Crown Point Press

Displaying 205 - 216 of 1745

Results

  • The image shows wavy lines formed by dots of varying sizes and colors flowing horizontally across the canvas. The abstract composition creates a sense of movement and rhythm. The dot patterns suggest pathways or trails weaving through a dark background.

    Sandhills

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Color soapground, spitbite and sugarlift aquatint on somerset paper  Accession ID  2006.122.64

    Not on view
  • The image depicts a series of vertical lines made up of small black dots, creating a patterned effect.

    Salt on Mina Mina

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Sugarlift aquatint with gampi chine collé on somerset paper  Accession ID  2006.122.62

    Not on view
  • The image features a small square containing abstract shapes and lines, resembling colorful clouds or ink blots in blue, red, and yellow. Three thin, parallel lines run horizontally across the shapes, creating a sense of separation or connection. The minimalist composition contrasts the vibrant center against a large white background.

    H from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.8

    Not on view
  • ""

    Naked V

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with foul biting and hand staining on japanese senka-shi paper  Accession ID  2011.119.138

    Not on view
  • A red horizontal band of varying width extends across the top third of the image. The red line has vertical streaks resembling dripping paint. The background is a gradient transitioning from light blue at the top to a deeper blue at the bottom.

    Mixed Marks, Floating Mark

    Pat Steir, Crown Point Press, Rachel Fuller, Emily York, Catherine Brooks

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.126

    Not on view
  • The image features a small square with an abstract shape made of dotted lines and solid areas resembling an open padlock. The central figure is isolated on a plain white background, highlighting its abstract quality. The form resembles a padlock, suggesting a familiar object embedded within an abstract representation.

    A from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Etching and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.1

    Not on view
  • The image shows a rectangular composition filled with evenly spaced dots that form wavy and diagonal lines, creating an abstract pattern. The arrangement of dots resembles a field of pebbles or beads scattered in an orderly fashion. In the lower right corner, the handwritten name "Dorothy" is displayed.

    Salt

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Soapground aquatint on somerset paper  Accession ID  2006.122.61

    Not on view
  • The image shows red and blue streaks and lines moving diagonally across the canvas. The abstract composition includes vertical streams resembling paint or ink trails. The arrangement suggests a flow of liquid, like a river or cascading water, with splashes indicating organic movement. The lines and splatters interact with color and texture against a lightly colored background.

    Mixed Marks, Double Mark

    Pat Steir, Crown Point Press, Catherine Brooks, Rachel Fuller, Emily York

    2004

    Color waterbite and sugarlift aquatint on wove somerset paper  Accession ID  2006.122.125

    Not on view
  • The image displays a network of grid-like patterns composed of horizontal and vertical lines made up of small, evenly spaced dots. The lines vary slightly in density and direction, creating a waviness. The dots form grid sections primarily in black, with a few subtle lines in red and yellow.

    Mina Mina Country

    Dorothy Napangardi, Dena Schuckit, Belinda Fox, Crown Point Press

    2004

    Color sugarlift aquatint on somerset paper  Accession ID  2006.122.60

    Not on view
  • The image shows a rectangular composition with abstract elements. At the top, there are red scribbles forming a roughly rectangular shape. Below this, symmetrical blue inkblots spread out in various sizes. These elements play within a larger box outlined in light yellow.

    Mixed Marks, Rorshach with Red Rectangle

    Pat Steir, Crown Point Press, Emily York, Rachel Fuller, Catherine Brooks

    2004

    Color sugarlift and spitbite aquatint with softground etching and drypoint on wove somerset paper  Accession ID  2006.122.129

    Not on view
  • ""

    Naked III

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with hand staining and dyed string chine collé printed on japanese senka-shi and hosho papers  Accession ID  2011.119.135

    Not on view
  • In an expanse of white space sits a small, square area containing an abstract circular shape. The circle is filled in with a dense black pattern resembling a mesh or netting and has irregular, jagged edges that break the clean boundary of the circle. The abstract form is highlighted in the minimal surroundings.

    Q from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.17

    Not on view