Crown Point Press

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    Gaze

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.98

    Not on view
  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image shows a triangular form with flowing lines intersecting at various angles. The abstract shape resembles a shadowy figure. The background has horizontal lines resembling wood grain. The color palette and shadowy forms give the impression of a silhouette on a wooden surface.

    Copper Plate Nudes II (4)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.69

    Not on view
  • The image displays an array of curved and linear abstract shapes, with soft, overlapping circles and sharp lines intersecting the canvas. These elements create a dynamic sense of movement. In the upper right, a vivid red circle stands out against the muted background. The surrounding lines and forms suggest floating clouds or distant geological formations.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.5

    Not on view
  • The image displays intersecting lines forming a grid pattern, resembling a city map. The lines vary in thickness and direction. Names like "LA BREA," "POWELL," "BEVERLY," and "OFARRELL" are next to the lines. The intersections suggest urban environments or neighborhoods. The lines create an abstract depiction of a city plan.

    La Brea, Powell from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.4

    Not on view
  • In the center is a vertically oriented rectangle divided horizontally into two sections. The top portion is a smooth, solid color, while the bottom half is textured with a speckled pattern resembling fine droplets or grains. The overall color is a muted green.

    GREEN, No. 5 (Not Dropping) from Purple

    Richard Tuttle, Crown Point Press, Case Hudson, Dena Schuckit, Rachel Fuller

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.5

    Not on view
  • The image displays an arrangement of pale, translucent green geometric shapes on a white background. Forms include a large triangle and several smaller quadrilaterals in a dispersed formation.

    GREEN, No. 1 (Dreams) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1

    Not on view
  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view
  • This is a painting of an abstract composition with mirrored figures. The artwork showcases two mirrored figures facing each other with abstract strokes of blue and brown colors connecting them. The background is neutral, highlighting the contrast and interaction between the rendered elements and the abstract forms.

    Entangled from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.2

    Not on view
  • The image displays abstract lines and shapes in black, gray, and brown. Thin, meandering lines intersect and create an intricate web across the piece. Some lines resemble skeletal structures or branches, while others form incomplete geometric shapes. The abstract nature of the piece leaves room for interpretation.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.7

    Not on view
  • The image shows the outline of a person standing sideways, facing to the right. The figure is in a pink hue against a beige background. There are no facial features or detailed clothing visible. The background is plain with subtle texture. The artist's signature and date are at the bottom.

    Copper Plate Nudes II (2)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.67

    Not on view
  • The image shows a central, wavy, vertical shape surrounded by thin lines and scribbles intersecting across the composition. The artwork includes delicate lines resembling branches or veins, with curved and straight elements that may suggest tools or musical notes. In the background, light smudges and faint outlines enhance the textured appearance, evoking an organic landscape in its simplest forms.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.3

    Not on view