Renee Bott

Bott, René

American, active second half 20th century

Displaying 73 - 84 of 97

The Shooter's Practice [working proof 15]

Christopher Brown, Renee Bott

1992

Color aquatint with soap ground and spit bite aquatints, soft ground etching and drypoint on somerset paper (wp 15 – turquoise and brown soft ground, black aquatint with light orange-brown spit bite back ground) [working proof 15] Accession ID 2024.132.228

Not on view
The Barbarian [working proof 2]

Richard Diebenkorn, Renee Bott

1992

Etching, aquatint reversal and drypoint with scraping and burnishing on rives paper [working proof 2] Accession ID 2024.132.284

Not on view
Flotsam [working proof 2]

Richard Diebenkorn, Renee Bott

1992

Aquatint with drypoint on rives paper [working proof 2] Accession ID 2024.132.279

Not on view
The Barbarian [working proof 1]

Richard Diebenkorn, Renee Bott

1992

Etching, aquatint reversal and drypoint with scraping and burnishing on rives paper [working proof 1] Accession ID 2024.132.283

Not on view
Little Red Shapes

Pat Steir, Crown Point Press, Brian Shure, Mari Andrews, Renee Bott

1991

Color spitbite, sugarlift, and soapground aquatint on somerset textured white Accession ID 2001.142.96

Not on view
Straits of Pohai [working proof 10]

Al Held, Renee Bott

1990

Hard ground etching on arches paper (wp 10 – black hard ground everywhere with some pencil lines for additional hard ground line) [working proof 10] Accession ID 2024.132.349

Not on view
Straits of Pohai [working proof 3]

Renee Bott, Al Held

1990

Hard ground etching on arches paper (wp 3 – black hard ground line and aquatint back ground with beginning of cross hatching) [working proof 3] Accession ID 2024.132.346

Not on view
Straits of Pohai [working proof 8]

Al Held, Renee Bott

1990

Hard ground etching on arches paper (wp 8 – black hard ground, cross hatched background, lots of new hard ground lines and pencil lines indicating additional hard ground lines) [working proof 8] Accession ID 2024.132.348

Not on view
Straits of Pohai [working proof 6]

Al Held, Renee Bott

1990

Hard ground etching on arches paper (wp 6 – many new black hard ground lines, lots of pencil lines indicating additional hard ground lines, some printer’s notes in pencil) [working proof 6] Accession ID 2024.132.347

Not on view
Straits of Pohai [working proof 2]

Al Held, Renee Bott

1990

Hard ground etching on arches paper (wp 2 – black hard ground line, outline of every shape) [working proof 2] Accession ID 2024.132.345

Not on view
Global Village 1-36 [top]

John Cage, Crown Point Press, Renee Bott

1989

Top section of 2 parts: aquatint, roulette, and drypoint on smoked brown roma fabriano paper Accession ID 1996.57.1.a

Not on view
Global Village 1-36 [bottom]

John Cage, Crown Point Press, Renee Bott

1989

Bottom section of 2 parts: aquatint, roulette, and drypoint on smoked brown roma fabriano paper Accession ID 1996.57.1.b

Not on view

Renee Bott

The Shooter's Practice [working proof 15]

The Shooter's Practice [working proof 15]

The Barbarian [working proof 2]

The Barbarian [working proof 2]

Flotsam [working proof 2]

Flotsam [working proof 2]

The Barbarian [working proof 1]

The Barbarian [working proof 1]

Little Red Shapes

Little Red Shapes

Straits of Pohai [working proof 10]

Straits of Pohai [working proof 10]

Straits of Pohai [working proof 3]

Straits of Pohai [working proof 3]

Straits of Pohai [working proof 8]

Straits of Pohai [working proof 8]

Straits of Pohai [working proof 6]

Straits of Pohai [working proof 6]

Straits of Pohai [working proof 2]

Straits of Pohai [working proof 2]

Global Village 1-36 [top]

Global Village 1-36 [top]

Global Village 1-36 [bottom]

Global Village 1-36 [bottom]

West Building

East Building

Sculpture Garden

Renee Bott

Results

West Building

East Building

Sculpture Garden

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