Mark Callen

American, active late 20th century

Displaying 25 - 36 of 60

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  • ""

    Well from Karma - Echo Blue

    Shoichi Ida, Mark Callen, Crown Point Press

    1989

    Color spitbite aquatint and drypoint on gampi chine collé on somerset textured white paper  Accession ID  1997.8.81

    Not on view
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    Laboratory Still Life No. 1, State 2

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint and spitbite aquatint in black and red on somerset textured paper  Accession ID  1998.40.125

    Not on view
  • The image shows two large utensils, a fork and a knife, on a textured surface that resembles crumpled fabric or a rough landscape. The color palette is primarily shades of grey and black, with highlights of white creating contrast. The fork is positioned towards the upper left with its prongs facing downwards, while the knife lies at an angle from the bottom right towards the center with the blade pointed upwards.

    Landscape

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Spitbite aquatint and aquatint in black on somerset textured white paper  Accession ID  1998.40.129

    Not on view
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    Laboratory Still Life, No. 2, State 2

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Color aquatint and spitbite aquatint on somerset textured paper  Accession ID  1998.40.128

    Not on view
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    Horns II

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in brown on somerset textured white paper  Accession ID  1998.40.123

    Not on view
  • The image displays overlapping, dense loops and circular scribbles in black to create an abstract composition. The loops form elongated shapes resembling clusters of clouds or abstracted tree forms. The chaotic nature of the loops leads the eye across the canvas.

    Figures IX

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: softground etching and aquatint in black on somerset soft white paper  Accession ID  1998.40.111

    Not on view
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    Balloon

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in black on somerset textured white paper  Accession ID  1998.40.89

    Not on view
  • The image shows vertical swirling lines forming an abstract pattern. The shapes resemble elongated coils or springs, resembling fibrous material or vines. The repeated loops and overlapping lines create movement and rhythm in the composition.

    Figures VI

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.108

    Not on view
  • The image showcases a series of overlapping oval shapes created with loosely drawn, swirling lines. The abstract design resembles the appearance of clouds or leaves swaying together. Light green pencil strokes form concentrations that could evoke the look of foliage in a gentle breeze. The abstract pattern incorporates familiar natural elements giving it an organic quality.

    Figures VIII

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    One of a set of eleven prints: color softground etching and aquatint on somerset soft white paper  Accession ID  1998.40.110

    Not on view
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    Container II

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Spitbite aquatint in black on somerset textured paper  Accession ID  1998.40.99

    Not on view
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    Horns I

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Aquatint in red on somerset textured white paper  Accession ID  1998.40.122

    Not on view
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    Container I

    Tony Cragg, Mark Callen, Crown Point Press

    1988

    Spitbite aquatint in black on somerset textured paper  Accession ID  1998.40.98

    Not on view