Jim Dine

Dine, James

American, born 1935

Displaying 73 - 84 of 247

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  • The image shows a lotus flower in black and white. There is a lotus bud to the right of the flower, surrounded by large leaves.

    Blue Egyptian Water Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the freeing of the dust_ by denise levertov)  Accession ID  1991.114.3.n

    Not on view
  • The image shows stylized black outlines of flowers and heart-shaped leaves against a light background. The color palette is monochrome, using black and white. The flowers stretch vertically across the image, some located near the top, while the leaves are clustered around the lower part of the image.

    Persian Cyclamen

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the spring_ by ezra pound)  Accession ID  1991.114.3.i

    Not on view
  • The image contains a botanical illustration of a plant with large elongated leaves and clustered flowers. The color palette is monochromatic featuring shades of black and white. The large leaves extend vertically on the right side of the image, while the cluster of flowers is positioned towards the upper left, emerging from a stem that curves upwards. The background is plain white, highlighting the intricate black outlines and shades within the plant illustration.

    Shell Ginger

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _shell ginger_ by john ashberry)  Accession ID  1991.114.3.aa

    Not on view
  • The image shows five large flowers with intricate detailing on thin stems. The color palette is black and white, with the flowers and stems outlined in black against a white background. In the image, there is one flower at the top left, another to its right, and two more below them on the left and right. A fifth flower bud is positioned below the upper flowers, slightly to the left.

    Carnation

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the poems of our climate_ by wallace stevens)  Accession ID  1991.114.3.p

    Not on view
  • The image shows two large floral structures with round clusters on tall stems and broad, leafy bases. The color scheme is primarily black, white, and grey. Large leaves are prominent in the foreground, arching from the bottom center towards the sides, while the floral clusters rise above with patterned circles creating a textured appearance.

    Auricula

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _spring_ by edith sitwell)  Accession ID  1991.114.3.m

    Not on view
  • The image shows intricate botanical elements like leaves, flowers, seed pods, and tendrils in various shades of black and grey on a white background. The composition is dynamic, with larger leaves on the right side and smaller flowers and tendrils on the left and upper sections. The background has a sketchy, textured look.

    Winged Passionflower

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _passiflora_ by robert hass)  Accession ID  1991.114.3.w

    Not on view
  • The composition is a monochromatic etched cluster of six lilies in various stages of growth that emerge from the bottom of a vertical rectangular page. Starting at the bottom of the page, a single dark stem moves up from the center surrounded by small pointed leaves and tightly closed buds curving toward the lower left. Moving up the image, the stem separates into three large white blossoms that overtake the center of the frame. Five of the lilies face us. One lily in the bottom right reveals the back of the petals and base where it connects to the stem. The blossoms have wide flared petals that appear bright against darker surroundings. The flowers are defined with a variety of thick and thin black lines. At the center of the forward-facing lilies, thin stalks with black dots reach outward. Above the main blossoms, the cluster continues with a long, slender bud pointing toward the upper right and another partially opened blossom on the left. These elements form a curved shape that span to the height of the image. The flowers contrast against a background of deep black and dark grey. Scratch marks, straight hatching, and swirling lines fill in the negative space around the cluster. The heavy application of black is concentrated at the bottom of the composition, while the top remains lighter with three patches of deep black.

    Madonna Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _sonnet_ by e.e. cummings)  Accession ID  1991.114.3.s

    Not on view
  • The image showcases large, dark botanical forms with distinct leaves and clusters of smaller floral shapes spread across the page. The color palette consists of shades of black and white, primarily utilizing charcoal shades on a light background to create contrast and depth. Positioned at varying heights, the largest plant stems extend vertically from the bottom, with leaves and floral elements spreading outward and upward, crisscrossing against the softly textured background that is filled with visible sketch lines and marks.

    Narrow-Leaved Kalmia

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _kalmia angustifolia_ by jonathan williams)  Accession ID  1991.114.3.o

    Not on view
  • The image shows a collection of flowers and leaves drawn in black ink. The main flower is located at the top left corner. The color palette is black and white. The arrangement flows from bottom left to top right, with flowers and foliage scattered throughout the composition.

    Details from Nancy's Garden

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper  Accession ID  1991.114.3.a

    Not on view
  • The image shows black silhouettes of plants with tall stems, leaves, and flowers against a white background. The color palette is monochromatic, predominantly black and white. The leaves and flowers start from the bottom center and spread across the image, with flower clusters positioned toward the top, extending left and right. The leaves arch upwards and intermingle with the stems at the lower part of the image.

    Hyacinth

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _moment fugue_ by hart crane)  Accession ID  1991.114.3.u

    Not on view
  • The image shows an abstract cluster of flowers with petals and large leaves. It is rendered in a black and white color palette, creating contrast between dark ink strokes and lighter areas. The flowers are centered with leaves extending outward, framing them. Some speckled shading adds texture to the flowers and leaves.

    Yellow Pitcher Plant

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _yellow pitcher plant_ by thom gunn)  Accession ID  1991.114.3.k

    Not on view
  • The image displays stylized flowers, likely lilies, with large, curved petals and elongated stamens set against a textured, crosshatched backdrop. The color palette is monochromatic, utilizing shades of black and grey on a mostly white background. Positioned in the center of the image, the largest flowers rise upward, with their petals curling and stems extending in various directions, filling much of the composition with their elaborate forms.

    Superb Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the superb lily_ by robert pinsky)  Accession ID  1991.114.3.j

    Not on view