Crown Point Press

Displaying 349 - 360 of 1745

Results

  • The image displays abstract lines and shapes in black, gray, and brown. Thin, meandering lines intersect and create an intricate web across the piece. Some lines resemble skeletal structures or branches, while others form incomplete geometric shapes. The abstract nature of the piece leaves room for interpretation.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.7

    Not on view
  • The image displays intersecting lines forming a grid pattern, resembling a city map. The lines vary in thickness and direction. Names like "LA BREA," "POWELL," "BEVERLY," and "OFARRELL" are next to the lines. The intersections suggest urban environments or neighborhoods. The lines create an abstract depiction of a city plan.

    La Brea, Powell from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.4

    Not on view
  • The image shows lines and shapes forming letters spelling out names of cities on a beige canvas. The names include "LOS ANGELES" and "SAN FRANCISCO," blending into the background. The composition contrasts slightly darker letters with the canvas texture to suggest abstraction and evoke the skyline silhouettes of these cities.

    Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, John DeMerritt, Crown Point Press

    2001

    Portfolio of seven color softground etchings  Accession ID  2006.122.110.1-7

    Not on view
  • The image shows intersecting lines and curves creating an abstract network. The lines are labeled "COLUMBUS," "SUNSET," "BROADWAY," and "HOLLOWAY." The lines, in green and black, evoke a street map. The lines weave together like urban planning or a transit map, suggesting directional flow and connection.

    Columbus, Sunset from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.2

    Not on view
  • The image displays an array of swirling lines and organic shapes that come together to form an abstract composition. At the top, the shapes suggest forms of figures in motion. Below the figures, more defined patterns emerge, resembling stylized creatures with elaborate, plume-like forms. These elements combine to create an abstract scene blending familiar silhouettes with imaginative depictions of textured mounds and feathered patterns.

    Reflect from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint, etching, and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.5

    Not on view
  • ""

    Flourish

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Photogravure printed in black and red on gampi paper chine collé on wove somerset paper  Accession ID  2006.122.97

    Not on view
  • The image features rectangles filled with intricate squiggly lines, drips, and splatters on a beige and white background. The abstract composition forms a complex landscape with elements that may resemble pathways, vases, and figures. The black and gray lines create a pattern similar to street maps or schematics, with parts suggesting hints of city skylines or machinery. The overall presentation resembles an assembly of puzzle pieces.

    Textbook Comic Devices

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with drypoint on hosho paper chine collé  Accession ID  2006.122.31

    Not on view
  • The image shows a triangular form with flowing lines intersecting at various angles. The abstract shape resembles a shadowy figure. The background has horizontal lines resembling wood grain. The color palette and shadowy forms give the impression of a silhouette on a wooden surface.

    Copper Plate Nudes II (4)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.69

    Not on view
  • The image shows a silhouette of an individual with a partial body obscured by a soft shadow. The person appears to be leaning slightly with one arm raised overhead. Face and hair details are not discernible, with only a faint outline. The clothing suggests a long garment, like a coat or dress. No visible jewelry or objects are present. The background is a flat, textured surface in a muted brown-orange color with speckles and scratches.

    Copper Plate Nudes II (3)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color spitbite aquatint with aquatint and texture from the back of a discarded plate on wove somerset paper  Accession ID  2006.122.68

    Not on view
  • The image displays an array of curved and linear abstract shapes, with soft, overlapping circles and sharp lines intersecting the canvas. These elements create a dynamic sense of movement. In the upper right, a vivid red circle stands out against the muted background. The surrounding lines and forms suggest floating clouds or distant geological formations.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.5

    Not on view
  • The image consists of a rectangular shape centered on a textured rectangular background. The central rectangle is horizontal and divided into two sections by sets of parallel lines at the top and bottom. Text within the rectangle reads "GEARY BLVD." at the top and "WILSHIRE" upside-down at the bottom. Lines around the text and subtle color variations within the rectangle suggest aged paper or a vintage map.

    Geary, Wilshire from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.7

    Not on view
  • ""

    Copper Plate Nudes II (7)

    Nathan Oliveira, Dena Schuckit, Rachel Fuller, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with texture from the back of a discarded plate on chine collé on wove somerset paper  Accession ID  2006.122.72

    Not on view