not on view
  • This is a drawing of dogs playing with a frisbee. The artwork shows several dogs in a playful scene. One dog is leaping towards a frisbee. Other dogs are seen sitting or prowling in the scene. The lines used in the drawing suggest movement and liveliness. The background is minimal.

    Beach Dogs

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Drypoint on gampi paper chine collé  Accession ID  2011.119.126

    Not on view
  • There is a solitary dark tree trunk standing upright in the foreground. The horizon is positioned high in the frame with blurred outlines of distant hills against a pale sky. The painting features impressionistic brushstrokes creating a serene atmosphere. The color palette includes muted blues and soft yellows. The background shows blurry structures and natural elements, adding depth to the scene. The soft gradient of colors and light in the sky suggests either dusk or dawn light.

    24th at Carolina (Right)

    John Chiara, Crown Point Press, Dena Schuckit, Emily York

    2006

    Color photogravure on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.23

    Not on view