Crown Point Press

Displaying 313 - 324 of 1745

Results

  • This abstract composition features a central cluster of dark shapes and lines radiating outward on a pale background. Lighter markings extend sporadically across the composition. Surrounding lines and dots create a pattern resembling trails or pathways, contributing to the dynamic yet serene feel of the scene.

    Beach Group

    Wayne Thiebaud, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2002

    Color etching with drypoint on wove somerset paper  Accession ID  2006.122.146

    Not on view
  • The image shows delicate black lines across a pale gradient background. The lines intersect and curve resembling a simplified sketch of a bent paperclip or origami fold. The background transitions from soft blue to faint pink.

    One Second Sculpture

    Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press

    2002

    Color direct gravure with aquatint on somerset paper  Accession ID  2006.122.56

    Not on view
  • The image consists of a large, light-colored rectangle with a yellow half-circle positioned at the bottom edge. The artwork has a simple and geometric feel, with the half-circle resembling the sun and the overall composition resembling a minimalist landscape. The empty space surrounding the shapes enhances the abstract quality of the image.

    GREEN, No. 7 (Absence) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2001

    Aquatint in yellow from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.7

    Not on view
  • The image shows a diagonal rectangle in a gradient of green on a light beige background. The shape cuts across the composition with a slanted position.

    GREEN, No. 4 (Joining) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.4

    Not on view
  • The image features an abstract composition with a curving line resembling an inverted "L" shape. This shape is broad and dark on one end, tapering into a lighter curve. The background consists of beige and cream tones with scattered blotches and wispy lines interweaving with the main form.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.4

    Not on view
  • The image shows irregular black thin lines on a textured beige background. Two orange circles are on the left side. The lines create an abstract composition with the circles adding contrast.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.1

    Not on view
  • ""

    Gaze

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.98

    Not on view
  • The image shows a silhouette of an individual with a partial body obscured by a soft shadow. The person appears to be leaning slightly with one arm raised overhead. Face and hair details are not discernible, with only a faint outline. The clothing suggests a long garment, like a coat or dress. No visible jewelry or objects are present. The background is a flat, textured surface in a muted brown-orange color with speckles and scratches.

    Copper Plate Nudes II (3)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.68

    Not on view
  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image shows various lines and shapes intersecting on the canvas. The composition includes warm, earthy tones with black and orange accents. The abstract scene features curved and angular lines creating movement. Wavy orange lines are located at the bottom right, while beige and black lines are on the left. The arrangement encourages exploration of familiar forms in an abstract space.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.6

    Not on view
  • ""

    Copper Plate Nudes II (5)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint and foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.70

    Not on view
  • ""

    Copper Plate Nudes II (1)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint, foulbiting and drypoint on wove somerset paper  Accession ID  2006.122.66

    Not on view