Renée Bott

Bott, René

American, active second half 20th century

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  • The image shows splattered shapes and dripped lines on a dark background, creating an abstract appearance. The splotches and streaks resemble paint or ink blots on a canvas, with a larger concentration on the left side and scattered spots throughout. There are occasional elongated drips and dispersed white spots.

    Starry Night: July [working proof 3]

    Pat Steir, Renée Bott

    1996

    Color soap ground aquatint with aquatint on somerset paper (wp3 – spit bite and soap ground with aquatint in pink, black and yellow) [working proof 3]  Accession ID  2024.132.625

    Not on view
  • The image depicts a large round flask with a long neck and handle, and a tall cylindrical jar. The color palette consists of soft sepia tones on a light background. Additional objects include a cup, a small pepper shaker, a tiered dessert stand, and a funnel arranged neatly on a flat surface in the foreground.

    Borghetto II

    William Bailey, Crown Point Press, Dena Schuckit, Daria Sywulak, Renée Bott

    1996

    Hardground etching in brown on somerset satin white paper  Accession ID  2001.142.6

    Not on view
  • The image displays multiple containers and vessels positioned on a flat surface. The objects include a small salt shaker, rectangular container, mug, large jug, bowl, pedestal dish, tall jar, and a funnel. The color palette is muted with shades of beige, brown, and pastel green.

    Borghetto I

    William Bailey, Crown Point Press, Dena Schuckit, Renée Bott, Daria Sywulak

    1996

    Color aquatint with hardground etching on somerset satin white paper  Accession ID  2001.142.5

    Not on view
  • ""

    Rain

    Christopher Brown, Renée Bott, Crown Point Press

    1995

    Color spitbite aquatint with aquatint and burnishing on somerset soft white paper  Accession ID  1998.40.49

    Not on view
  • The image displays a landscape with small hills in the distance. The horizon is defined by the hills, separating the sky from the land. Vertical streaks disrupt the scene, adding texture. The color palette is monochromatic with shades of gray. Vegetation is visible on the terrain, becoming denser towards the hills.

    Section 22

    Ed Ruscha, Crown Point Press, Daria Sywulak, Renée Bott

    1995

    Photogravure in black on wove paper  Accession ID  2001.142.113.6

    Not on view
  • The image shows a vertical composition with a central line that undulates in a zigzag or serpentine pattern across a black background. The abstract form resembles a string of vertebrae or a twisted ribbon, conveying a sense of movement and connectivity. Its texture and appearance suggest layering or segmenting, similar to the structure of a spine or a series of stacked irregular blocks. The contrast between the black background and the light-colored central form emphasizes the intricate details within the shapes.

    Tailing

    Gay Outlaw, Crown Point Press, Renée Bott, Daria Sywulak

    1995

    Photogravure in black on wove paper  Accession ID  2001.142.113.4

    Not on view
  • ""

    Full Moon [working proof 1]

    Christopher Brown, Renée Bott

    1995

    Aquatint with hard ground etching and burnishing on somerset paper (wp 1 – grey aquatint, black hard ground (hard ground plate not used in edition), some burnishing)  Accession ID  2024.132.161

    Not on view
  • The image features a nocturnal urban scene captured from street-level. The row of lit storefronts creates a horizon, with a bright "BREENS" shop sign standing out in the distance. The photo has a grainy texture and showcases a contrast between dark shades and vibrant yellows and reds.

    3rd Street

    Tom Marioni, Crown Point Press, Daria Sywulak, Renée Bott

    1995

    Photogravure with color aquatint on wove paper  Accession ID  2001.142.113.3

    Not on view
  • The image shows overlapping circular shapes forming a binocular-like pattern at the center, surrounded by a blurred background. The artwork combines abstract elements with a busy maritime scene. The circular view resembles looking through binoculars, focusing on a specific ship while other boats and water are faintly visible beyond the circles. This composition suggests observing life at sea, with the central imagery standing out as if examining a fleet from afar.

    Between the Eyes

    Christopher Brown, Crown Point Press, Renée Bott, Daria Sywulak

    1995

    Photogravure with softground etching and aquatint printed in yellow  Accession ID  2001.142.113.1

    Not on view
  • This is a photograph of a black book or folder cover. The image shows a dark, solid-colored cover with a light-colored label affixed to the right edge. The label contains text that reads "Gravure Group" with names listed below: Brown, Marioni, Outlaw, and Ruscha, followed by "Crown Point Press" and the year "1995" beneath it. The appearance is minimalistic and modern.

    Gravure Group

    Various Artists, Crown Point Press, Daria Sywulak, Renée Bott

    1995

    Portfolio of six photogravures on wove paper with title page  Accession ID  2001.142.113.1-6

    Not on view
  • ""

    Atlantic Crossing [working proof 1]

    Christopher Brown, Renée Bott

    1995

    Soft ground and hard ground etching with spit bite aquatint, aquatint and burnishing (wp 1 – black hard ground and soft ground)  Accession ID  2024.132.157

    Not on view
  • ""

    Full Moon

    Christopher Brown, Renée Bott, Crown Point Press

    1995

    Aquatint with hardground etching and burnishing in black on somerset soft white paper  Accession ID  1998.40.47

    Not on view