Crown Point Press

Displaying 277 - 288 of 1745

Results

  • The image contains two large vertical rectangles, side by side. One rectangle is deep teal and the other is burnt orange. The rectangles are set against a neutral background.

    Verona Variation # 10

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.8

    Not on view
  • The image shows a large, sweeping shape resembling the Greek letter pi (π) painted in gray with a subtle yellow aura. The curving lines and flowing tail of the shape evoke motion, resembling a brushstroke or stylized letter form. The form occupies the right side of the canvas with an open, light background.

    Ghost Pi

    Tom Marioni, Dena Schuckit, Rachel Fuller, Crown Point Press

    2003

    Color drypoint on gampi chine collé on somerset paper  Accession ID  2006.122.52

    Not on view
  • ""

    From the Boat: Horizon

    Pat Steir, Rachel Fuller, Case Hudson, Catherine Brooks, Crown Point Press

    2002

    Color sugarlift aquatint and aquatint with soapground and softground etching on wove somerset paper  Accession ID  2006.122.119

    Not on view
  • This is a painting of a car covered with a fabric parked on the street in front of a building. The scene depicts a vehicle draped with a car cover against the backdrop of a residential building. The building has multiple windows, one casting a shadow on the covered car. A shrub grows next to the building alongside garage doors. These elements suggest an urban or suburban neighborhood setting. The painting uses pointillism style, with dots of varied colors blending to create depth and texture.

    Covered Car--Missouri Street

    Robert Bechtle, Crown Point Press, Case Hudson, Catherine Brooks

    2002

    Color softground etchng with aquatint on wove somerset paper  Accession ID  2011.119.12

    Not on view
  • The image shows a landscape with an island in the center. The horizon cuts across the middle, with trees and structures visible on the island. The artwork features clean brushstrokes, reflecting still water. The top of the image is dark, contrasting with the muted greens and blues below. Deep greens and blues dominate the scene, creating a calm visual impact.

    Carrera

    Peter Doig, Dena Schuckit, Rachel Fuller, Case Hudson, Crown Point Press

    2002

    Color spitbite aquatint with aquatint and etching and softground etching on lana gravure paper  Accession ID  2006.122.32

    Not on view
  • The image displays rectangular forms and a large, irregular shape, creating an abstract composition. The centerpiece resembles a shadowy figure draped in white with a splash of brownish-red. Additional rectangular sections feature blurred texts and images, suggesting shop windows or posters in an urban setting. The abstract elements convey the chaos and lights of a city street scene, with the word "HOTEL" standing out prominently in one section.

    House of Pictures

    Peter Doig, Dena Schuckit, Rachel Fuller, Case Hudson, Crown Point Press

    2002

    Color spitbite aquatint with aquatint, sugarlift aquatint, drypoint and scraping on lana gravure paper  Accession ID  2006.122.36

    Not on view
  • The image shows a landscape viewed from an elevated perspective. A road curves through the scene, with the horizon high near the top. Fields stretch into the distance, with a line of trees and a distant structure at the horizon. The brushstrokes are meticulous, suggesting texture and depth in the fields and road. The color palette is warm and earthy, with soft yellows, browns, and greens. The road is bordered by a dark bank, leading the eye towards the winding path and the cultivated land beyond.

    Hill River

    Wayne Thiebaud, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2002

    Color drypoint with direct gravure and spitbite aquatint on wove somerset paper  Accession ID  2006.122.149

    Not on view
  • The image shows a sloped street viewed from the bottom looking upwards towards the horizon. A small building with dark windows is on the left, with a parked truck on the right. The truck and a streetlight are partially silhouetted against the sky. The brushwork is smooth and soft, creating a gentle atmosphere. The color palette includes muted blues, grays, and beige accents.

    20th and Mississippi–Night

    Robert Bechtle, Crown Point Press, Case Hudson, Catherine Brooks

    2002

    Color direct gravure with spitbite aquatint on wove somerset paper  Accession ID  2011.119.11

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view
  • ""

    Bay

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2002

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.95

    Not on view
  • The image displays a diamond shape on a square background. Inside the diamond, there is a small square with wavy black lines. Below the square, there are two curved lines in light pink and light blue.

    Costume E from Costume

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson

    2002

    Color aquatint from a portfolio of six color aquatints, two with embossing and two with drypoint and embossing on laid fj head handmade antique white paper  Accession ID  2006.122.153.5

    Not on view
  • The image contains a rectangular composition with an abstract arrangement of colored dots in the center. Pale gray dots form a diagonal pattern across the image while the central rectangle consists of soft blues, light yellows, and subtle greens.

    Costume F from Costume

    Richard Tuttle, Crown Point Press, Dena Schuckit, Case Hudson

    2002

    Color aquatint, drypoint, and embossing from a portfolio of six color aquatints, two with embossing and two with drypoint and embossing on wove larroque colombe handmade paper  Accession ID  2006.122.153.6

    Not on view