Bryan Hunt

American, born 1947

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  • The image features a central black shape with an irregular outline, surrounded by swirling strokes of teal and muted gold, creating an abstract appearance. The arrangement of shapes and colors can evoke the image of a silhouetted figure or an island amidst turbulent waters. The chaotic mix of colors and forms emphasizes an abstract scene that allows for various interpretations, suggesting the texture of rocks or clusters of foliage seen from an aerial perspective.

    Small Cairn

    Bryan Hunt, Crown Point Press, Dena Schuckit

    1999

    Color sugarlift and soapground aquatint with softground etching and drypoint on somerset satin white paper  Accession ID  2001.142.114.8

    Not on view
  • ""

    Cairn 2

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color spitbite, sugarlift, and soapground aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.40

    Not on view
  • The image showcases a composition of bold, jagged lines and swirling shapes that form an abstract design. In the central upper area, there is a large, irregular triangular form filled with solid black. Surrounding this shape are dynamic, free-flowing lines and curly patterns. The overall texture is gritty and textured, evoking the ruggedness of natural formations in an abstract manner.

    Cairn 4 [working proof 2]

    Bryan Hunt, Dena Schuckit

    1998

    Soft ground etching and sugar lift aquatint on wove somerset paper [working proof 2]  Accession ID  2024.132.360

    Not on view
  • ""

    Cairn 1 [working proof 3]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 3]  Accession ID  2024.132.355

    Not on view
  • The image displays swirling lines and shapes in black and white. A central bold triangle is prominent in the upper area. The abstract artwork portrays a sense of movement and turbulence. The swirling curves and lines evoke imagery of natural elements like waves or mountains.

    Cairn 4 [working proof 4]

    Bryan Hunt, Dena Schuckit

    1998

    Soap ground and sugar lift aquatints with soft ground etching in grey and black on wove somerset paper [working proof 4]  Accession ID  2024.132.362

    Not on view
  • The image consists of swirling, thick lines and bold shapes forming an abstract composition. There are chaotic lines in the upper left, a central vertical shape, and curving shapes in the lower left corner. Dark and light colors create contrast.

    Cairn 3

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color soapground and sugarlift aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.41

    Not on view
  • ""

    Cairn 1 [working proof 4]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 4]  Accession ID  2024.132.356

    Not on view
  • ""

    Cairn 1 [working proof 1]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 1]  Accession ID  2024.132.353

    Not on view
  • The image shows an abstract collection of swirling lines and shapes in black, white, and muted gold tones. The forms suggest movement and texture, resembling rippling water or organic matter. The dark central area contrasts with lighter sections, creating depth and the illusion of three-dimensional mounds or waves. The artwork evokes dynamic, ever-changing natural forms.

    Cairn 4

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color soapground and sugarlift aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.42

    Not on view
  • The image displays jagged and swirling lines within a rectangular frame. The lines resemble torn paper or crumpled landscapes, hinting at geological formations or maps. The shapes are filled with hatched lines, adding texture and depth, reminiscent of objects like cloudy skies or rock formations. The overall impression is a dynamic and complex network of intersecting lines and shapes.

    Cairn 4 [working proof 1]

    Bryan Hunt, Dena Schuckit

    1998

    Soft ground etching on wove somerset paper [working proof 1]  Accession ID  2024.132.359

    Not on view
  • The image displays swirling, jagged lines and shapes in beige, black, and white colors. The composition resembles turbulent waves or rugged terrain, with bold black markings and lighter tones creating contrast. The overall impression is of an abstract landscape viewed from above, with pathways cutting through textured surfaces.

    Cairn 4 [working proof 3]

    Bryan Hunt, Dena Schuckit

    1998

    Soap ground and sugar lift aquatints with soft ground etching in yellow and black on wove somerset paper [working proof 3]  Accession ID  2024.132.361

    Not on view
  • ""

    Cairn 1 [working proof 2]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 2]  Accession ID  2024.132.354

    Not on view