Crown Point Press

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  • The image features a small square in the center with diagonal lines to create a textured background. Over the lines are four colorful, curved shapes: two yellow, one green, and one blue. The shapes resemble small, vibrant sails or petals on a lightly shaded area against a white space background.

    P from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.16

    Not on view
  • In the center of the image is a small square with abstract circular shapes forming a pattern resembling an inverted "Y" or a wishbone. The shapes consist of colorful dots in red, yellow, and blue on a white background. The design focuses on the vibrant colors and the simple pattern created by the geometric shapes.

    V from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.22

    Not on view
  • The image shows a street scene with a steep road incline. A sidewalk with a manhole cover is visible in the foreground, beside which a classic car is parked. Buildings and residential structures line the street on either side. A stop sign stands in the center, casting a shadow on the pavement. In the background, the street ascends toward a bright sky. The painting features fine, detailed brushstrokes with a style resembling a photograph, achieved through dot patterns. The color palette is muted, with blues, grays, and browns dominating, creating a vintage feel. Sparse greenery can be seen in the upper right corner, including branches of a tree.

    Texas and 20th Intersection

    Robert Bechtle, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with aquatint on somerset paper  Accession ID  2006.122.29

    Not on view
  • In an expanse of white space sits a small, square area containing an abstract circular shape. The circle is filled in with a dense black pattern resembling a mesh or netting and has irregular, jagged edges that break the clean boundary of the circle. The abstract form is highlighted in the minimal surroundings.

    Q from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.17

    Not on view
  • ""

    Naked II

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with foul biting and hand staining on japanese senka-shi paper  Accession ID  2011.119.134

    Not on view
  • The image displays an abstract composition with two circular clusters of black spots on a white canvas. Around these clusters are smaller splatters and dots. Speech bubbles with text are scattered throughout the composition.

    Arise!

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Spitbite aquatint in black with direct gravure on wove somerset paper  Accession ID  2006.122.157

    Not on view
  • In the image, there is a small square with intersecting vertical and horizontal lines in red, yellow, and blue. The lines create an abstract arrangement in a grid-like fashion. The lines are textured and sketched, giving a playful asymmetry to the composition. The rest of the image is blank, highlighting the colorful square.

    W from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.23

    Not on view
  • The image displays intertwined lines and circles in various abstract shapes. A central cluster of elongated black lines extends outward from a central point. The background features translucent green and blue hues forming circular and petal-like shapes, creating the impression of leaves or water. In the upper right corner, there is a simplistic red butterfly shape. The composition blends the elements into a harmonious arrangement, offering a playful interpretation through familiar natural forms.

    Flower Power

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color spitbite and sugarlift aquatints with drypoint and printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.102

    Not on view
  • The image consists of circular shapes and dots of different sizes spread across the canvas. The arrangement transitions from darker edges to a lighter center. The composition evokes a cosmic night sky or a cluster of pebbles. The patterns suggest similarities to starry universes or microscopic cellular structures.

    We Are All in the Gutter, But Some of Us are Looking at the Stars

    Fred Wilson, Crown Point Press, Rachel Stevenson, Case Hudson

    2004

    Spitbite aquatint in black on wove somerset paper  Accession ID  2006.122.162

    Not on view
  • The image shows a square composition with swirling blue shapes, akin to ink droplets or water on a marbled surface. Various lines, straight and curved, intersect and overlap. A red circle is in the upper right corner, with smaller elements like a square on the top left and a diamond on the bottom right. The design evokes a map or weather pattern, blending structured lines with organic fluidity.

    Mixed Marks, Rorshach with Symbols in Corners

    Pat Steir, Crown Point Press, Catherine Brooks, Case Hudson, Rachel Fuller

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.130

    Not on view
  • The image displays wavy grid-like lines created by small dots forming an undulating pattern. Clusters of dots in black, white, and brown hues create rectangular and square shapes that stretch and warp across the canvas. The patterns resemble a net or woven fabric gently disturbed by a breeze, conveying a sense of movement within a set pattern.

    Karntakulangu Jukurrpa 2 (Women's Dreaming 2)

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Color soapground and sugarlift aquatint on somerset paper  Accession ID  2006.122.59

    Not on view
  • A square in the center of the image contains dense black lines converging towards a narrow vertical line. The lines create a triangular shape that leads to an inverted funnel-like form. The surrounding space on the page emphasizes the compact, centralized nature of the geometric figure.

    G from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.7

    Not on view