Crown Point Press

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  • The image displays an assortment of butterfly shapes with detailed patterns on their wings. The composition creates a sense of movement, similar to a group of butterflies in flight. The background includes shades of green, beige, and gold, suggesting a natural setting.

    Fly

    Janis Provisor, Crown Point Press, Emily York, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatints with printed collage elements on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.103

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • The image displays two rectangular sections. The top rectangle is filled with various blue hues creating an abstract sky-like appearance with soft, cloud-like patterns. Below, a green rectangle is filled with dense, textural line patterns resembling grass or a field in an abstract manner. The image represents a simplified abstract depiction of sky and land using bold colors and textures to create connections to a horizon landscape.

    Mixed Marks, Landscape

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color spitbite aquatint with etching on wove somerset paper  Accession ID  2006.122.128

    Not on view
  • The image shows a bold, sweeping red arc on a textured light blue background. The arc is accompanied by crackles and scattered red spots.

    Mixed Marks, ARC

    Pat Steir, Crown Point Press, Rachel Fuller, Catherine Brooks, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.124

    Not on view
  • The image displays an abstract composition with two circular clusters of black spots on a white canvas. Around these clusters are smaller splatters and dots. Speech bubbles with text are scattered throughout the composition.

    Arise!

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Spitbite aquatint in black with direct gravure on wove somerset paper  Accession ID  2006.122.157

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view
  • ""

    Naked III

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and dyed string chine collé printed on japanese senka-shi and hosho papers  Accession ID  2011.119.135

    Not on view
  • The image features geometric shapes made of straight, angular lines in yellow, red, and blue colors on a blank canvas. The shapes are arranged compactly in the center, creating a puzzle or Tetris-like composition. The white space around the shapes accentuates their colors and forms.

    B from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.2

    Not on view
  • The image shows a series of parallel wavy lines made of red and black dots arranged across the canvas. The dots vary in size.

    Sandhill Country

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Color aquatint with sugarlift aquatint on somerset paper  Accession ID  2006.122.63

    Not on view
  • ""

    Naked VII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground and softground etching with hand staining on japanese hosho paper  Accession ID  2011.119.140

    Not on view
  • The image shows a street scene with a steep road incline. A sidewalk with a manhole cover is visible in the foreground, beside which a classic car is parked. Buildings and residential structures line the street on either side. A stop sign stands in the center, casting a shadow on the pavement. In the background, the street ascends toward a bright sky. The painting features fine, detailed brushstrokes with a style resembling a photograph, achieved through dot patterns. The color palette is muted, with blues, grays, and browns dominating, creating a vintage feel. Sparse greenery can be seen in the upper right corner, including branches of a tree.

    Texas and 20th Intersection

    Robert Bechtle, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with aquatint on somerset paper  Accession ID  2006.122.29

    Not on view
  • In the center of the composition is a small square filled with a grid-like texture. The texture creates an abstract pattern with thin, vertical blue shapes. These blue forms resemble drops of water or slender petals scattered across a dark linen-like background. The surrounding area is a vast expanse of white, emphasizing the central textured section and making the blue elements appear as isolated features in a minimalist design.

    U from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.21

    Not on view