Crown Point Press

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  • The image features soft, curving lines and blurred shapes against a gray background. The abstract composition includes elements resembling trees with circular tops. A bird-like shape with blue and white markings and a red beak appears to soar. Below, a mirrored reflection creates a duality, like an impressionistic landscape seen through water ripples. Flecks of green, red, and blue are scattered throughout. The image evokes nature's vibrancy.

    Untitled (LO 269)

    Laura Owens, Dena Schuckit, Catherine Brooks, Emily York, Crown Point Press

    2004

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.85

    Not on view
  • The image shows a rectangular composition filled with evenly spaced dots that form wavy and diagonal lines, creating an abstract pattern. The arrangement of dots resembles a field of pebbles or beads scattered in an orderly fashion. In the lower right corner, the handwritten name "Dorothy" is displayed.

    Salt

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Soapground aquatint on somerset paper  Accession ID  2006.122.61

    Not on view
  • The image features an abstract design composed of curved and straight lines. The curved section is filled with horizontal bands of blue and orange. It is bordered by a thick black line, resembling the outline of a segmented shell or fan. The composition is placed within a small square against a white background.

    Y from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.25

    Not on view
  • The image shows a street scene with a steep road incline. A sidewalk with a manhole cover is visible in the foreground, beside which a classic car is parked. Buildings and residential structures line the street on either side. A stop sign stands in the center, casting a shadow on the pavement. In the background, the street ascends toward a bright sky. The painting features fine, detailed brushstrokes with a style resembling a photograph, achieved through dot patterns. The color palette is muted, with blues, grays, and browns dominating, creating a vintage feel. Sparse greenery can be seen in the upper right corner, including branches of a tree.

    Texas and 20th Intersection

    Robert Bechtle, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with aquatint on somerset paper  Accession ID  2006.122.29

    Not on view
  • ""

    Naked VII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground and softground etching with hand staining on japanese hosho paper  Accession ID  2011.119.140

    Not on view
  • The image shows an urban scene with a light blue classic car parked at an angle against a large white building. A stop sign is visible to the right, casting a shadow on the ground. Yellow lines mark the street that curves with the road's incline. An intersection is seen close by, leading to a narrower street lined with a sidewalk that casts angular shadows. The drawing technique blends colors realistically to show light and shadow play. The color palette includes light blues, greys, and pinks with vibrant yellow road markings. The scene conveys a sense of stillness and is depicted with crisp precision.

    Texas and 20th Intersection [preparatory drawing]

    Robert Bechtle, Crown Point Press

    2004

    Colored pencil and graphite on tracing paper  Accession ID  2014.116.9

    Not on view
  • The image features a small rectangular shape composed of fine lines and dots creating an intricate pattern. The design includes a combination of purple and pink tones blending together on a white background.

    M from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.13

    Not on view
  • In the image, there is a small square with intersecting vertical and horizontal lines in red, yellow, and blue. The lines create an abstract arrangement in a grid-like fashion. The lines are textured and sketched, giving a playful asymmetry to the composition. The rest of the image is blank, highlighting the colorful square.

    W from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.23

    Not on view
  • The image shows a small square with abstract shapes, including two dots and a broken line. The dots are red and yellow, and the black line separates them.

    F from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.6

    Not on view

  • Type

    Richard Tuttle, Dena Schuckit, Case Hudson, John DeMerritt, Crown Point Press

    2004

    Portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.1-26

    Not on view
  • The image displays two clusters of black dots on a soft blue background. Fine lines connect the clusters, resembling smoke or distant galaxies. Thin black lines and spots throughout the scene contribute to the dynamic abstraction, reminiscent of a starry night or a microscopic view.

    Exchange

    Fred Wilson, Crown Point Press

    2004

    Color aquatint, spitbite aquatint and direct gravure on wove somerset paper  Accession ID  2006.122.161

    Not on view
  • This image features a long, vertical line on the left side, accompanied by evenly distributed dotted patterns throughout. A dark blue abstract blotch is positioned on the right side. The background transitions from green at the bottom to light orange at the top.

    Mixed Marks, Grid and Ink Blot

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint with softground etching on wove somerset paper  Accession ID  2006.122.127

    Not on view