Bryan Hunt

American, born 1947

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  • The image features a view through an ancient stone doorway with engraved carvings and hieroglyphs. The perspective is from a shaded interior space looking into an illuminated area beyond, casting a long shadow across the ground. The horizon is not visible, and the composition is enclosed within tall vertical lines. The image is captured in black and white, emphasizing contrasts in the texture of the walls. Light and shadow are used effectively to highlight the carvings, creating a sense of antiquity and mystery.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.8

    Not on view
  • The image shows the upper part of a sculpture featuring a seated figure. The sculpture is composed of a material that looks like stone with a weathered, light gray color. The sculpture is partially broken, and its top features a large head with arms set horizontally. It is against a background of stone blocks. The photograph is in black and white, highlighting the texture and form of the sculpture and the stones.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.12

    Not on view
  • The image shows a stone structure resembling an ancient ruin with rectangular blocks forming a doorway. The focus is on the architecture, and the horizon is not visible. The photograph features clean lines, sharp contrast, and black and white tones, emphasizing the texture of the stone.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.9

    Not on view
  • The image shows jagged, irregular shapes surrounded by spontaneous lines and scratches within a rectangular frame. This abstract composition hints at the outline of a large stone figure, resembling a rock formation or ancient statue with a smaller, human-like figure in the center. Light and shadow add an ambiguous quality, with dark tones emphasizing the structure's monolithic presence.

    Memnon 3

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.203

    Not on view
  • This is a photograph of a book cover titled "TEMPLE RUINS." The cover features a fabric texture with a small black and white image in the center. The title "TEMPLE RUINS" is in bold uppercase letters, with "BRYAN HUNT" at the bottom. The black text stands out against the light fabric.

    Cover for Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photolithograph from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.1

    Not on view
  • The image shows a book cover with the title "TEMPLE RUINS" in bold black text and an abstract design. The cover also features the name "BRYAN HUNT" in smaller black letters, with a textured beige background. The abstract sketch combines organic and geometric forms reminiscent of ancient ruins or carvings.

    Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.1-12

    Not on view
  • The image shows swirling lines and shapes interweaving in an abstract composition. Central forms resemble figures or organic shapes outlined in dark, bold strokes. The color palette includes earthy browns, muted greens, and subtle hints of yellow, blurring the boundaries and adding depth and texture. The overall effect is dynamic, resembling a topographical map.

    Sedona Precipice

    Bryan Hunt, Crown Point Press

    1992

    Color softground etching with soapground, sugarlift, and spitbite aquatint and drypoint on somerset soft white textured paper  Accession ID  1998.40.206

    Not on view
  • The image displays an array of overlapping lines and shapes, mainly irregular, organic forms bordered by fine black lines. The shapes resemble rocks or natural formations with earthy tones of brown, green, and hints of reddish-brown, creating a fragmented mosaic. The interplay of colors and textures adds to the complexity, suggesting contours and elevations without specific definitions.

    Island

    Bryan Hunt, Crown Point Press

    1992

    Color softground etching with soapground, sugarlift, and spitbite aquatint on somerset soft white textured paper  Accession ID  1998.40.200

    Not on view
  • The image depicts a monochromatic print showing two rock formations. The viewpoint is from a slight elevation, looking across the formations. The horizon is low in the composition. The style uses bold and subtle etching techniques, creating a textured effect that captures the ruggedness of the rocks with jagged brushstrokes. The color palette is grayscale, with deep blacks defining the rocks against a light gray sky. The border of the print is textured and contains handwritten annotations and a signature.

    Memnon 2

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.202

    Not on view
  • The image shows a landscape depicted in an abstract, sketch-like style. The perspective is slightly elevated, capturing rocky cliffs and a horizon with sparse, brown brushstrokes on a pale background. The composition is monochromatic with a minimalist approach focusing on form and line.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.5

    Not on view
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    Ovoid

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    Etching, aquatint, and drypoint in black on somerset satin white paper  Accession ID  1998.40.204

    Not on view
  • Swirling lines and bold shapes converge within a square frame on a plain background, creating an abstract composition.

    2 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.2

    Not on view