Styria Studio

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  • This is a print of text describing a historical event involving Frank "Jelly" Nash. The image features a block of text printed in a light, serif font against a pale purple background. The title at the top reads "A FINAL TOMB FOR FRANK 'JELLY' NASH." The text narrates the positioning and restoration of a 1933 Chevrolet and a 1932 Dodge sedan, as they were on June 17, 1933, in the parking lot of Union Station in Kansas City, Missouri, relating to the "Kansas City Massacre." It describes the events leading to Frank Nash's death and the deaths of law enforcement officials during his transport to Leavenworth Penitentiary. The narrative also mentions the creation of plaster casts of bullet holes from the incident, to be sold as memorabilia. The print is in a limited edition format, with numbering visible in the lower left corner.

    A Final Tomb for Frank "Jelly" Nash

    Robert Morris, Editions Schellmann & Klüser, Styria Studio

    1980

    Color lithograph on arches wove paper  Accession ID  2016.148.29

    Not on view
  • The image shows a profile view of a woman's head and shoulders. She is facing to the right with a composed expression. Her facial features include a prominent nose, defined eyebrows, and closed lips with a hint of a smile. She has brown hair falling just above her shoulders and is wearing a dark garment with a light dot pattern. The background is a solid, muted gray. No jewelry or accessories are visible.

    Ada Four Times 1

    Alex Katz, Styria Studio, GHJ Graphics

    1979/1980

    Color screenprint and lithograph on arches white cover wove paper  Accession ID  1991.116.60

    Not on view
  • The image shows a woman depicted from the shoulders up. She has dark brown hair, parted in the middle and falling straight down to her shoulders. She is wearing a dark-colored garment with a swirling dot pattern. The background is a plain, muted dark color.

    Ada Four Times 4

    Alex Katz, Styria Studio, GHJ Graphics

    1979/1980

    Color screenprint and lithograph on arches white cover wove paper  Accession ID  1991.116.61

    Not on view
  • The image shows a woman with long brown hair and a neutral expression. She is wearing a dark shirt with a pattern of small, light-colored dots. The background is a solid dark gray.

    Ada Four Times 3

    Alex Katz, Styria Studio, GHJ Graphics

    1979/1980

    Color screenprint and lithograph on arches white cover wove paper  Accession ID  1991.116.62

    Not on view
  • The image features a close-up profile view of a person. The individual faces left, with only their head and shoulders visible. They have light skin, straight brown hair, a prominent nose, arched eyebrows, and noticeable eyelashes. The person wears a patterned garment with a dark background and lighter dotted design up to the collar. The background is a solid muted gray color. No jewelry or objects are visible.

    Ada Four Times 2

    Alex Katz, Styria Studio, GHJ Graphics

    1979/1980

    Color screenprint and lithograph on arches white cover wove paper  Accession ID  1991.116.63

    Not on view
  • ""

    Two Women

    Richard Lindner, Styria Studio

    1977-1978

    Color lithograph on wove paper  Accession ID  2015.19.2900

    Not on view
  • This is a photograph of a conceptual art project proposal. The image includes two sections: the upper section shows earth or mud with the words "MUD FLAT" inscribed in it, while the lower section includes a black-and-white aerial map with "LOCATION" marked in red. The proposed project is for the Western United States and involves a 2000-feet-long excavation using earth materials. The blue hue of the upper portion contrasts with the monochromatic map below. The text at the bottom provides details about the dimensions and materials of the proposed work.

    Mud Flat

    Dennis Oppenheim, Styria Studio, Styria Studio

    1977

    Color lithograph on wove paper  Accession ID  2022.173.38

    Not on view
  • ""

    Texas Mastaba, Project for 500,000 Stacked Oil Drums

    Christo, Styria Studio, APC Editions

    1976

    Color lithograph with screenprint collage on brown paperboard  Accession ID  1996.139.3

    Not on view
  • ""

    Beginning

    Allan D'Arcangelo, Styria Studio, APC Editions

    1975 (published 1976)

    Color lithograph and screenprint with embossing on arches wove paper  Accession ID  1996.139.4

    Not on view

  • Women's Equality

    Marisol, Styria Studio, Lorillard, A Division of Loews Theatres, Inc.

    1975

    Color lithograph on wove paper  Accession ID  2015.19.2592

    On View: West Building Ground Floor, Gallery G29
  • ""

    Sunrise

    Robert Andrew Parker, Styria Studio, APC Editions

    1975 (published 1976)

    Color lithograph on wove paper  Accession ID  1996.139.7

    Not on view
  • The image features a large golden trumpet positioned diagonally across the foreground, intertwined with shiny silver bead garlands. Beside it, a figurine of a colonial soldier in a red coat stands front and center, with a bald eagle figurine to its left. The backdrop showcases a fabric of the American flag, contributing rich hues of red, white, and blue to the overall color palette, while touches of gold, brown, and metallic silver add depth and contrast. In the center and around, there are other smaller objects like stacked red, white, and blue crepe paper, red spheres, and an image of George Washington partially visible on the right. The composition is densely packed, and most objects are clustered around the bottom and center of the image.

    Fourth of July Still Life

    Audrey Flack, Styria Studio, Lorillard, A Division of Loews Theatres, Inc.

    1975

    Color photoscreenprint, printed in sixteen colors and stenciled gloss, with collage of die-cut gold aluminized paper on rives bfk wove paper  Accession ID  2015.19.2587

    On View: East Building Upper Level, Gallery E406