Crown Point Press

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  • The image shows multiple diagonal lines in shades of blue and brown intersecting on a light background. Words like "HIGHLAND," "HYDE," "VINE," and "GRANT" are placed vertically and diagonally along the lines.

    L.A.S.F. #2

    Ed Ruscha, Dena Schuckit, Case Hudson, Crown Point Press

    2003

    Color softground etching on somerset wove paper  Accession ID  2006.122.108

    Not on view
  • The image features two large rectangles side by side, framed by a wide margin of white space. The left rectangle is a muted soft beige color with hints of pink on the edges, while the right rectangle is a darker shade, similar to slate grey or deep blue.

    Verona Variation # 11

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.9

    Not on view
  • The image displays a large, rectangular shape in a pale turquoise color at the center, surrounded by an off-white margin.

    Gem

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.2

    Not on view
  • The image features two large rectangles side by side on a plain background. The left rectangle is brownish in color, while the right one is a cool gray shade. Both rectangles have soft edges that blend slightly into the surrounding area.

    Verona Variation # 14

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.12

    Not on view
  • The image depicts sets of parallel lines intersecting at various angles, forming an abstract composition. The lines are colored in green, blue, and red, and labeled with words such as "COLUMBUS," "BROADWAY," "SUNSET," and "HOLLOWAY."

    L.A.S.F. #3

    Ed Ruscha, Dena Schuckit, Case Hudson, Crown Point Press

    2003

    Color softground etching on somerset wove paper  Accession ID  2006.122.109

    Not on view
  • The image displays geometric shapes and lines in warm yellow and orange tones, mainly rectangular and triangular. The arrangement resembles a stylized cityscape or modern architectural structure.

    Golden Rectangle

    Tom Marioni, Dena Schuckit, Rachel Fuller, Catherine Brooks, Crown Point Press

    2003

    Color aquatint with drypoint on somerset paper  Accession ID  2006.122.53

    Not on view
  • The image displays two elongated rectangular shapes placed side by side against a plain background. Each rectangle is filled with a gradient of color that transitions subtly from the edges towards the center. The left rectangle is a muted yellow-green hue, while the right one is a soft gray tone. The smooth blending of colors creates a sense of depth or a foggy view beyond the rectangles.

    Verona Variation # 15

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.13

    Not on view
  • ""

    Moon Lake

    Pat Steir, Crown Point Press, Rachel Fuller, Case Hudson, Catherine Brooks

    2003

    Color aquatint with spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.131

    Not on view
  • The image contains two large rectangular shapes side by side. The left rectangle is filled with a deep teal color, while the right one is a soft muted yellow. Both rectangles have soft, blurred edges.

    Verona Variation # 2

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.14

    Not on view
  • The image displays a grid-like pattern created by thin, wavering lines intersecting vertically and horizontally on the canvas. The design resembles a distorted checkerboard or a textured surface of woven fabric. The lines warp and shift, hinting at movement within the structured grid layout.

    Straight and not Straight Lines

    Sol LeWitt, Case Hudson, Crown Point Press

    2003

    Etching on somerset paper  Accession ID  2006.122.49

    Not on view
  • ""

    Shape of Water

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Case Hudson

    2003

    Color softground etching with aquatint, spitbite aquatint and drypoint on wove somerset paper  Accession ID  2006.122.134

    Not on view
  • Six vertical rectangles are aligned in a row against a pale background in this image. Each rectangle is filled with a gradient of colors. The colors transition smoothly from muted yellows and greens to deeper blues and reds.

    Verona Suite

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.6

    Not on view