Crown Point Press

Displaying 361 - 372 of 1745

Results

  • The image displays abstract black lines and markings on an orange-brown background. The lines vary in direction and some are horizontal, creating a structured composition. The background has a soft, textured appearance.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.8

    Not on view
  • The image displays an array of curved and linear abstract shapes, with soft, overlapping circles and sharp lines intersecting the canvas. These elements create a dynamic sense of movement. In the upper right, a vivid red circle stands out against the muted background. The surrounding lines and forms suggest floating clouds or distant geological formations.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.5

    Not on view
  • ""

    Binocular View

    Markus Raetz, Case Hudson, Rachel Fuller, Dena Schuckit, Crown Point Press

    2001

    Color photogravure on wove somerset paper  Accession ID  2006.122.96

    Not on view
  • The image shows various lines and shapes intersecting on the canvas. The composition includes warm, earthy tones with black and orange accents. The abstract scene features curved and angular lines creating movement. Wavy orange lines are located at the bottom right, while beige and black lines are on the left. The arrangement encourages exploration of familiar forms in an abstract space.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.6

    Not on view
  • The image consists of a large, light-colored rectangle with a yellow half-circle positioned at the bottom edge. The artwork has a simple and geometric feel, with the half-circle resembling the sun and the overall composition resembling a minimalist landscape. The empty space surrounding the shapes enhances the abstract quality of the image.

    GREEN, No. 7 (Absence) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Case Hudson, Dena Schuckit

    2001

    Aquatint in yellow from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.7

    Not on view
  • The image consists of a rectangular shape centered on a textured rectangular background. The central rectangle is horizontal and divided into two sections by sets of parallel lines at the top and bottom. Text within the rectangle reads "GEARY BLVD." at the top and "WILSHIRE" upside-down at the bottom. Lines around the text and subtle color variations within the rectangle suggest aged paper or a vintage map.

    Geary, Wilshire from Los Angeles San Angeles

    Ed Ruscha, Dena Schuckit, Rachel Fuller, Crown Point Press

    2001

    One from a portfolio of seven color softground etchings on wove arches satine paper  Accession ID  2006.122.110.7

    Not on view
  • The image displays an arrangement of pale, translucent green geometric shapes on a white background. Forms include a large triangle and several smaller quadrilaterals in a dispersed formation.

    GREEN, No. 1 (Dreams) from Purple

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson

    2001

    Aquatint in green from a portfolio of seven color aquatints on wove somerset paper  Accession ID  2006.122.154.1

    Not on view
  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image shows a central, wavy, vertical shape surrounded by thin lines and scribbles intersecting across the composition. The artwork includes delicate lines resembling branches or veins, with curved and straight elements that may suggest tools or musical notes. In the background, light smudges and faint outlines enhance the textured appearance, evoking an organic landscape in its simplest forms.

    Tender Jokes

    Brad Brown, Case Hudson, Dena Schuckit, Lee Walton, Crown Point Press

    2001

    Color sugarlift and spitbite aquatint with softground etching on somerset paper  Accession ID  2006.122.30.3

    Not on view
  • The image shows two large rectangular shapes positioned adjacent to each other vertically. The left rectangle is a muted grayish-beige, while the right rectangle is a darker earthy green color.

    Jasmine

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.3

    Not on view
  • ""

    X-2

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.106

    Not on view
  • ""

    Memory

    Pat Steir, Daria Sywulak, Dena Schuckit, Rachel Fuller, Crown Point Press

    2000

    Color spitbite and soapground aquatint on wove somerset paper  Accession ID  2006.122.122

    Not on view