Renée Bott

Bott, René

American, active second half 20th century

Displaying 49 - 60 of 144

Embarcadero [working proof 3]

Al Held, Renée Bott

1994

Color aquatint with spit bite aquatint on somerset paper [working proof 3] Accession ID 2024.132.343

Not on view
The Farmer's Almanac

Christopher Brown, Renée Bott, Crown Point Press

1994

Color spitbite and soapground aquatint, aquatint, and softground etching on somerset soft white paper Accession ID 1998.40.44

Not on view
Embarcadero [working proof 5]

Al Held, Renée Bott

1994

Color aquatint with spit bite aquatint on somerset paper [working proof 5] Accession ID 2024.132.344

Not on view
Sightings

Christopher Brown, Renée Bott, Crown Point Press

1994

Color softground etching with soapground and spitbite aquatint, aquatint, and drypoint on somerset soft white paper Accession ID 1998.40.52

Not on view
For A.

Al Held, Renée Bott, Crown Point Press

1995

Hardground etching with foulbiting on wove paper Accession ID 1996.93.87

Not on view
Sheet Music

Christopher Brown, Renée Bott, Crown Point Press

1994

Color aquatint, soapground and spitbite aquatint, softground etching, and drypoint on somerset paper Accession ID 1998.40.51

Not on view
Camellia White

Robert Kushner, Daria Sywulak, Lawrence J. Hamlin, Renée Bott, Crown Point Press

1994

Color sugarlift, spitbite and soapground aquatint with aquatint and softground etching on somerset paper Accession ID 2006.122.43

Not on view
Diamond from the set Five Studies from an Endless Film

Christopher Brown, Crown Point Press, Renée Bott

1994

Color softground etching with scraping and burnishing on lana royal white paper Accession ID 1998.40.54

Not on view
Continental from the set Five Studies from an Endless Film

Christopher Brown, Crown Point Press, Renée Bott

1994

Color softground etching on lana royal white paper Accession ID 1998.40.53

Not on view
Flag from the set Five Studies from an Endless Film

Christopher Brown, Crown Point Press, Renée Bott

1994

Color softground etching and spitbite aquatint with scraping and burnishing on lana royal white paper Accession ID 1998.40.55

On View: East Building Concourse, Galleries
Sheet Music [working proof 24]

Christopher Brown, Renée Bott

1994

Color aquatint with soap ground and spit bite aquatints, soft ground etching and drypoint on somerset paper (wp 24 – close to edition with 2nd bird added) [working proof 24] Accession ID 2024.132.224

Not on view
Runner from the set Five Studies from an Endless Film

Christopher Brown, Crown Point Press, Renée Bott

1994

Color softground etching with scraping and burnishing on lana royal white paper Accession ID 1998.40.57

Not on view

Renée Bott

Embarcadero [working proof 3]

Embarcadero [working proof 3]

The Farmer's Almanac

The Farmer's Almanac

Embarcadero [working proof 5]

Embarcadero [working proof 5]

Sightings

Sightings

For A.

For A.

Sheet Music

Sheet Music

Camellia White

Camellia White

Diamond from the set Five Studies from an Endless Film

Diamond from the set Five Studies from an Endless Film

Continental from the set Five Studies from an Endless Film

Continental from the set Five Studies from an Endless Film

Flag from the set Five Studies from an Endless Film

Flag from the set Five Studies from an Endless Film

Sheet Music [working proof 24]

Sheet Music [working proof 24]

Runner from the set Five Studies from an Endless Film

Runner from the set Five Studies from an Endless Film

West Building

East Building

Sculpture Garden

Renée Bott

Results

West Building

East Building

Sculpture Garden

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