Jim Dine

Dine, James

American, born 1935

Displaying 49 - 60 of 247

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  • ""

    Black and White Blossom

    Jim Dine, Graphicstudio

    1985/1986

    Etching, aquatint, power tool drypoint in black with burnishing and gray wash on wove paper [state proof]  Accession ID  1991.75.92

    Not on view

  • The Channel

    Jim Dine

    1985

    Drypoint, aquatint, and power-tool drypoint in black on hahnemühle paper  Accession ID  2014.11.50

    Not on view
  • ""

    Lost Shells

    Jim Dine

    1985

    Hand-painted watercolor on etching, with drypoint, and power-tool drypoint on two sheets of wove paper  Accession ID  2014.11.46-47

    Not on view

  • Tools and Dreams

    Jim Dine

    1985

    Drypoint and aquatint  Accession ID  2022.35.12

    Not on view

  • Tools and Dreams

    Jim Dine

    1985

    Drypoint, aquatint, and power-tool drypoint in black on rives bfk paper  Accession ID  2014.11.48

    Not on view

  • Lost Shells

    Jim Dine

    1985

    Hand-painted watercolor on etching, with drypoint, and power-tool drypoint on wove paper  Accession ID  2014.11.46

    Not on view

  • Venus at Sea

    Jim Dine

    1985

    Softground etching, and power-tool drypoint with hand-painting in turquoise and pink acrylic paint on dieu donné paper  Accession ID  2014.11.49

    Not on view

  • Lost Shells

    Jim Dine

    1985

    Hand-painted watercolor on etching, with drypoint, and power-tool drypoint on wove paper  Accession ID  2014.11.47

    Not on view
  • This sculpture is made up of about three dozen shovels, axes, pitchforks, hammers, scissors, saws, wrenches, and other tools arranged across a narrow wooden platform, which supports a free-standing, dark gray gate. The gate form is created by two black poles at the center and one on each narrow end to make two wide doors. Flat metal strips curve in long, shallow, horizontal S-shapes across the top of each door. Widely spaced wire grids extend from the central poles, about halfway across each door. Two thin trunks or branches of white birch trees stand behind the wire, one to each side. The handles of the tools create mostly vertical lines across the gates. The tools lie or sit on the platform, or lean against the gates. A few, including shears, hand drills, and calipers are affixed to the central posts or wire. A few objects stand out. At the leftmost edge of the platform, a propeller leans against the left-hand post. One shovel near the propeller and another near the right end of the platform have been cut across their blades, so they rest flat on the platform, as if thrust into dirt ground. A heart-shaped piece of sheet metal sits behind the gate, to our left. It comes just over halfway up the full-sized shovel in front of it, and is red on the left half and streaked with brown and black on the right half. The handles of a few of the tools project outward, toward us, including a pickaxe and pliers near the middle. The room in which this sculpture stands has a white wall and a wood floor, with the narrow planks laid diagonally to create radiating Vs.

    The Gate, Goodbye Vermont

    Jim Dine

    1985

    Steel, tools, wood  Accession ID  1991.61.1

    Not on view

  • Powder-Puff Tree

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _calliandra grandiflora_ by josephine miles and dick barnes)  Accession ID  1991.114.3.z

    Not on view

  • Winged Passionflower

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _passiflora_ by robert hass)  Accession ID  1991.114.3.w

    Not on view

  • Blue Egyptian Water Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the freeing of the dust_ by denise levertov)  Accession ID  1991.114.3.n

    Not on view