Crown Point Press

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  • The image shows irregular vertical and wavy lines forming an abstract pattern resembling wood grain. The colors used are brown, rusty, and lighter shades, creating a textured appearance similar to tree bark or a weathered wooden surface.

    Night Light I [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.101.b

    Not on view
  • ""

    X-1

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Color spitbite aquatint on wove somerset paper  Accession ID  2006.122.105

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • The image shows a composition of horizontal lines varying in thickness, creating a pattern of layered streaks and bands. The artwork has alternating hues of dark red and blue with subtle white highlights.

    Night Light II [right panel]

    Laurie Reid, Crown Point Press, Rachel Fuller, Dena Schuckit

    2000

    Right panel of 2 parts: color spitbite and soapground aquatint on wove lana gravure paper  Accession ID  2006.122.102.b

    Not on view
  • The image features a large white background with abstract shapes and lines. In the upper right area, a bright yellow square partially overlaps a soft gray form, intersected by a diagonal, pale yellow line. At the bottom of the image, small, gray, pixel-like squares form a pyramid shape. The composition is abstract and sparse, with much of the canvas open.

    No. 6 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.6

    Not on view
  • The image shows a semi-circular shape in muted brown tones on a horizontal plane, intersected by a dark and textured formation in the center. A bright blue diagonal strip extends from this formation, resembling a waterfall. At the bottom, there is a small pyramid-like arrangement of light gray blocks. The composition is abstract and open to interpretation.

    No. 1 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Color aquatint, drypoint, and etching from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.1

    Not on view
  • The image shows a variety of overlapping, textured lines and blotchy shapes on a dark background. The abstract artwork has a textured appearance, resembling clouds or a stormy sky. The patterns and formations could be compared to rough stone or animal fur seen up close, suggesting a natural ruggedness.

    Element B [center panel]

    Laurie Reid, Crown Point Press, Dena Schuckit, Rachel Fuller

    2000

    Center panel of 3 parts: color spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.b

    Not on view
  • The image shows intersecting vertical and horizontal lines forming a grid-like pattern. The lines vary in spacing and thickness. Large teardrop-shaped forms are dispersed throughout the grid.

    Element A [left panel]

    Laurie Reid, Rachel Fuller, Dena Schuckit, Crown Point Press

    2000

    Left panel of 3 parts: spitbite aquatint on wove lana gravure paper  Accession ID  2006.122.103.a

    Not on view
  • Three vertical rectangular shapes are placed side by side, creating a triptych effect. Each rectangle features a gradient of muted colors: beige, dark green, and a blend of soft purple and reddish tones. The rectangles resemble painted windowpanes, providing a view as if through translucent panels.

    Winter Aspen

    Anne Appleby, Dena Schuckit, Case Hudson, Crown Point Press

    2000

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.22

    Not on view
  • The image shows an arrangement of shapes and lines on a mostly blank canvas. In the upper center, there is an abstract composition with a lavender semicircle adjacent to a grey square, linked by a lighter grey horizontal line. Towards the bottom of the canvas, there is a small abstract pyramid shape comprised of stacked rectangular blocks.

    No. 4 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Paul Mullowney, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.4

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view