Crown Point Press

Displaying 373 - 384 of 1745

Results

  • The image features a large white background with abstract shapes and lines. In the upper right area, a bright yellow square partially overlaps a soft gray form, intersected by a diagonal, pale yellow line. At the bottom of the image, small, gray, pixel-like squares form a pyramid shape. The composition is abstract and sparse, with much of the canvas open.

    No. 6 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.6

    Not on view
  • The image shows a composition of horizontal lines varying in thickness, creating a pattern of layered streaks and bands. The artwork has alternating hues of dark red and blue with subtle white highlights.

    Night Light II [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.102.b

    Not on view
  • ""

    Memory

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color spitbite and soapground aquatint on wove somerset paper  Accession ID  2006.122.122

    Not on view
  • The image displays a green triangular shape with a rounded top. Below it, there are gray stacked blocks arranged symmetrically. The composition is minimalistic with ample negative space.

    No. 2 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Paul Mullowney, Case Hudson, Dena Schuckit

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.2

    Not on view
  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • ""

    A Walk in the Woods

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color soapground and sugarlift aquatint with aquatint on wove somerset paper  Accession ID  2006.122.143

    Not on view
  • The image shows three vertical rectangles in different solid colors. The left rectangle is a muted greenish-gray, the central one is a subdued mauve, and the right one is a vibrant yellow.

    Autumn Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.1

    Not on view
  • The image shows an arrangement of shapes and lines on a mostly blank canvas. In the upper center, there is an abstract composition with a lavender semicircle adjacent to a grey square, linked by a lighter grey horizontal line. Towards the bottom of the canvas, there is a small abstract pyramid shape comprised of stacked rectangular blocks.

    No. 4 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Paul Mullowney, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.4

    Not on view
  • The image displays a series of interconnected lines and shapes in a V formation across the canvas. The abstract arrangement consists of tangled loops resembling a string of drooping beads or melting icicles, with darker spots interspersed throughout. The undulating forms create symmetry akin to a decorative garland suspended in midair.

    First Verse

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Spitbite aquatint printed in graphite on wove lana gravure paper  Accession ID  2006.122.104

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • ""

    X-2

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.106

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view