Renée Bott

Bott, René

American, active second half 20th century

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  • The image features a square composition filled with swirling, irregular lines and shapes creating an abstract pattern. The lines and forms suggest movement and flow, resembling waves or a windswept landscape. The shapes are layered and overlapping, creating depth, reminiscent of natural formations like mountains or dunes. The black and white color scheme enhances the texture and contrasts within the image, emphasizing its abstract nature.

    5 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.5

    Not on view
  • This is a photograph of a print layout. The image shows the title "BRYAN HUNT FIVE NIGHTS 1988" in a rectangular border on a white background. Below the title is a quote from "The Rime of the Ancient Mariner" by Coleridge: "We were the first that ever burst / Into that silent sea." The bottom section of the print contains details about its creation, mentioning Crown Point Press in San Francisco, California, an etching by Kathan Brown, and assistance by Phil Pemberton and Doris Simmelink. The composition is minimalist, focusing on centered textual information.

    Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    Portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.1-5

    Not on view
  • ""

    Fleur Rouge IV

    José Maria Sicilia, Renée Bott, Crown Point Press

    1988

    Color drypoint and aquatint on chine collé of japanese gampi on somerset satin paper  Accession ID  1998.40.416

    Not on view
  • The image displays a central rectangular area filled with swirling, layered lines and shapes that create an abstract pattern. The forms are reminiscent of natural textures. The play of light and dark within this area gives an impression of depth, resembling a rugged landscape.

    4 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.4

    Not on view
  • The image displays various organic shapes and intricate lines creating a fluid composition with soft, swirling patterns. The abstract artwork showcases delicate textures, muted tones, and ethereal forms. A triangular beige shape is present at the bottom of the image.

    Déka

    John Cage, Renée Bott, Crown Point Press

    1987

    Monotype on kozo kizuki paper  Accession ID  1996.94.26

    Not on view
  • The image shows geometric shapes and lines in blue with thin red lines intersecting throughout. Horizontal and diagonal lines crisscross the canvas, while rectangular and triangular shapes interlock to create an abstract composition. The overall design resembles a blueprint or technical drawing. The use of abstract design may evoke comparisons to architectural elements or mechanical components.

    Green (working proof 3)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Spitbite aquatint in blue and drypoint in red on wove paper  Accession ID  2014.115.2

    Not on view
  • This print displays geometric shapes with linear patterns and bold colors. It includes a large green shape in the center bordered by blue and gray sections, including a triangular curve near the lower left corner. There are also horizontal stripes of orange and tan and a small triangle of red. The print is surrounded by a border of off-white paper.

    Green

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color spitbite aquatint, soapground aquatint, and drypoint on somerset paper  Accession ID  1996.77.77

    Not on view
  • The image shows an arrangement of geometric shapes, including rectangles and triangles, intersecting and overlaying in an abstract composition. The dominant colors are green, deep orange, and vivid blue. Lines and arcs of red and green weave throughout, creating an intricate network. At the bottom, a gentle arc cuts through the green against a gradient of colors.

    Green (working proof 6)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color drypoint, etching, spitbite aquatint, and soapground aquatint on wove paper  Accession ID  2014.116.56

    Not on view
  • The image shows a composition of geometric shapes and intersecting lines forming a pattern. It features a large abstract field of green covering most of the canvas, bordered with blocks of vibrant blue and golden yellow at the top. A parallel strip of muted beige is at the lower edge, and a curve of dark indigo is at the bottom left. Fine lines weave throughout the image in diagonals and verticals.

    Green (working proof 4)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color spitbite aquatint, soapground aquatint, and drypoint with pasted-down elements on wove paper  Accession ID  2014.115.3

    Not on view
  • The image features a large green rectangle in the foreground with smaller geometric shapes at the top. Various abstract lines, forms, a semicircle, and triangular segments are also visible. A curved white shape appears near the bottom. Rectangular shapes in blue and brown are present at the top.

    Green (working proof 5)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Color soapground aquatint and spitbite aquatint on wove paper  Accession ID  2014.116.57

    Not on view
  • The image displays thin intersecting lines and shapes on a white background, forming an abstract composition. The lines include a shape similar to an infinity symbol, along with triangular and rectangular shapes resembling a kite and a window pane.

    Green (working proof 1)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Drypoint in black on wove paper  Accession ID  2014.116.55

    Not on view
  • The image shows an abstract composition consisting of geometric shapes and lines in various shades of gray and white. The interplay of rectangles, triangles, and diagonal strokes creates a complex structure reminiscent of a blueprint or architectural plan. Some areas suggest window panes or building sections, while the repetition and layering of shapes add depth. Parts of the composition resemble folded paper corners, enhancing the abstract nature of the artwork.

    Green (working proof 2)

    Richard Diebenkorn, Crown Point Press, Marcia Bartholme, Hidekatsu Takada, Lawrence J. Hamlin, Renée Bott

    1986

    Drypoint in black with gray wash and pasted-down elements on wove paper  Accession ID  2014.115.1

    Not on view