Styria Studio

Displaying 25 - 36 of 133

Results

  • Untitled (Still Life with Lemon and Glass)

    Roy Lichtenstein, Styria Studio

    1974

    Lithograph in yellow and screenprint in black with debossing on smooth, white wove paper  Accession ID  1996.56.70

    Not on view
  • This print shows a stylized, cartoon-like hand pointing at us against a bright red background. The hand has thick black outlines and is filled in with a pattern of small red and white dots. The pointing finger casts a black shadow onto the curled fingers below it. The hand is coming in from the left, and the wrist and part of the arm are visible, wearing a black suit cuff over a white shirt.”

    Finger Pointing

    Roy Lichtenstein, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.15

    Not on view
  • The image depicts bold black brushstrokes forming rectangular and elongated shapes at various angles on a white background. The strokes resemble coarse fabric swatches or wooden planks, creating a tactile surface. A smaller cluster of densely packed strokes at the bottom could be seen as a stack of books or ink-stained grass, adding depth and texture to the composition.

    Untitled

    Richard Peter Stankiewicz, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph on wove paper  Accession ID  1976.66.27

    Not on view
  • The image shows a large, horizontal division with two different colored rectangles. The upper half is bold black and the lower half is stark white. The composition creates a striking contrast resembling a minimalist landscape. The abstract nature of the artwork is emphasized by its clean lines and monochromatic palette.

    Untitled

    Ellsworth Kelly, Styria Studio, Experiments in Art and Technology

    1973

    Screenprint in black on rives bfk wove paper  Accession ID  1976.66.13

    Not on view
  • This is a drawing depicting a simple, abstract form. It shows an oval, dome-like shape against a contrasting background. The form is predominantly white with a gradient of black and gray shading along its edges to create a three-dimensional effect. The shadow cast by the form is distinct, appearing as a dark area that outlines its presence against a soft background. The surrounding space transitions from dense black at the top to lighter gray at the bottom, accentuating the form and shadow. The minimalist style of the drawing focuses on form and shade, with a sharp contrast of black and white tones.

    Untitled

    Robert C. Breer, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph in black on wove paper  Accession ID  1976.66.2

    Not on view
  • The image displays a composition of geometric shapes and lines, with a large, curving outline defining a portrait set against a vibrant pink background. Cut-out and overlapping forms give an abstract quality, suggesting a human figure dressed in formal attire. The image includes a stylized depiction of a suit, with angular shapes hinting at shoulders and a collar, and a tie that combines a black background with a pattern of yellow dots.

    Lenin?

    Larry Rivers, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint and lithograph on wove paper  Accession ID  1976.66.22

    Not on view
  • This is a collage combining graphical elements and text. In the upper part, there is a section of a vintage magazine-style advertisement from 1944 discussing future technological advancements, with a focus on televisions. Below, there are line drawings of a chair with an integrated TV screen, labeled "TV-chair." Additional text prompts considerations about the timeline of innovations like TV-chairs in museums and artists with their TV channels. The page is dedicated to communication-artist Ray Johnson, possibly indicating a tribute to the fusion of art and technology.

    Untitled

    Nam June Paik, Styria Studio, Experiments in Art and Technology

    1973

    Color photo-screenprint on wove paper  Accession ID  1976.66.20

    Not on view
  • The sculpture shows a human figure working on a machine or control panel. The figure is textured and made from a metallic material, giving it an industrial look. The composition is monochromatic, with shades from white to black. The human subject is wearing a suit or uniform, and there are multiple wires extending from a frame in the background. The figure is depicted in a pose of active engagement, leaning forward as if operating or interacting with the equipment.

    Remembrance of Marcel

    George Segal, Styria Studio, Experiments in Art and Technology

    1973

    Photo-screenprint and phonograph record  Accession ID  1976.66.24

    Not on view
  • The image is comprised of horizontal bands creating rectangles across the canvas. The largest segment is a muted pinkish-red rectangle at the top, followed by a lighter pink band beneath it. There is a narrow dark brown stripe above the main section, and a bold, vivid red line at the bottom.

    Untitled

    Kenneth Noland, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.18

    Not on view
  • The image shows a black circular line on a white background. The line is thick, uneven, and incomplete, resembling a broad ring or wheel. The gap at the top suggests a partially open door or archway. The edges of the line appear rough and textured, like an ink trace from a calligraphy brush.

    Untitled

    Richard Serra, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph in black on wove paper  Accession ID  1976.66.25

    Not on view
  • The image shows a landscape captured from a slightly elevated point of view. It features a broad expanse from edge to edge. The horizon sits above the middle, with a dark silhouette of a mountain range. Below the mountains, a row of man-made structures, potentially a bridge, separates the land from a body of water. The water extends in front, creating a vast, open space. The color scheme includes black, grey, and white tones, giving a dramatic feel. The sky above the mountains is overcast, with soft, diffuse light adding to the scene's mood.

    Untitled

    Walter De Maria, Styria Studio, Modern Age Photographic Services, Experiments in Art and Technology

    1973

    Gelatin silver print  Accession ID  1976.66.4

    Not on view
  • The image displays a grid background with lines and geometric shapes intersecting and overlapping. Handwritten notes and measurements are scattered throughout, suggesting a technical or design focus. Some shapes resemble everyday objects like rectangles and circles, possibly tiles or architectural elements. Labeled areas and directional arrows guide the viewer across the structured space.

    Untitled

    Jim Dine, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.6

    Not on view