Crown Point Press

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  • ""

    I Love You Woman

    Janis Provisor, Case Hudson, Dena Schuckit, Rachel Fuller, Crown Point Press

    1999

    Color spitbite and sugarlift aquatint with aquatint and direct gravure on gampi chine collé on wove somerset paper  Accession ID  2006.122.92

    Not on view
  • The image displays a network of intertwining lines in a square frame. The abstract composition features various colors - red, yellow, blue, and black. The lines form loops and curves, suggesting movement and depth in the abstract space.

    Eight Small Etchings/Color No. 7

    Sol LeWitt, Crown Point Press, Case Hudson, Dena Schuckit, Rachel Fuller, Daria Sywulak

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.7

    Not on view
  • ""

    Flying with Friends

    Tom Marioni, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson

    1999

    Color drypoint on somerset textured white paper  Accession ID  2001.142.74

    Not on view
  • ""

    Black Loops & Curves No. 4

    Sol LeWitt, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Rachel Fuller

    1999

    Sugarlift aquatint in black on somerset textured white paper  Accession ID  2001.142.50

    Not on view
  • The image displays a dense network of overlapping, curved lines in a rectangular arrangement. The lines vary in color, including red, yellow, blue, and black, weaving through one another.

    Eight Small Etchings/Color No. 8

    Sol LeWitt, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Case Hudson

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.8

    Not on view
  • This is a photograph of a presentation cover for a publication. The cover features the title "WHY DRAW A LANDSCAPE?" followed by a list of names including Sylvia Plimack Mangold, Jane Freilicher, Pat Steir, Ed Ruscha, and others, printed in a serif font in a centered format. Surrounding the text is a thin rectangular border. At the bottom is the information "Crown Point Press, 1999."

    Why Draw a Landscape?

    Various Artists, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Paul Mullowney

    1999

    Portfolio of eleven intaglio prints with title page  Accession ID  2001.142.114.1-11

    Not on view
  • The image shows an expansive landscape viewed from a slightly elevated perspective. The horizon divides the sky from the land, with hints of trees and low vegetation. The brushstrokes are soft and the colors are gentle and warm, with earthy tones for the land and a gradient from blue to pink in the sky.

    Late Afternoon, Southampton

    Jane Freilicher, Crown Point Press, Daria Sywulak

    1999

    Color spitbite aquatint with hardground etching and drypoint on wove paper  Accession ID  2001.142.114.2

    Not on view
  • The image shows a rectangular shape made up of dark crosshatch lines on a muted green background. Small colored markings in red and blue are scattered above and below the rectangle.

    Tiny Green

    Pat Steir, Crown Point Press, Dena Schuckit

    1999

    Color soapground aquatint with and drypoint on somerset textured white  Accession ID  2001.142.114.3

    Not on view
  • There are three rectangles on a white background. The largest rectangle is pale yellow and square-shaped. Two translucent rectangles with a lighter shade of white are layered on top. The image conveys a minimalist and geometric composition.

    Any 2 Points: No. 2

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Daria Sywulak, Brian Shure

    1999

    Color aquatint with embossing on somerset textured paper  Accession ID  2001.142.105.2

    Not on view
  • The image displays an aerial view of a road stretching from the lower left to the upper right. The road surface has textured details. On the side, there is greenery and a house is visible. Further back, the sky meets the sea on the horizon. Trees partially obscure the horizon, creating depth. The color palette consists of muted greens, blues, and earthy tones. The brushstrokes or printmaking technique give a soft, grainy texture to the scene, contributing to its peaceful atmosphere.

    House Near Stinson Beach

    Robert Bechtle, Crown Point Press, Dena Schuckit

    1999

    Color softground etching with spitbite aquatint on somerset textured white paper  Accession ID  2001.142.114.5

    Not on view
  • The image displays a square frame filled with a network of wavy lines in various colors—black, red, blue, and yellow. The lines intersect, forming a grid-like pattern that appears to be in motion.

    Eight Small Etchings/Color No. 6

    Sol LeWitt, Crown Point Press, Case Hudson, Rachel Fuller, Dena Schuckit, Daria Sywulak

    1999

    One from a portfolio of eight hardground etchings on somerset textured white paper  Accession ID  2001.142.60.6

    Not on view
  • The image shows a close-up view of bare tree branches against a clear sky. There is no visible horizon as the scene focuses on the patterns created by the branches. The image appears to be a print with a smooth texture, and the color palette consists of shades of gray and black for the branches against a pale blue sky. The simplicity of the image emphasizes the interlacing branches and the clarity of the background.

    Pin Oak Detail

    Sylvia Plimack Mangold, Crown Point Press, Case Hudson

    1999

    Color softground etching with spitbite aquatint on wove paper  Accession ID  2001.142.114.1

    Not on view