Crown Point Press

The image shows two vertical rectangles, one dark purple and the other deep red, positioned parallel to each other and slightly overlapping on a white background.

Any 2 Points: No. 5

Richard Tuttle, Crown Point Press, Rachel Fuller, Daria Sywulak, Brian Shure, Dena Schuckit

1999

Color aquatint with embossing on somerset textured paper Accession ID 2001.142.105.5

Not on view

The image displays eight rectangular panels arranged in a grid of two rows and four columns. Each panel is filled with intricate lines, splotches, and shapes. The composition is abstract, with swirling black lines and splashes of orange and gray resembling scattered ink or paint drops. Some shapes may evoke familiar objects like mountains, cityscapes, or interwoven vines, but remain elusive and abstract in form and arrangement.

Untitled 2

Brad Brown, Crown Point Press, Dena Schuckit, Case Hudson

1999

Color spitbite and sugarlift aquatint with hard and softground etching and drypoint on somerset textured white paper Accession ID 2001.142.15

Not on view

The image shows a dense and intricate network of swirling, multicolored lines contained within a square border, creating an abstract composition. The lines intertwine and overlap, forming a chaotic pattern. The vibrant colors include red, blue, and green, lending the artwork a dynamic and energetic feel.

Eight Small Etchings/Color No. 4

Sol LeWitt, Crown Point Press, Dena Schuckit, Case Hudson, Daria Sywulak, Rachel Fuller

1999

One from a portfolio of eight hardground etchings on somerset textured white paper Accession ID 2001.142.60.4

Not on view

The image displays an intricate pattern of intersecting lines forming a dense, grid-like structure. Each section varies slightly in spacing and color. The abstract composition resembles an envelope, with converging lines creating a triangular flap-like shape at the top of the square. The lines are primarily red, blue, yellow, and black, intersecting at various angles to create a textured appearance. The design is reminiscent of woven fabric or a detailed map grid.

Eight Small Etchings/Color No. 2

Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Daria Sywulak, Dena Schuckit

1999

One from a portfolio of eight hardground etchings on somerset textured white paper Accession ID 2001.142.60.2

Not on view

The image displays a series of interlocking zigzag lines forming a pattern of jagged shapes. The abstract composition creates an intricate tapestry that could resemble a maze or road map. The lines interweave and overlap, drawing the eye through a convoluted journey that echoes the appearance of tree branches or lightning strikes against a contrasting background.

Loops & Curves Blue/Red

Sol LeWitt, Crown Point Press, Rachel Fuller, Case Hudson, Daria Sywulak, Dena Schuckit

1999

Color sugarlift aquatint with aquatint on somerset textured paper Accession ID 2001.142.62

Not on view

There are three rectangles on a white background. The largest rectangle is pale yellow and square-shaped. Two translucent rectangles with a lighter shade of white are layered on top. The image conveys a minimalist and geometric composition.

Any 2 Points: No. 2

Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Brian Shure

1999

Color aquatint with embossing on somerset textured paper Accession ID 2001.142.105.2

Not on view

The image displays a square frame filled with a network of wavy lines in various colors—black, red, blue, and yellow. The lines intersect, forming a grid-like pattern that appears to be in motion.

Eight Small Etchings/Color No. 6

Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit, Daria Sywulak

1999

One from a portfolio of eight hardground etchings on somerset textured white paper Accession ID 2001.142.60.6

Not on view

Black Loops & Curves No. 4

Sol LeWitt, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Rachel Fuller

1999

Sugarlift aquatint in black on somerset textured white paper Accession ID 2001.142.50

Not on view

The image displays a dense network of overlapping, curved lines in a rectangular arrangement. The lines vary in color, including red, yellow, blue, and black, weaving through one another.

Eight Small Etchings/Color No. 8

Sol LeWitt, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Case Hudson

1999

One from a portfolio of eight hardground etchings on somerset textured white paper Accession ID 2001.142.60.8

Not on view

The image features a bold red square against a white background, creating a contrast of shapes and color. This abstract composition emphasizes simplicity and form. The red square may evoke familiar objects such as a window or stop sign, inviting the viewer to make connections with everyday elements. The minimal design highlights the starkness and clarity typical of abstract art.

Any 2 Points: No. 1

Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Brian Shure, Daria Sywulak

1999

Color aquatint with embossing on somerset textured paper Accession ID 2001.142.105.1

Not on view

The image displays a series of erratic lines and shapes on a white background. Black strokes and curves intersect with softer lines, forming an abstract composition. A dominant black oval shape is featured at the bottom center, surrounded by other irregular forms. Some shapes suggest a face or a landscape seen from above. The use of lines and smudges creates depth, resembling a dreamlike map of abstract terrain.

Untitled 1 and Untitled 2 (working proof)

Brad Brown, Case Hudson, Crown Point Press

1999

Color spitbite and sugarlift aquatint with hardground and softground etching and drypoint on wove paper Accession ID 2014.116.11

Not on view

The image shows a close-up view of bare tree branches against a clear sky. There is no visible horizon as the scene focuses on the patterns created by the branches. The image appears to be a print with a smooth texture, and the color palette consists of shades of gray and black for the branches against a pale blue sky. The simplicity of the image emphasizes the interlacing branches and the clarity of the background.

Pin Oak Detail

Sylvia Plimack Mangold, Crown Point Press, Case Hudson

1999

Color softground etching with spitbite aquatint on wove paper Accession ID 2001.142.114.1

Not on view

Crown Point Press

Any 2 Points: No. 5

Any 2 Points: No. 5

Untitled 2

Untitled 2

Eight Small Etchings/Color No. 4

Eight Small Etchings/Color No. 4

Eight Small Etchings/Color No. 2

Eight Small Etchings/Color No. 2

Loops & Curves Blue/Red

Loops & Curves Blue/Red

Any 2 Points: No. 2

Any 2 Points: No. 2

Eight Small Etchings/Color No. 6

Eight Small Etchings/Color No. 6

Black Loops & Curves No. 4

Black Loops & Curves No. 4

Eight Small Etchings/Color No. 8

Eight Small Etchings/Color No. 8

Any 2 Points: No. 1

Any 2 Points: No. 1

Untitled 1 and Untitled 2 (working proof)

Untitled 1 and Untitled 2 (working proof)

Pin Oak Detail

Pin Oak Detail

West Building

East Building

Sculpture Garden

Crown Point Press

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West Building

East Building

Sculpture Garden

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