Crown Point Press

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  • The image contains two large rectangular shapes side by side. The left rectangle is filled with a deep teal color, while the right one is a soft muted yellow. Both rectangles have soft, blurred edges.

    Verona Variation # 2

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.14

    Not on view
  • The image depicts sets of parallel lines intersecting at various angles, forming an abstract composition. The lines are colored in green, blue, and red, and labeled with words such as "COLUMBUS," "BROADWAY," "SUNSET," and "HOLLOWAY."

    L.A.S.F. #3

    Ed Ruscha, Dena Schuckit, Case Hudson, Crown Point Press

    2003

    Color softground etching on somerset wove paper  Accession ID  2006.122.109

    Not on view
  • The image displays two adjacent rectangular shapes with soft, slightly blurred edges. The shape on the left is filled with muted gray with hints of brown tones around its borders. The shape on the right is filled with olive green, bordered by warm tones. The composition could be interpreted as two windows or panels.

    Verona Variation # 9

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.21

    Not on view
  • The image shows two large vertical rectangles standing side by side with soft, blurred edges. One rectangle is warm, rusty brown, while the other is muted, pale green. They are set against a plain white background.

    Verona Variation # 13

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.11

    Not on view
  • Two adjacent rectangular shapes are displayed on a plain backdrop. The left rectangle is filled with an abstract blend of olive green. The right rectangle showcases a softer, muted green. The composition and gradients within the rectangles create a serene, abstract visual experience.

    Verona Variation # 8

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.20

    Not on view
  • ""

    Deep River

    Pat Steir, Rachel Fuller, Case Hudson, Catherine Brooks, Crown Point Press

    2003

    Color soapground aquatint with aquatint and drypoint on wove somerset paper  Accession ID  2006.122.115

    Not on view
  • The image contains two large vertical rectangles, side by side. One rectangle is deep teal and the other is burnt orange. The rectangles are set against a neutral background.

    Verona Variation # 10

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.8

    Not on view
  • The image displays a large, rectangular shape in a pale turquoise color at the center, surrounded by an off-white margin.

    Gem

    Anne Appleby, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.2

    Not on view
  • The image features two large rectangles side by side, framed by a wide margin of white space. The left rectangle is a muted soft beige color with hints of pink on the edges, while the right rectangle is a darker shade, similar to slate grey or deep blue.

    Verona Variation # 11

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.9

    Not on view
  • There are two large rectangles in the image. The left rectangle is a deep, dark green, while the right rectangle is a muted gray. Both rectangles have soft, blurred edges, creating an abstract theme. The edges of the shapes blend into the backgrounds, giving the illusion of distant walls covered in mist.

    Verona Variation # 12

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.10

    Not on view
  • The image features two large rectangles side by side on a plain background. The left rectangle is brownish in color, while the right one is a cool gray shade. Both rectangles have soft edges that blend slightly into the surrounding area.

    Verona Variation # 14

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.12

    Not on view
  • The image showcases two large rectangular shapes side by side, one in a muted light grayish beige and the other in a rich warm brown on a plain white background.

    Verona Variation # 3

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.15

    Not on view