Renée Bott

Bott, René

American, active second half 20th century

Displaying 109 - 120 of 144

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  • The image features white lines and shapes arranged in angular patterns on a black background. The composition resembles a loose framework or fragmented structure. The shapes overlap, creating depth and complexity in the artwork. The abstract design invites viewers to find vague resemblances to everyday objects.

    Passage II

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Ink-transfer aquatint in black on rives heavyweight white paper  Accession ID  1996.77.87

    Not on view
  • ""

    Straits of Pohai [working proof 8]

    Al Held, Renée Bott

    1990

    Hard ground etching on arches paper (wp 8 – black hard ground, cross hatched background, lots of new hard ground lines and pencil lines indicating additional hard ground lines) [working proof 8]  Accession ID  2024.132.348

    Not on view
  • ""

    Straits of Pohai [working proof 6]

    Al Held, Renée Bott

    1990

    Hard ground etching on arches paper (wp 6 – many new black hard ground lines, lots of pencil lines indicating additional hard ground lines, some printer’s notes in pencil) [working proof 6]  Accession ID  2024.132.347

    Not on view
  • ""

    Straits of Pohai [working proof 10]

    Al Held, Renée Bott

    1990

    Hard ground etching on arches paper (wp 10 – black hard ground everywhere with some pencil lines for additional hard ground line) [working proof 10]  Accession ID  2024.132.349

    Not on view
  • The image displays intersecting lines and geometric shapes with diagonal and horizontal forms creating depth and movement. The abstract composition suggests a fragmented windowpane or complex grid, with round shapes resembling portholes or swirling objects, contributing to an organic feel. Light and dark interplay along with textured surfaces enhance the abstract nature of the piece.

    Ne Comprends Pas

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Ink-transfer aquatint and sugarlift etching on rives heavyweight white paper  Accession ID  1996.77.89

    Not on view
  • The image depicts an upper-body profile view of a person turned to the side. The individual is shown in a seated or reclining position, with one arm bent and the hand resting on something not fully visible. Their facial features are drawn with a prominent nose and a slightly open mouth, and the hair is depicted in flowing, wavy lines. The person appears unclothed, covering their chest with an arm. There are no additional clothes or accessories visible. The background is predominantly an off-white or light color that appears textured, with rough, sketch-like markings surrounding the figure.

    Reading

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Softground etching on rives heavyweight paper  Accession ID  1996.77.85

    Not on view
  • The image shows an arrangement of vertical and horizontal lines with circular and oval shapes. The lines have different thicknesses and create a complex network. The circles and ovals appear to float above the lines. The central area has a textured look.

    Domino II

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Drypoint with softground and hardground etching in black on rives heavyweight white paper  Accession ID  1996.77.91

    Not on view
  • The image shows intersecting lines and shapes on a textured background. The composition comprises arched shapes, circular forms, and linear elements that resemble a network of wires or strands. The elements create a complex visual balance, evoking a fragmented window or a jumble of scribbles. The abstract nature of the piece encourages viewers to interpret the lines and shapes as familiar objects within a structured but chaotic setting.

    Domino I

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Drypoint, softground, and hardground etching with scraping and burnishing in black on rives heavyweight white paper  Accession ID  1996.77.90

    Not on view
  • The image shows a sketched drawing of a person leaning back against a surface. The person's face is slightly turned to the side, with outlined facial features. The clothing and arm are represented with simple lines. The background features abstract shapes and patterns, possibly hinting at a flag in the upper left corner.

    C.J.D.

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Drypoint in black on rives heavyweight white paper  Accession ID  1996.77.92

    Not on view
  • This image shows an arrangement of dark shapes and swirling lines on a light background, creating an abstract composition. The shapes intertwine and branch out, resembling tree branches or a climbing vine. Lines and dots are scattered throughout, suggesting foliage or leaves. The contrast between the dark shapes and light background adds depth to the composition.

    Window

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Softground etching, aquatint, and sugarlift etching in black on rives heavyweight white paper  Accession ID  1996.77.84

    Not on view
  • ""

    Passage I

    Richard Diebenkorn, Renée Bott, Crown Point Press

    1990

    Drypoint, aquatint, and hardground etching with scraping and burnishing on rives heavyweight white paper  Accession ID  1996.77.86

    Not on view
  • ""

    Straits of Pohai [working proof 3]

    Al Held, Renée Bott

    1990

    Hard ground etching on arches paper (wp 3 – black hard ground line and aquatint back ground with beginning of cross hatching) [working proof 3]  Accession ID  2024.132.346

    Not on view