Mark Callen

American, active late 20th century

Displaying 49 - 60 of 60

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  • The image shows vertical swirling lines forming an abstract pattern. The shapes resemble elongated coils or springs, resembling fibrous material or vines. The repeated loops and overlapping lines create movement and rhythm in the composition.

    Figures VI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.108

    Not on view
  • ""

    Balloon

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in black on somerset textured white paper  Accession ID  1998.40.89

    Not on view
  • ""

    Laboratory Still Life, No. 2, State 1

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint and spitbite aquatint in black on somerset textured paper  Accession ID  1998.40.127

    Not on view
  • ""

    Untitled

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in black on somerset textured white paper  Accession ID  1998.40.158

    Not on view
  • The image displays tall, bottle-shaped objects in different colors such as green, yellow, beige, blue, and orange, set against a muted brown background. The colors create a warm and earthy palette. The objects are arranged in a row across the center of the image, with slight overlapping.

    Six Bottles (Large), State 2

    Tony Cragg, Crown Point Press, Lawrence J. Hamlin, Mark Callen, Pamela Paulson

    1988

    Color aquatint and spitbite etching on somerset satin paper  Accession ID  2001.142.33

    Not on view
  • The image displays densely packed, overlapping loops and swirls in a deep blue tone, forming an abstract composition covering most of the surface. The loops create a sense of movement, evoking tangled threads or scribbled lines. The arrangement suggests a dynamic texture of rapidly drawn scribbles, hinting at waves or a floating net.

    Figures I

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.103

    Not on view
  • ""

    Container III

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Spitbite aquatint in black on somerset textured paper  Accession ID  1998.40.100

    Not on view
  • The image showcases a series of overlapping oval shapes created with loosely drawn, swirling lines. The abstract design resembles the appearance of clouds or leaves swaying together. Light green pencil strokes form concentrations that could evoke the look of foliage in a gentle breeze. The abstract pattern incorporates familiar natural elements giving it an organic quality.

    Figures VIII

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.110

    Not on view
  • The image displays a collection of vertical, looping lines and circular shapes closely arranged to form a dense and dynamic pattern. The pattern resembles a woven fabric or intricate forest canopy. The overlapping lines and loops create a visually striking play of light and shadow, offering a complex and familiar design reminiscent of natural elements.

    Figures X

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.112

    Not on view
  • This is a photograph of a textured black surface. The image shows a flat black surface with subtle textures or faint variations in shading. In the center, barely visible, there is text that reads, "TONY CRAGG Figures I-XII 1988."

    Figures I-XI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Portfolio with eleven prints in softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.103-113

    Not on view
  • The image shows swirling, looping lines in blue that form intricate patterns and shapes. The composition can be interpreted as a collection of figures or towers clustered together, suggesting a sense of busyness or density. The overlapping loops and scribbles convey movement and dynamism.

    Figures IV

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.106

    Not on view
  • The image shows a series of overlapping, elongated ovals that create a pattern of thick, looping lines forming an abstract composition. Towards the top center, there are two small, dense, spiral-like shapes. The arrangement may suggest waves or undulating hills, adding a sense of rhythm to the image.

    Figures XI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.113

    Not on view