Animations:

Visit
Open today 10:00 a.m.–5:00 p.m.
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Sculpture Garden Extended Hours

Open late until 8:00 p.m. on select nights
Through September 5
Exhibitions & Events
America’s 250th

Celebrating American art and artists
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Open 10:00–5:00

Visit
Open today 10:00 a.m.–5:00 p.m.
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Sculpture Garden Extended Hours

Open late until 8:00 p.m. on select nights
Through September 5
Exhibitions & Events
America’s 250th

Celebrating American art and artists
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Renée Bott

Bott, René

American, active second half 20th century

Displaying 97 - 108 of 144

The Shooter's Practice [working proof 13]

Christopher Brown, Renée Bott

1992

Color aquatint with soap ground and spit bite aquatints, soft ground etching and drypoint on somerset paper (wp 13 – red and brown soft grounds with yellow ochre spit bite background) [working proof 13] Accession ID 2024.132.226

Not on view
High Green Version I [working proof 8]

Richard Diebenkorn, Renée Bott, Crown Point Press

1992

Aquatint with spitbite, softground, hardground, and soapground etching and sugarlift aquatint with scraping and burnishing in black on somerset soft white paper [working proof] Accession ID 1996.94.20

Not on view
The Barbarian's Garden - Threatened

Richard Diebenkorn, Renée Bott, Crown Point Press

1992

Ink-transfer aquatint and drypoint with scraping and burnishing in black on rives heavyweight buff paper Accession ID 1996.77.95

Not on view
Flotsam [working proof 4]

Richard Diebenkorn, Renée Bott

1992

Aquatint with drypoint on rives paper [working proof 4] Accession ID 2024.132.281

Not on view
Flotsam [working proof 3]

Richard Diebenkorn, Renée Bott

1992

Aquatint with drypoint on rives paper [working proof 3] Accession ID 2024.132.280

Not on view
Little Red Shapes

Pat Steir, Crown Point Press, Brian Shure, Mari Andrews, Renée Bott

1991

Color spitbite, sugarlift, and soapground aquatint on somerset textured white Accession ID 2001.142.96

Not on view
Touched Red [working proof 3]

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Color softground etching, aquatint, and spitbite etching with drypoint and collage on rives heavyweight paper [working proof] Accession ID 1996.94.13

Not on view
Flotsam

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Aquatint and drypoint with scraping and burnishing on rives heavyweight buff paper Accession ID 1996.77.94

Not on view
Touched Red [working proof 1]

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Aquatint reversal in black on rives heavyweight paper [working proof] Accession ID 1996.94.15

Not on view
Touched Red [working proof 8]

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Color softground etching, aquatint, and spitbite etching with drypoint and collage on rives heavyweight paper [working proof] Accession ID 1996.94.10

Not on view
Touched Red [working proof 10]

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Color softground etching, aquatint, and spitbite etching with drypoint and collage on rives heavyweight paper [working proof] Accession ID 1996.94.8

Not on view
Touched Red

Richard Diebenkorn, Renée Bott, Crown Point Press

1991

Color softground etching, aquatint, and spitbite etching with drypoint on rives heavyweight paper Accession ID 1996.77.93

Not on view