Mark Callen

American, active late 20th century

Displaying 13 - 24 of 60

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    My Mind is an Empty Glass

    James Rosenquist, Jill Lerner, Julie Mahler, Mark Callen, Graphicstudio

    1994

    Color photolithograph on chiri kozo wove paper  Accession ID  1995.61.24

    Not on view
  • The image displays a repetitive pattern of diamond-shaped lines arranged in a diagonal grid across a square canvas. The composition has an abstract quality, resembling the texture found on industrial metal flooring or tread plates. The diamond shapes are raised, creating a play of light and shadow that highlights their three-dimensional appearance and adds a tactile sense to the visual depiction.

    Forge

    David Bradshaw, Xiaowen Chen, Mark Callen, Graphicstudio

    1993

    Embossing on 250 gm. arches cover white paper  Accession ID  1995.61.4

    Not on view
  • The image features a combination of curved and straight lines, circular and scribbled shapes. On the left side, there are shapes and dark lines resembling a contour map or technical drawing with various notes and numbers. On the right side, there are black lines resembling twisted cables or ropes, with a knot-like formation. The overlapping lines and textual elements create a visually intricate pattern.

    Propagation Hazard

    David Bradshaw, Xiaowen Chen, Mark Callen, Graphicstudio

    1993

    Photolithograph and lithograph on arches buff 250 gm. paper  Accession ID  1995.61.6

    Not on view
  • The image shows intertwined lines in shades of gold and purple on a cream background, creating an abstract composition. The lines crisscross and loop in a chaotic manner. The overlapping curves and intersections suggest movement and capture the viewer's attention.

    Untitled

    William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio

    1993

    2-color photo-etching on chine collé of gampi on somerset satin 410 gm. paper  Accession ID  1995.61.12

    Not on view
  • The image features swirling and textured shapes forming an abstract composition. A large, dark rectangular form is centrally placed, surrounded by intricate patterns resembling tree bark texture or geographical topography. Splashes of green and beige create an organic mosaic. The rectangular element contrasts with the chaotic forms, enhancing the abstract nature of the piece.

    Untitled

    William S. Burroughs, Xiaowen Chen, Julie Mahler, Mark Callen, Tim Baker, Graphicstudio

    1993

    Photolithograph and photo-etching on rives bfk wove paper  Accession ID  1995.61.9

    Not on view
  • The image shows thin intersecting lines in blue and green creating an intricate pattern on the canvas.

    Untitled

    William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio

    1993

    2-color photo-etching on chine collé of gampi paper  Accession ID  1995.61.15

    Not on view
  • The image features a web of intersecting lines and curves forming an abstract composition. The lines overlap and crisscross, creating a tangled effect similar to wires or a spider web. The artwork's complexity encourages the viewer to follow the paths of the lines, which weave together like flight patterns or sketch lines.

    Untitled

    William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio

    1993

    2-color photo-etching on chine collé of gampi on somerset satin 410 gm. paper  Accession ID  1995.61.14

    Not on view
  • The image shows intersecting red and blue lines forming irregular shapes on a light background.

    Untitled

    William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio

    1993

    2-color photo-etching on chine collé of gampi on somerset satin 410 gm. paper  Accession ID  1995.61.11

    Not on view
  • The image depicts a pattern made of repeating elliptical shapes arranged in a diagonal grid.

    Gritface

    David Bradshaw, Xiaowen Chen, Mark Callen, Graphicstudio

    1993

    Photo-etching on somerset satin 250 gm. paper  Accession ID  1995.61.5

    Not on view
  • The image contains bold black lines and splashes on a divided canvas with blue and yellow sections. Red curves and splatters intermingle with the black lines, creating an abstract composition. The black lines flow across the canvas, resembling ink on paper, while the red elements appear fluid. The contrasting background colors enhance the depth, creating a split horizon effect.

    Waterline

    Hugh O'Donnell, Xiaowen Chen, Mark Callen, Graphicstudio

    1992-1993

    6-color spitbite etching and aquatint printed from pairs of copper plates butted together on arches cover white 270 gm. paper  Accession ID  1995.61.22

    Not on view
  • The image displays bold, black, irregular lines and shapes against a muted, textured background. Two thick, vertical lines extend upwards, converging into an elongated loop at the top. Other irregular black markings and smudges are scattered around.

    Lacuna

    Hugh O'Donnell, Mark Callen, Graphicstudio

    1992-1993

    Spitbite etching in black printed from two copper plates butted together on arches cover white 270 gm. paper  Accession ID  1995.61.23

    Not on view
  • The image shows wide, undulating black lines on a mottled, earthy brown background.

    Sign of the Tiger

    Hugh O'Donnell, Mark Callen, Bradlee Shanks, Graphicstudio

    1991

    Color woodcut, sugarlift, spitbite, openbite etching, and drypoint on arches cover wove paper  Accession ID  1995.61.21

    Not on view