Renée Bott

Bott, René

American, active second half 20th century

Displaying 121 - 132 of 144

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  • ""

    Straits of Pohai [working proof 6]

    Al Held, Renée Bott

    1990

    Hard ground etching on arches paper (wp 6 – many new black hard ground lines, lots of pencil lines indicating additional hard ground lines, some printer’s notes in pencil) [working proof 6]  Accession ID  2024.132.347

    Not on view
  • The image shows vertical lines and rectangles with different lengths and thicknesses on a textured brown background.

    Global Village 1-36 [bottom]

    John Cage, Crown Point Press, Renée Bott

    1989

    Bottom section of 2 parts: aquatint, roulette, and drypoint on smoked brown roma fabriano paper  Accession ID  1996.57.1.b

    Not on view
  • The image shows large outline sketches of flowers with long stems and broad petals, positioned throughout the composition. The color palette is black and white, with a simple line drawing against a plain background. The flowers occupy most of the image, with some stems and leaves extending towards the edges.

    Tulips

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1989

    Softground etching in black on rives heavyweight white paper  Accession ID  1996.77.83

    Not on view
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    Global Village 1-36 [top]

    John Cage, Crown Point Press, Renée Bott

    1989

    Top section of 2 parts: aquatint, roulette, and drypoint on smoked brown roma fabriano paper  Accession ID  1996.57.1.a

    Not on view
  • The image shows swirling and interlocking lines within a rectangular frame on a blank page. The abstract composition resembles leaves or petals spiraling towards a central point. The shapes create a dynamic visual suggesting natural forms in an abstract way.

    3 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.3

    Not on view
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    Rooster

    Ed Ruscha, Renée Bott, Crown Point Press

    1988

    Color aquatint and etching on somerset white wove paper  Accession ID  1997.8.185

    Not on view
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    Fleur Rouge V

    José Maria Sicilia, Renée Bott, Crown Point Press

    1988

    Color drypoint and aquatint on chine collé of japanese gampi on somerset satin paper  Accession ID  1998.40.417

    Not on view
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    Fleur Rouge VI

    José Maria Sicilia, Renée Bott, Crown Point Press

    1988

    Aquatint on japanese gampi chine collé mounted on somerset textured white paper  Accession ID  1997.8.190

    Not on view
  • The image features a square filled with swirling lines and curved shapes creating an abstract pattern. The composition has a circular, swirling motion drawing the eye towards a central point. The contrast of black and white within the square suggests depth and motion. The abstract nature of the image allows for varied interpretations.

    1 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.1

    Not on view
  • Swirling lines and bold shapes converge within a square frame on a plain background, creating an abstract composition.

    2 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.2

    Not on view
  • ""

    Hourglass

    Ed Ruscha, Renée Bott, Crown Point Press

    1988

    Color soapground etching, aquatint, drypoint, and roulette on somerset white wove paper  Accession ID  1997.8.184

    Not on view
  • The image features a square composition filled with swirling, irregular lines and shapes creating an abstract pattern. The lines and forms suggest movement and flow, resembling waves or a windswept landscape. The shapes are layered and overlapping, creating depth, reminiscent of natural formations like mountains or dunes. The black and white color scheme enhances the texture and contrasts within the image, emphasizing its abstract nature.

    5 from Five Nights

    Bryan Hunt, Renée Bott, Crown Point Press

    1988

    One from a portfolio of five soapground aquatints, drypoints, and etchings on wove somerset paper  Accession ID  1998.40.195.5

    Not on view