Crown Point Press

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  • The image shows a side profile of a person riding a horse. The person is upright on the horse, holding a long rod or staff. The person's facial features are not clear. The horse is in mid-stride, with one front leg raised. The background is abstract with light and shadow.

    Equestrian

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Spitbite aquatint in black on gampi paper chine collé  Accession ID  2011.119.147

    Not on view
  • The image shows elongated and wavy grey shapes that stretch horizontally across the canvas. The abstract composition suggests familiar objects like fog banks or a river seen from above. The lines have a fluid and organic quality with slightly uneven edges, conveying a sense of natural motion. The variations in tone add depth and texture.

    Clear Day

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite and sugarlift aquatints in silver on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.31

    Not on view
  • The image includes angular lines and rectangular shapes with papers or sheets arranged beneath an abstract depiction of a pair of black shoes from the sole perspective. The shoes show detailed textures and shading against a background of muted tones. The bottom edge of the image features a vivid blend of colors resembling a watercolor painting with floral or marbled patterns.

    Home [working proof 11]

    Kiki Smith, Crown Point Press

    2006

    Color softground etching, spitbite aquatint, and drypoint with gampi chine collé on wove paper  Accession ID  2014.116.37

    Not on view
  • The image shows a pair of detailed, sketchy boots in black and white. The boots are positioned at an angle on overlapping rectangular surfaces, suggesting a floor or stack of papers. The intricate lines and shading depict the texture and form of the boots realistically.

    Home [working proof 1]

    Kiki Smith, Crown Point Press

    2006

    Etching in black on wove paper  Accession ID  2014.116.35

    Not on view
  • This is a drawing of a large sign that reads "PUBLIC MARKET". The drawing features the words "PUBLIC" on the top and "MARKET" below, depicted with a geometric and simplistic style. The lines used are precise, conveying the metallic framework that supports the letters. The background is a series of subtle horizontal lines, giving a textured appearance.

    Public Market (working proof 8)

    Ed Ruscha, Crown Point Press

    2006

    Sugarlift flatbite with hardground etching with gampi chine collé  Accession ID  2014.116.34

    Not on view
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    Desert Gravure

    Ed Ruscha, Dena Schuckit, Crown Point Press

    2006

    Photogravure on somerset wove paper  Accession ID  2011.119.106

    Not on view
  • This is a drawing of dogs playing with a frisbee. The artwork shows several dogs in a playful scene. One dog is leaping towards a frisbee. Other dogs are seen sitting or prowling in the scene. The lines used in the drawing suggest movement and liveliness. The background is minimal.

    Beach Dogs

    Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

    2006

    Drypoint on gampi paper chine collé  Accession ID  2011.119.126

    Not on view
  • The image shows an abstract depiction of a rider on horseback in deep blue tones. In the background, there are faint sketches of horse faces in an earthy red color. Handwritten text is visible in the background, adding to the abstract nature of the artwork.

    Shadow of the Whip

    William T. Wiley, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite aquatint with burnishing and softground etching on gampi paper chine collé  Accession ID  2011.119.151

    Not on view
  • The image shows a large, irregular red shape at the top, with faint linear patterns creating a grid-like appearance below it. The background has hints of lighter shades, resembling a backdrop with subtle, cloud-like forms.

    Valentine

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color sugarlift aquatint, spibite aquatint, and drypoint with gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.36

    Not on view
  • The image shows an outdoor scene with a blurred and dreamlike quality. The horizon line is not distinct, hidden amidst foliage and undergrowth. There are no clear objects or structures on the horizon. The brushstrokes, if a painted image, are soft and diffuse. Details are not sharply defined. The color palette is monochrome, in shades of gray, black, and soft white. The scene has a timeless, serene, and mysterious mood. Close plants and subtle textures are visible, while trees and shrubs in the background are blurred by mist or haze.

    24th at Carolina (Center Variation)

    John Chiara, Crown Point Press, Dena Schuckit, Emily York

    2006

    Photogravure in black on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.19

    Not on view
  • The image showcases geometric shapes and fluid lines. Two beige rectangles are placed in the top left and bottom right corners, overlapping a central swirling shape. The design is set against a vibrant teal-colored background.

    Undertow

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite aquatint on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.35

    Not on view
  • The image is an ink drawing on paper depicting two partially visible individuals. One sits and leans towards the other, who is seated with legs drawn up. The person on the right has short, voluminous hair, distinctive facial features, and a neutral expression. The person on the left wears glasses and has shoulder-length hair. Both figures are draped in loose, minimalist clothing. The drawing is created with varying ink shades on a plain white background, incorporating the paper's texture into the artwork.

    Ohad + Nomi

    Amy Sillman, Crown Point Press

    2006

    Brush and black ink on wove paper  Accession ID  2013.127.1

    Not on view