Bryan Hunt

American, born 1947

Displaying 13 - 24 of 49

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  • The image shows an abstract collection of swirling lines and shapes in black, white, and muted gold tones. The forms suggest movement and texture, resembling rippling water or organic matter. The dark central area contrasts with lighter sections, creating depth and the illusion of three-dimensional mounds or waves. The artwork evokes dynamic, ever-changing natural forms.

    Cairn 4

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color soapground and sugarlift aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.42

    Not on view
  • ""

    Cairn 1 [working proof 5]

    Bryan Hunt, Dena Schuckit

    1998

    Color spit bite, sugar lift and soap ground aquatints with soft ground etching and drypoint on somerset paper [working proof 5]  Accession ID  2024.132.357

    Not on view
  • ""

    Cairn 2

    Bryan Hunt, Dena Schuckit, Case Hudson, Crown Point Press

    1998

    Color spitbite, sugarlift, and soapground aquatint with softground etching and drypoint on somerset paper  Accession ID  2006.122.40

    Not on view
  • This is a photograph of a book cover titled "TEMPLE RUINS." The cover features a fabric texture with a small black and white image in the center. The title "TEMPLE RUINS" is in bold uppercase letters, with "BRYAN HUNT" at the bottom. The black text stands out against the light fabric.

    Cover for Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photolithograph from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.1

    Not on view
  • The image features a view through an ancient stone doorway with engraved carvings and hieroglyphs. The perspective is from a shaded interior space looking into an illuminated area beyond, casting a long shadow across the ground. The horizon is not visible, and the composition is enclosed within tall vertical lines. The image is captured in black and white, emphasizing contrasts in the texture of the walls. Light and shadow are used effectively to highlight the carvings, creating a sense of antiquity and mystery.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.8

    Not on view
  • The image shows a landscape depicted in an abstract, sketch-like style. The perspective is slightly elevated, capturing rocky cliffs and a horizon with sparse, brown brushstrokes on a pale background. The composition is monochromatic with a minimalist approach focusing on form and line.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.5

    Not on view
  • The image depicts a monochromatic print showing two rock formations. The viewpoint is from a slight elevation, looking across the formations. The horizon is low in the composition. The style uses bold and subtle etching techniques, creating a textured effect that captures the ruggedness of the rocks with jagged brushstrokes. The color palette is grayscale, with deep blacks defining the rocks against a light gray sky. The border of the print is textured and contains handwritten annotations and a signature.

    Memnon 2

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.202

    Not on view
  • The image depicts bold, vertical shapes and textured lines on the left side of the composition, contrasting with a lighter background. The forms resemble a towering rock formation or a stacked structure, with additional shapes suggesting smaller figures or sculptures nearby. There are subtle scratches and marks throughout the image, contributing to its texture and depth, providing an almost weathered appearance reminiscent of timeworn stone or ancient ruins.

    Memnon 1

    Bryan Hunt, Crown Point Press

    1992

    One from a set of three prints: softground etching with soapground aquatint and drypoint in black on somerset soft white textured paper  Accession ID  1998.40.201

    Not on view
  • The image shows the upper part of a sculpture featuring a seated figure. The sculpture is composed of a material that looks like stone with a weathered, light gray color. The sculpture is partially broken, and its top features a large head with arms set horizontally. It is against a background of stone blocks. The photograph is in black and white, highlighting the texture and form of the sculpture and the stones.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.12

    Not on view
  • This is a drawing of a simple abstract sketch. The image consists of a rectangular sketch outlined in dark brown ink, featuring loosely drawn shapes that resemble ancient ruinous columns or architectural structures set against a roughly textured background. The scene is rendered with minimal line work. There is a handwritten note and signature on the lower right. The image exudes a sense of minimalism and abstract expression.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.6

    Not on view
  • This is a drawing of abstract forms resembling tall structures or pillars. The drawing features vertical lines and abstract shapes that suggest columns or pillars, each topped with shapes hinting at capitals, possibly inspired by classical architecture. The lines are drawn in a loose, sketchy manner, lending the work a dynamic, unfinished quality. The background is minimal. The drawing is monochromatic, with a single color on a light background.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.4

    Not on view
  • Thin and erratic lines form an abstract composition resembling a room with large pillars or columns. The lines suggest a fragmented landscape with glimpses of a textured surface beneath a clear sky. The artwork evokes ancient ruins or remnants of an old structure, like weathered stone or crumbling architecture.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.7

    Not on view