Bryan Hunt

American, born 1947

Displaying 37 - 48 of 49

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  • ""

    Navigator 2

    Bryan Hunt, Crown Point Press

    1988

    Color soapground etching, aquatint, and drypoint, with scraping and burnishing on somerset white paper  Accession ID  1997.8.71

    Not on view
  • ""

    Ovoid

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    Etching, aquatint, and drypoint in black on somerset satin white paper  Accession ID  1998.40.204

    Not on view
  • The image displays a central rectangular area filled with swirling, layered lines and shapes that create an abstract pattern. The forms are reminiscent of natural textures. The play of light and dark within this area gives an impression of depth, resembling a rugged landscape.

    4 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.4

    Not on view
  • ""

    Quarry at Tuy

    Bryan Hunt, Crown Point Press

    1988

    Softground etching and drypoint with spitbite and soapground aquatint in black on somerset satin white paper  Accession ID  1998.40.205

    Not on view
  • The image features a square filled with swirling lines and curved shapes creating an abstract pattern. The composition has a circular, swirling motion drawing the eye towards a central point. The contrast of black and white within the square suggests depth and motion. The abstract nature of the image allows for varied interpretations.

    1 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.1

    Not on view
  • This is a photograph of a print layout. The image shows the title "BRYAN HUNT FIVE NIGHTS 1988" in a rectangular border on a white background. Below the title is a quote from "The Rime of the Ancient Mariner" by Coleridge: "We were the first that ever burst / Into that silent sea." The bottom section of the print contains details about its creation, mentioning Crown Point Press in San Francisco, California, an etching by Kathan Brown, and assistance by Phil Pemberton and Doris Simmelink. The composition is minimalist, focusing on centered textual information.

    Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    Portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.1-5

    Not on view
  • ""

    Vector

    Bryan Hunt, Crown Point Press

    1988

    Soapground aquatint and drypoint in black on somerset white paper  Accession ID  1998.40.219

    Not on view
  • The image features a square composition filled with swirling, irregular lines and shapes creating an abstract pattern. The lines and forms suggest movement and flow, resembling waves or a windswept landscape. The shapes are layered and overlapping, creating depth, reminiscent of natural formations like mountains or dunes. The black and white color scheme enhances the texture and contrasts within the image, emphasizing its abstract nature.

    5 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.5

    Not on view
  • Swirling lines and bold shapes converge within a square frame on a plain background, creating an abstract composition.

    2 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.2

    Not on view
  • ""

    Navigator 3

    Bryan Hunt, Crown Point Press

    1988

    Color soapground etching, aquatint, and drypoint, with scraping and burnishing on somerset white paper  Accession ID  1997.8.72

    Not on view
  • The image features swirling, curvilinear lines and bold shapes, creating an abstract design. There are segments that suggest a rocky landscape or draped fabric, with layers of dark grays, greens, and hints of white and yellow. The abstraction evokes the feeling of peering into a shadowy cave or a play of light and shadow across a textured surface. The overall effect is like looking at a familiar object refracted through a dream or an expressionistic lens.

    Window

    Bryan Hunt, Crown Point Press

    1986

    Color woodcut on tosa kozo paper  Accession ID  1998.40.220

    Not on view
  • This is a drawing of an abstract figure enclosed in an ornate frame. The central figure has dramatic, flowing lines and is surrounded by swirling patterns. The drawing is rendered in stark black and white contrast, with a subtle gradient background.

    Duet: Wind and Thunder

    Bryan Hunt, Tadashi Toda, Crown Point Press

    1986

    One sheet from a set of two woodcuts in black and gray on echizen torinoko paper  Accession ID  1998.40.193

    Not on view